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The astonishing story of The Jesus and Mary Chain by its two founding members

Reid W: Never Understood / B

Never Understood

The Jesus and Mary Chain

The Inside Story of Onlyfans

Easy Money

This open access book offersa cultural history of lawsuits that traces the development of French performance rights from la Belle Époque, throughthe Roaring Twenties, and into thePost-War period. It does so by analysing the ways in which performers, composers, and playwrights took to French courtrooms, sought attention in mass media, and participated in political debates to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. By the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre and the rise of modern celebrity culture, to mass media and radio entertainment, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emergence of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

Be More

Dance-floor-filling bangers, complete and radical optimism, killer style - we'd all love to be a bit more Dua Lipa. Since her breakout smash hit "New Rules," Dua Lipa has been constantly delivering zeitgeisty dance tracks that have swept the world. From her mermaid cameo in Barbie to her fan-focused book club, she is a multi-faceted pop star who constantly challenges and surprises her audience. With this beautifully illustrated guide, learn to channel your inner pop queen, and find advice on how to live, dance, party and love like Dua.

New Rules to Help You Dance the Night Away and Fill You with Radical Optimism

Be More Dua Lipa

How Reclaiming Girlhood Can Redefine Womanhood

I'm Just a Girl

Why do organizations keep causing harm? And how do we cure toxic cultures? "A timely, rigorous, and deeply unsettling book."—Amy C. Edmondson, Novartis Professor of Leadership and Management, Harvard Business School, and author of The Fearless Organization Not a week goes by with out yet another major organizational scandal: Open AI’s agents going rogue, Volkswagen’s emissions cheating, Boeing’s persistent safety issues, endemic police misconduct at the Oakland PD, and sexual abuse at yet another Roman Catholic Church. So why do do organizations keep causing these harms? Benjamin van Rooij and Nicholas Lord argue that to truly understand and address the impacts of dysfunctional organizations we must look beyond leadership and understand the deeper problems in the organization itself. To do so, Toxic uses dozens of in-depth case studies to connect the dots between various scandals and illustrate the deeper toxic patterns within organizations that lead to them. Each chapter recounts compelling stories of individuals caught within these toxic systems and addresses urgent societal challenges such as environmental degradation, the opioid epidemic, the harms of social media, and police abuse. Stories include:<ul><li>Facebook sought to grow from 1 billion to 5 billion users, leading it to enter Myanmar’s volatile ethnic context without having the knowledge or capacity to do proper content moderation, and thus contributing to genocide.</li><li>Don Parus, a BP engineer made an all-out effort to warn company leaders to invest in safety, just months before a major explosion killed fiteen and injured hundreds at its Texas City Refinery.</li><li>Keith Batt, a rookie at the Oakland Police Department, was made to witness, condone and participate in falsifying arrest records, planting evidence, and even in unsanctioned violence, all within two weeks on the job.</li></ul>Revealing, accessible, engaging, and unsettling, Toxic breaks down the core characteristics of toxic organizations and shows readers how to recognize and address toxicity in their everyday lives.

Why do organizations keep causing harm? And how do we cure toxic cultures? "A timely, rigorous, and deeply unsettling book."—Amy C. Edmondson, Novartis Professor of Leadership and Management, Harvard Business School, and author of The Fearless Organization Not a week goes by with out yet another major organizational scandal: Open AI’s agents going rogue, Volkswagen’s emissions cheating, Boeing’s persistent safety issues, endemic police misconduct at the Oakland PD, and sexual abuse at yet another Roman Catholic Church. So why do do organizations keep causing these harms? Benjamin van Rooij and Nicholas Lord argue that to truly understand and address the impacts of dysfunctional organizations we must look beyond leadership and understand the deeper problems in the organization itself. To do so, Toxic uses dozens of in-depth case studies to connect the dots between various scandals and illustrate the deeper toxic patterns within organizations that lead to them. Each chapter recounts compelling stories of individuals caught within these toxic systems and addresses urgent societal challenges such as environmental degradation, the opioid epidemic, the harms of social media, and police abuse. Stories include:<ul><li>Facebook sought to grow from 1 billion to 5 billion users, leading it to enter Myanmar’s volatile ethnic context without having the knowledge or capacity to do proper content moderation, and thus contributing to genocide.</li><li>Don Parus, a BP engineer made an all-out effort to warn company leaders to invest in safety, just months before a major explosion killed fiteen and injured hundreds at its Texas City Refinery.</li><li>Keith Batt, a rookie at the Oakland Police Department, was made to witness, condone and participate in falsifying arrest records, planting evidence, and even in unsanctioned violence, all within two weeks on the job.</li></ul>Revealing, accessible, engaging, and unsettling, Toxic breaks down the core characteristics of toxic organizations and shows readers how to recognize and address toxicity in their everyday lives.

