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Marsé J: Last Evenings with Teresa / B

Last Evenings with Teresa

'Spain's finest contemporary novelist' Guardian

Penguin Modern Classics

Following the events of one single day in Dublin, the 16th of June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'. This new edition is based on the original 1922 edition, now the preferred text of Joyce's masterwork, and includes an introduction by world-renowned Joycean scholar, Andrew Gibson.

Following the events of one single day in Dublin, the 16th of June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'. This new edition is based on the original 1922 edition, now the preferred text of Joyce's masterwork, and includes an introduction by world-renowned Joycean scholar, Andrew Gibson.

Ulysses

Mrs Sidhu’s Just Desserts

The highly anticipated new novel from JJ Bola, depicting the remarkable true story of Ota Benga

The Life and Times of Ota Benga

Virago Modern Classics

The Weather In The Streets

<div>“This is Burroughs’s most accessible, tightly knit work of fiction. . . . Laid out as a stripped-down movie script it’s almost as if this is the form that Burroughs has always needed.”—Kirkus Reviews Before he was gunned down in the Palace Chop House in Newark, New Jersey, in October 1935, Arthur Flegenheimer, alias Dutch Schultz, was generally considered New York’s number one racketeer. Taken to a hospital following the gangland shooting, Schultz survived for two days. His room was guarded around the clock, and a police stenographer was stationed at his bedside in the hope of learning who is assailant or assailants were. Instead, what was recorded were Dutch’s fevered fantasies, stemming from his childhood and youth, as well as his recent past. Taking these “last words” as a starting point, Burroughs has created in this work a fantasia on Dutch Schultz, a narrative that takes the form of a film script and explores themes including crime, addiction, and power. </div>

A Revised Screenplay Version of The Last Words of Dutch Schultz

Come in with the Dutchman

The Dice Was Loaded From The Start

WITH A NEW INTRODUCTION BY IRENOSEN OKOJIE 'Gloria Naylor is gifted with timeless wisdom, bottomless empathy, and limitless language. Her novels will shine a light for readers and writers for generations to come' Tayari Jones, author of An American Marriage, winner of the Women's Prize for Fiction In post-World War II Brooklyn, on a quiet backstreet, there's a little place that draws people from all over-not for the food, and definitely not for the coffee. An in-between place that's only there when you need it, Bailey's Cafe is a crossroads where patrons stay for a while before making a choice: Move on or check out? Patrons include Sadie, the ladylike alcoholic with a mania for cleanliness; Sweet Esther, who caters to unspeakable appetites in a nearby 'boarding house', taking payment only in white roses; and Mariam, the Ethiopian child who may be the bearer of a miracle. Naylor's breath-taking novel is an enthralling fusion of lives whose courage, mystery and humour suggest nothing less than a blues tapestry of America. 'Gloria Naylor was one of the greatest novelists who ever lived. Every single one of her works was masterful, crafted with the kind of rare artistic brilliance that places her in extremely limited company . . . She holds a hallowed place in the canon, and also in hearts, minds, bodies, and spirits' Robert Jones, Jr., author of The New York Times bestselling novel, The Prophets

WITH A NEW INTRODUCTION BY IRENOSEN OKOJIE 'Gloria Naylor is gifted with timeless wisdom, bottomless empathy, and limitless language. Her novels will shine a light for readers and writers for generations to come' Tayari Jones, author of An American Marriage, winner of the Women's Prize for Fiction In post-World War II Brooklyn, on a quiet backstreet, there's a little place that draws people from all over-not for the food, and definitely not for the coffee. An in-between place that's only there when you need it, Bailey's Cafe is a crossroads where patrons stay for a while before making a choice: Move on or check out? Patrons include Sadie, the ladylike alcoholic with a mania for cleanliness; Sweet Esther, who caters to unspeakable appetites in a nearby 'boarding house', taking payment only in white roses; and Mariam, the Ethiopian child who may be the bearer of a miracle. Naylor's breath-taking novel is an enthralling fusion of lives whose courage, mystery and humour suggest nothing less than a blues tapestry of America. 'Gloria Naylor was one of the greatest novelists who ever lived. Every single one of her works was masterful, crafted with the kind of rare artistic brilliance that places her in extremely limited company . . . She holds a hallowed place in the canon, and also in hearts, minds, bodies, and spirits' Robert Jones, Jr., author of The New York Times bestselling novel, The Prophets

Bailey's Cafe

For the Black citizens of the exclusive neighbourhood of Linden Hills, the road to hell may well be by following the white American dream. A rediscovered twentieth-century classic that blends social criticism with magical realism, this is a masterpiece by one of the giants of Black American literature.

For the Black citizens of the exclusive neighbourhood of Linden Hills, the road to hell may well be by following the white American dream. A rediscovered twentieth-century classic that blends social criticism with magical realism, this is a masterpiece by one of the giants of Black American literature.

Linden Hills

Black Literary and Cultural Expressions

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa's foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition - including his adoption of izibongo, Zulu praise poetry - and the role of the artist as a chronicler of his people's history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene's profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art - in this 21st-century moment of climate crisis - as both a form of activism and a political tool to the African creative writer.

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa’s foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition – including his adoption of izibongo, Zulu praise poetry – and the role of the artist as a chronicler of his people’s history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene’s profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art – in this 21st-century moment of climate crisis – as both a form of activism and a political tool to the African creative writer.

African Literature, Aesthetic, and Transatlantic Formulation

The Epic Poetry of Mazisi Kunene

The True Story of the Auschwitz Survivor and His Mission to Save the Jews of Poland

Out of Auschwitz

The Echoing Grove

Dubliners, Joyce's first major work and written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. From 'The Sisters', a vivid portrait of childhood faith and guilt, to 'Araby', a timeless evocation of the inexplicable yearnings of adolescence, to 'The Dead', in which Gabriel Conroy is gradually brought to a painful epiphany regarding the nature of his existence, Joyce draws a realistic and memorable cast of Dubliners together in an powerful exploration of overarching themes. Writing of social decline, sexual desire and exploitation, corruption and personal failure, he creates a brilliantly compelling, unique vision of the world and of human experience.

Dubliners, Joyce's first major work and written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. From 'The Sisters', a vivid portrait of childhood faith and guilt, to 'Araby', a timeless evocation of the inexplicable yearnings of adolescence, to 'The Dead', in which Gabriel Conroy is gradually brought to a painful epiphany regarding the nature of his existence, Joyce draws a realistic and memorable cast of Dubliners together in an powerful exploration of overarching themes. Writing of social decline, sexual desire and exploitation, corruption and personal failure, he creates a brilliantly compelling, unique vision of the world and of human experience.

Dubliners

Last Evenings with Teresa

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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