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Spaulding Daniel: Joseph Beuys and
History

Joseph Beuys and History

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

Few countries have had as vexed a political history as Syria. Carved out of the Ottoman empire at the end of the First World War, Syria was then brutally ruled by France. This French 'mandate' carved out new borders with equally provisional neighbours in a process that pulled apart families, trade networks and political assumptions that had already been ravaged by the war. Syria's subsequent history has been a series of attempts to make sense of its borders, including a failed attempt in the late 1950s to unite with Egypt and several humiliations at the hands of Israel's armed forces. The civil war that broke out in 2011 plunged Syria into a nightmarish series of disasters, including the terrible years of Islamic State, ultimately resulting in the reimposition of Bashar al-Assad's dictatorship, which came to an end in 2024. Daniel Neep's remarkable book creates a gripping, intelligent narrative of how Syrians have lived through these events, never losing sight either of the fates of ordinary people or of Syria's rich, complex and diverse society, unwillingly or willingly brought together in such a highly contested space.

A History of Modern Syria

Fleet

The Royal Navy's Eastern Task Force

D-Day Fleet 1944, British Sector

Great Theologians Series

Dietrich Bonhoeffer's theology emerged from the intersection of several contesting streams of the Protestant tradition: high theological liberalism, and the 'Luther renaissance' and 'dialectical theology' movements of the early decades of the 20th century. It is marked by consistent and intense engagement with the Bible read as Christian Scripture and so centred upon Jesus Christ. To appreciate Bonhoeffer's theology requires that we grasp his commitment to Christ as the self-communicative presence of the living God whose identity and agency determines not only Christian life and thought, but all of reality itself. Bonhoeffer's theology continues to influence the direction of contemporary Christian life as well as provoke serious theological reflection wherever it is engaged. Examining Bonhoeffer's theology as a whole, this book points readers to the essential concerns of Bonhoeffer's theology with an eye to the varied careers this theology has had since his death. Following an introductory discussion of his life and literary legacy, Part One considers Bonhoeffer's christology, arguing for its decisive significance to his vision of the nature and tasks of Christian theology. Part Two traverses Bonhoeffer's thought, treating in turn his ecclesiology, anthropology and ethics, and Christian politics. Exploration of each of these themes is deepened by examining the reception and impact Bonhoeffer's theology upon the intense church struggles of the last half of the 20th century, particularly those within the former East Germany, North America, and South Africa under apartheid

Dietrich Bonhoeffer's theology emerged from the intersection of several contesting streams of the Protestant tradition: high theological liberalism, and the 'Luther renaissance' and 'dialectical theology' movements of the early decades of the 20th century. It is marked by consistent and intense engagement with the Bible read as Christian Scripture and so centred upon Jesus Christ. To appreciate Bonhoeffer's theology requires that we grasp his commitment to Christ as the self-communicative presence of the living God whose identity and agency determines not only Christian life and thought, but all of reality itself.    Bonhoeffer's theology continues to influence the direction of contemporary Christian life as well as provoke serious theological reflection wherever it is engaged. Examining Bonhoeffer's theology as a whole, this book points readers to the essential concerns of Bonhoeffer's theology with an eye to the varied careers this theology has had since his death. Following an introductory discussion of his life and literary legacy, Part One considers Bonhoeffer's christology, arguing for its decisive significance to his vision of the nature and tasks of Christian theology.  Part Two traverses Bonhoeffer's thought, treating in turn his ecclesiology, anthropology and ethics, and Christian politics.  Exploration of each of these themes is deepened by examining the reception and impact Bonhoeffer's theology upon the intense church struggles of the last half of the 20th century, particularly those within the former East Germany, North America, and South Africa under apartheid

Theologian of the Word of God

Dietrich Bonhoeffer

Black Arms to Hold You Up

The Death of Stalin

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

The Cambridge China Library

Volume 3 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1958-1976. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Volume 3 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1958â€“1976. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Mao Zedong

On Photography and Social Media

The Social Photo

Based on thousands of never-before translated letters and unpublished sources, Jackie Wullschläger's enthralling biography is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. Deeply moving, it immerses us in that passionate experience, transforming our understanding of the man, his art and the fullness of his achievement.

In the course of a long and exceptionally creative life, Claude Monet revolutionized painting and made some of the most iconic images in western art. Yet behind this great and famous artist is a volatile, voracious, nervous yet reckless man, largely unknown. Jackie Wullschläger's enthralling biography, based on thousands of never-before translated letters and unpublished sources, is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. He was as obsessional in his love affairs as in his love of nature, and changed his art decisively three times when the woman at the centre of his life changed. His work also responded intensely to outside cataclysms - the Dreyfus Affair, the First World War. Prime Minister Georges Clemenceau was his closest friend. Rich intellectual currents connected him to writers from Zola to Proust; affection and rivalry to Renoir, Pissarro and Manet. Monet said he was driven 'wild with the need to put down what I experience'. This rich and moving biography immerses us in that passionate experience, transforming our understanding of the man, his paintings and the fullness of his achievement.

The Restless Vision

Monet

Aesthetics and Contemporary Art

James Hyde, a practicing painter, boldly revises the concept of space in the European history of art. He presents it as a concept bound to historical circumstance, developing -sometimes contentiously-in philosophy, mathematics and science, and finally emerging in 20th century theorizations of art. Using primary documents, Hyde exposes what many will find surprising-that space only becomes part of the descriptive and analytic apparatus of art and architecture at the turn of the 20th century, not earlier. Hyde examines narratives that have shaped our understanding of the history of art and their explanatory efficacy in the context of the transformations of 13th and 15th century Italian art. He offers insights into the relationship between painting, architecture, icons and narrative pictures, the effects of St. Francis's miracles on painting and the essential diagrammatical nature of Renaissance perspective. The arrival of space into discussions about art introduces Kant, Leibniz, Apollonaire and Adolf von Hildebrand into the story. Hyde considers how and why artists and historians appropriated space at the end of the 19th century, as well as how space moved from the discourse of Neoclassical sculpture and Cubism to its prominence in discussions of art today. Hyde's original reading of the definition of space and the cultural forces that shaped it provides a re-envisioning of the foundations of art history and the philosophy of art.

Controversies, Contradictions and its Rise to Prominence

The Trouble with Space in Painting

'Spain's finest contemporary novelist' Guardian

Last Evenings with Teresa

Joseph Beuys and History

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