How Organizations Go Bad

Toxic

'Clever and funny, Corey writes with the venom of a bee sting and the impact of a frying pan to the back of the head' - Jessa Crispin, author of What Is Wrong with Men'Exhaustively researched, extremely entertaining, and surprisingly profound . . . This is by far the best book I've ever read on celebrity in the twenty-first century' - Leigh Stein, author of Self-CareFrom the creator of the viral Kardashian Kolloquium comes a New Media manifesto for the TikTok age - blending theory, cultural analysis and history to explain the meteoric rise of the Kardashians and what their fame reveals about how media functions today.Since 2007, Kim Kardashian and her extended family have mesmerised - and scandalised - the American public. We've been immersed in their social lives, controversies and reality TV exploits, while witnessing the staggering ascent of their multibillion-dollar fashion, beauty and media empire. But the central question remains: why are the Kardashians so famous? And what does their enduring relevance tell us about the media systems that shaped - and were shaped by - them?In Dekonstructing the Kardashians, MJ Corey, creator of the viral social platform Kardashian Kolloquium, delivers more than just the definitive cultural chronicle of the First Family of reality TV. She offers a probing exploration of how media has evolved in the internet age -and how it's reshaping our identities, our attention, and our understanding of reality itself. Part media theory, part cultural critique and part historical deep-dive, Dekonstructing the Kardashians weaves together fifty years of Western media history.Corey shows that the Kardashians aren't just celebrities - they're a mirror of our media moment, offering a key to understanding fame, identity and reality in the digital age.

Dekonstructing the Kardashians

BFI Screen Guides

In this follow up to their original 100 Cult Films volume, Ernest Mathijs and Xavier Mendik provide a guide to one hundred more incredible films, from the 1911 Italian silent Dante's Inferno to Ti West's horror trilogy X, Pearl (2022) and MaXXXine (2024). This richly illustrated guide addresses the work of filmmakers including Stanley Kubrick, Paul Verhoeven, Ana Lily Amirpour, Stephanie Rothman, Rob Reiner and Dario Argento, with movies hailing from Iran to Brazil, South Korea to Sweden, Japan to the USA, and from the high North to the Australian outback. 100 Cult Films: The Sequel presents an alchemy of genres including science-fiction, romance, horror, musical, vampire, comedy and action, and through the debates and controversies that surround them raises issues about identity, home, belonging, exoticism, censorship, and what it means to be truly 'weird'. By presenting 100 films that confirm and interrogate the notion of what makes a film a 'cult film', 100 Cult Films: The Sequel reignites the conversation about cult cinema while affirming its foundations in today's volatile and vibrant cultural climate.

The Sequel

100 Cult Films

Lo hemos pasado en grande siendo Swifties, y ahora, esa historia —llena de felicidad, amistad, conexión, payasadas y canciones cantadas a pleno pulmón —está documentada en este tributo a la comunidad de fans y la razón por la que estamos todos aquí, Taylor Swift. Todos sabemos cómo empezó: una adolescente de Pensilvania que se mudó a Nashville y pronto ascendió hasta la cima de las listas de música country. Aquí es donde comenzó la historia de Taylor Swift en 2006, pero también es donde empezó nuestra historia como Swifties. Nuestra historia es un emotivo viaje a través de la historia Swiftie, que muestra la evolución de una comunidad de fans que ha sobrevivido al paso del tiempo. Narrado a través de la lente de las experiencias personales, este libro es una crónica del auge de una comunidad que se ha mantenido ferozmente leal en cada etapa. Desde llamar a las emisoras de radio para pedir Tim McGraw, hasta momentos inolvidables en Tumblr en los que Taylor y los fans parecían un grupo de amigos y sobrevivir a una guerra con Ticketmaster —hemos estado ahí. Hemos aprendido lecciones vitales, intercambiado pulseras de la amistad, dominado las matemáticas de los husos horarios para conectarnos a directos, y creado un lenguaje que tan solo otro Swiftie —o la propia Taylor— puede entender. Pero más allá de todos estos momentos compartidos, lo que verdaderamente nos une es el hecho de que las letras de Taylor parecen haber sido escritas solo para nosotros, como reflejos de nuestras propias historias. Esta comunidad de fans, apasionada y única, ha ganado premios y se ha estudiado a fondo, pero, por primera vez, los fans pueden rememorar y celebrar lo que significa ser parte de esta comunidad que te cambia la vida. Una carta de amor escrita por una Swiftie para Swifties, Nuestra historia es una promesa de que nuestra historia jamás será olvidada.

