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Bacon J: I'm Just a Girl

I'm Just a Girl

How Reclaiming Girlhood Can Redefine Womanhood

An expert’s exposé on the harms of Big Porn Extreme porn is ruining lives. What can we do about it? 'Fizzes with righteous rage' The Times 'Couldn’t be more important... Urgent, bold and unflinching.' Laura Bates, author of Everyday Sexism Never more than a click away, porn is virtually inescapable. With minimal moderation, mainstream platforms don’t just host it, they push ever more extreme content into view, whether you want it or not. The consequences are profound. Our most intimate relationships are being manipulated, our desires exploited. An entire generation is learning about sex not from experience or trust but from Pornhub, where fantasies are constructed by degrading, misogynistic and racist ideals that eroticise masculine dominance and normalise sexual violence. Meanwhile, non-consensual porn is destroying women’s lives, a threat now supercharged by deepfakes and AI. We’re told we live in an age of sexual freedom, but this isn’t true. We are fighting not only for autonomy over our bodies and desires, but for gender equality itself. To move forward means confronting and dismantling both the patriarchy and the porn industry that sustains it. 'Read this book – then encourage your partner to read it too.' Glamour

The Problem of Extreme Porn

Exposed

An Introduction

Cultural Theory and Popular Culture

A revelatory, jaw-dropping portrait of Tucker Carlson's career and his history of reinvention, and a story of how the right-wing media lost its mind.
New York Magazine writer Jason Zengerle's eye-opening narrative follows Tucker Carlson's infamous journey from gifted young intern at The Weekly Standard to a noxious talking head on Fox News, and then to his dethroning and defenestration.
In the tradition of Our Man and The Loudest Voice in the Room, Zengerle examines how Tucker Carlson's Zelig-like career offers a unique lens into the confusing, myopic, and utterly shameless evolution of American conservatism, its media presence and punditry, from the 1990s to the present.

A revelatory, jaw-dropping portrait of Tucker Carlson’s career and his history of reinvention, and a story of how the right-wing media lost its mind. 
New York Magazine writer Jason Zengerle’s eye-opening narrative follows Tucker Carlson’s infamous journey from gifted young intern at New Republic to a noxious talking head on Fox News, and then to his dethroning and defenestration.
In the tradition of Our Man and The Loudest Voice in the Room, Zengerle examines how Tucker Carlson’s Zelig-like career offers a unique lens into the confusing, myopic, and utterly shameless evolution of American conservatism, its media presence and punditry, from the 1990s to the present.

Tucker Carlson and the unravelling of the conservative mind

Hated by All the Right People

MMA and the Rise of the New Authoritarian Right

The Ultimate Strongmen

Lo hemos pasado en grande siendo Swifties, y ahora, esa historia —llena de felicidad, amistad, conexión, payasadas y canciones cantadas a pleno pulmón —está documentada en este tributo a la comunidad de fans y la razón por la que estamos todos aquí, Taylor Swift. Todos sabemos cómo empezó: una adolescente de Pensilvania que se mudó a Nashville y pronto ascendió hasta la cima de las listas de música country. Aquí es donde comenzó la historia de Taylor Swift en 2006, pero también es donde empezó nuestra historia como Swifties. Nuestra historia es un emotivo viaje a través de la historia Swiftie, que muestra la evolución de una comunidad de fans que ha sobrevivido al paso del tiempo. Narrado a través de la lente de las experiencias personales, este libro es una crónica del auge de una comunidad que se ha mantenido ferozmente leal en cada etapa. Desde llamar a las emisoras de radio para pedir Tim McGraw, hasta momentos inolvidables en Tumblr en los que Taylor y los fans parecían un grupo de amigos y sobrevivir a una guerra con Ticketmaster —hemos estado ahí. Hemos aprendido lecciones vitales, intercambiado pulseras de la amistad, dominado las matemáticas de los husos horarios para conectarnos a directos, y creado un lenguaje que tan solo otro Swiftie —o la propia Taylor— puede entender. Pero más allá de todos estos momentos compartidos, lo que verdaderamente nos une es el hecho de que las letras de Taylor parecen haber sido escritas solo para nosotros, como reflejos de nuestras propias historias. Esta comunidad de fans, apasionada y única, ha ganado premios y se ha estudiado a fondo, pero, por primera vez, los fans pueden rememorar y celebrar lo que significa ser parte de esta comunidad que te cambia la vida. Una carta de amor escrita por una Swiftie para Swifties, Nuestra historia es una promesa de que nuestra historia jamás será olvidada.