Cómo el fandom de Taylor Swift nos cambió la vida

The Story of Us, Spanish-language edition

'A whistle-stop tour de force with an expert guide . . . Pure fire.' Symeon Brown'A smorgasbord of fascinating cameos . . . [Bardowell's] paid his dues, people, and now it's time to enjoy the fruits of what he's witnessed.' John Masouri, Echoes MagazineDancehall isn't just music. It's a philosophy, a survival strategy, a rebellion in riddim.Fire Inna Dancehall traces the collision of sound, style and struggle that created one of the most influential cultural movements of the past half-century. From inner city Kingston to the council estates of London, the block parties of New York and the underground scenes of Panama and Puerto Rico, ex-reggae columnist Derek A. Bardowell charts the rise, triumphs, controversies and tragedies of a space where joy and resistance share the same rhythm.Blending in-depth social history and journalistic insight with the movement's revolutionary spirit, Bardowell explores how the pulse of dancehall speaks to migration, masculinity, faith, freedom and the ongoing fight for self-determination to reveal how a sound became a global language of liberation.A comprehensive guide to the people, places and politics that shaped dancehall and an unapologetic tribute to Black creativity, Fire Inna Dancehall does not seek permission to sing but insists on being heard.

A Legacy of Sound, Style and Struggle

Fire Inna Dancehall

The Cursed Sword Master's Harem Life: By the Sword, For the Sword

The Cursed Sword Master's Harem Life: By the Sword, For the Sword Vol. 5

How Tourism, Sports, and Entertainment Are Changing the Way the World Works (and Plays)

The Fun Economy

In ihrem bisher persönlichsten Buch spricht Florence Given über eines der letzten Tabus des modernen Feminismus: weibliche Konkurrenz.'Für wen hält die sich eigentlich?' - jede Frau kennt diesen Satz. Er soll bremsen, verunsichern und klein halten: Sei nicht zu laut, nicht zu ehrgeizig, nimm bloß nicht zu viel Raum ein. Florence Given zeigt, wie tief Frauen diese Mechanismen verinnerlicht haben und warum gerade Frauen diese gesellschaftlichen Erwartungen gegeneinander verwenden. Sie fragt sich: Wie würden Frauen leben, wenn ihnen die Meinung anderer egal wäre? Wozu wären sie in der Lage? Wie unverschämt gut würde sich ihr Leben anfühlen?Ein emotionaler Weckruf, der Frauen dazu empowert, endlich kompromisslos das Leben zu führen, das sie wirklich führen wollen.

In ihrem bisher persönlichsten Buch spricht Florence Given über eines der letzten Tabus des modernen Feminismus: weibliche Konkurrenz. »Für wen hält die sich eigentlich?« – jede Frau kennt diesen Satz. Er soll bremsen, verunsichern und klein halten: Sei nicht zu laut, nicht zu ehrgeizig, nimm bloß nicht zu viel Raum ein. Florence Given zeigt, wie tief Frauen diese Mechanismen verinnerlicht haben und warum gerade Frauen diese gesellschaftlichen Erwartungen gegeneinander verwenden. Sie fragt sich: Wie würden Frauen leben, wenn ihnen die Meinung anderer egal wäre? Wozu wären sie in der Lage? Wie unverschämt gut würde sich ihr Leben anfühlen?Ein emotionaler Weckruf, der Frauen dazu empowert, endlich kompromisslos das Leben zu führen, das sie wirklich führen wollen.

Who Does She Think She Is?

Never Understood

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