Cómo el fandom de Taylor Swift nos cambió la vida

The Story of Us, Spanish-language edition

Mignon's first art book, it includes his original and commercial illustrations presented in full-color. From healthy charm, fresh and beautiful illustrations, to portraits so sexy that you'll want to eat them, this book is just chock full of what the title YUMMY TUMMY suggests. Including new illustrations, a making-of corner, as well as interviews, this is a must-have for fans and illustrators alike!

The Art of mignon

Yummy Tummy

In this sequel to her enduring bestseller Hope in the Dark, Rebecca Solnit surveys a world that has changed dramatically since the 1950s in its values and beliefs around nature, race, gender, sexuality, science and the environment. These changes amount to nothing less than the dismantling of an old civilization and the building of a new one. But because the changes have been slow and diverse, their scale and impact are seldom recognized.

At the heart of this rising world view is the idea of interconnection, with its understanding
of the interdependence and symbiotic relationships within nature and among humans - and the current nationalist and authoritarian pushback is a backhanded acknowledgment of its power and impact.

The Beginning Comes After the End is the culmination of years of activism from one of the most significant thinkers of our day. It offers a unique perspective on our politics and our humanity, to give hope in difficult times and to urgently remind us that the power to change the world is within our reach.

Notes on a World of Change

The Beginning Comes After the End

Über die Lust am Fleisch und die Herrschaft der Männer

Warum Trump und Söder keinen Tofu essen

Saturn Return

Saturn Return 9

Drawing on over a decade and a half of first-hand experience, leading legal scholar and feminist activist Marilyn Kamuru documents the important role African feminist organizing plays in defining and defending gender-equality policy in Kenya and beyond. Focusing on how constitutionally mandated gender quotas in Kenya's parliament are repeatedly violated by government failures, or outright refusals, to implement them, Kamuru brings out how Kenya's feminist activists--during the drafting of the 2010 constitution and in the years since--fight gender inequality in ways that go more to the heart of the problem than any conventional approach. Kenyan feminists, Kamuru argues, are unique in that they address not only the underrepresentation of women in politics, but also the overrepresentation of men. This distinct framing of the issue, now enshrined in the highly progressive 2010 constitution thanks to their efforts, poses a real threat to male dominance in government, and this is what accounts for its obstinate non-implementation. Kamuru's findings highlight the important questions that African feminism poses to global efforts towards gender equality. How do quotas really impact gender equity? How are they used to limit debates about it? What does the dominance of typical WROs and INGOs in all areas of gender policy say about their own roles in inscribing such limits? And what alternatives are African feminist movements such as WeAre52pc and EndFemicide offering?

Redefining Gender Equality in Kenya and Beyond

African Feminist

This open access book offersa cultural history of lawsuits that traces the development of French performance rights from la Belle Époque, throughthe Roaring Twenties, and into thePost-War period. It does so by analysing the ways in which performers, composers, and playwrights took to French courtrooms, sought attention in mass media, and participated in political debates to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. By the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre and the rise of modern celebrity culture, to mass media and radio entertainment, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emergence of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

What if we abolished police, courts, and prisons? Where would we turn for justice? Do we need laws? Punishment? These questions are not just the preoccupation of an abolitionist pipedream. Their answers already exist, if only we know where to look.
Professor Sitrin introduces readers to communities worldwide that resolve harms and conflicts without looking to the state or the judiciary. The book focuses on alternative forms of justice, peace-keeping, and adjudication in selected locations, with particular attention to indigenous and women-led movements from across Mexico, Argentina, Rojava, and the USA. Marina Sitrin traces how each came to be and examines the theoretical and political underpinnings of the process.
We Make Our Own Justice&nbsp;allows the reader to reflect on how these alternative forms of justice and adjudication have been planted and nurtured over time-often over decades-and to consider the possibilities for other communities and regions to produce something similar. We Make Our Own Justice offers an invaluable resource, fostering optimism and open-mindedness as we seek to transform our neighborhoods, groups, and communities into abolitionist spaces, both in theory and in practice.

Global Alternatives to Policing and Prisons

We Make Our Own Justice

I'm Just a Girl

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