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Bacon J: I'm Just a Girl

I'm Just a Girl

How Reclaiming Girlhood Can Redefine Womanhood

In this sequel to her enduring bestseller Hope in the Dark, Rebecca Solnit surveys a world that has changed dramatically since the 1950s in its values and beliefs around nature, race, gender, sexuality, science and the environment. These changes amount to nothing less than the dismantling of an old civilization and the building of a new one. But because the changes have been slow and diverse, their scale and impact are seldom recognized.

At the heart of this rising world view is the idea of interconnection, with its understanding
of the interdependence and symbiotic relationships within nature and among humans - and the current nationalist and authoritarian pushback is a backhanded acknowledgment of its power and impact.

The Beginning Comes After the End is the culmination of years of activism from one of the most significant thinkers of our day. It offers a unique perspective on our politics and our humanity, to give hope in difficult times and to urgently remind us that the power to change the world is within our reach.

Notes on a World of Change

The Beginning Comes After the End

An Introduction

Cultural Theory and Popular Culture

From the creator of the viral Kardashian Kolloquium comes a New Media manifesto for the TikTok age - blending theory, cultural analysis and history to explain the meteoric rise of the Kardashians and what their fame reveals about how media functions today.Since 2007, Kim Kardashian and her extended family have mesmerised - and scandalised - the American public. We've been immersed in their social lives, controversies and reality TV exploits, while witnessing the staggering ascent of their multibillion-dollar fashion, beauty and media empire. But the central question remains: why are the Kardashians so famous? And what does their enduring relevance tell us about the media systems that shaped - and were shaped by - them?In Dekonstructing the Kardashians, MJ Corey, creator of the viral social platform Kardashian Kolloquium, delivers more than just the definitive cultural chronicle of the First Family of reality TV. She offers a probing exploration of how media has evolved in the internet age -and how it's reshaping our identities, our attention, and our understanding of reality itself. Part media theory, part cultural critique and part historical deep-dive, Dekonstructing the Kardashians weaves together fifty years of Western media history.Corey shows that the Kardashians aren't just celebrities - they're a mirror of our media moment, offering a key to understanding fame, identity and reality in the digital age.

Dekonstructing the Kardashians

This book explores the role of positive emotions such as pleasure, affection, satisfaction, and the intersection of these emotions with pain and authenticity in today's pornographic industry. It offers surprising insights into the relationship between gender and pleasure.Readers will be able to gain a better understanding of the role and historical development of positive emotions in mainstream pornographic videos and of pornography viewers' attitudes and perspectives regarding these emotions. These insights rely on a systematic content analysis of more than 600 mainstream online pornographic videos, as well as more than 300 in-depth interviews with a diverse sample of frequent viewers of mainstream pornography.The book is written primarily for scholars, including professors, graduate students, and advanced undergraduate students in the social sciences and humanities. It will also be of interest to various non-academic audiences, including feminist and religious activists, educators, parents, and pornography consumers. The book is written in accessible language and avoids technicalities, making it approachable to these wider audiences.

Pleasure, Pain, and Authenticity in Pornography

How Tourism, Sports, and Entertainment Are Changing the Way the World Works (and Plays)

The Fun Economy

Lo hemos pasado en grande siendo Swifties, y ahora, esa historia —llena de felicidad, amistad, conexión, payasadas y canciones cantadas a pleno pulmón —está documentada en este tributo a la comunidad de fans y la razón por la que estamos todos aquí, Taylor Swift. Todos sabemos cómo empezó: una adolescente de Pensilvania que se mudó a Nashville y pronto ascendió hasta la cima de las listas de música country. Aquí es donde comenzó la historia de Taylor Swift en 2006, pero también es donde empezó nuestra historia como Swifties. Nuestra historia es un emotivo viaje a través de la historia Swiftie, que muestra la evolución de una comunidad de fans que ha sobrevivido al paso del tiempo. Narrado a través de la lente de las experiencias personales, este libro es una crónica del auge de una comunidad que se ha mantenido ferozmente leal en cada etapa. Desde llamar a las emisoras de radio para pedir Tim McGraw, hasta momentos inolvidables en Tumblr en los que Taylor y los fans parecían un grupo de amigos y sobrevivir a una guerra con Ticketmaster —hemos estado ahí. Hemos aprendido lecciones vitales, intercambiado pulseras de la amistad, dominado las matemáticas de los husos horarios para conectarnos a directos, y creado un lenguaje que tan solo otro Swiftie —o la propia Taylor— puede entender. Pero más allá de todos estos momentos compartidos, lo que verdaderamente nos une es el hecho de que las letras de Taylor parecen haber sido escritas solo para nosotros, como reflejos de nuestras propias historias. Esta comunidad de fans, apasionada y única, ha ganado premios y se ha estudiado a fondo, pero, por primera vez, los fans pueden rememorar y celebrar lo que significa ser parte de esta comunidad que te cambia la vida. Una carta de amor escrita por una Swiftie para Swifties, Nuestra historia es una promesa de que nuestra historia jamás será olvidada.

Cómo el fandom de Taylor Swift nos cambió la vida

The Story of Us, Spanish-language edition

Built using the renowned, hands-on Missouri Method, this textbook prepares readers to write about and communicate with people of different backgrounds, offering real-world examples of how to practice excellent journalism and strategic communication that takes culture into account.No matter what the communication purpose, this book will help readers engage with difference and the concept of fault lines, and to identify and mitigate bias. It provides guidance on communicating the complexity inherent in issues such as crime, immigration, and sports, as well as how meaning is created through data and language choices that craft stories and strategic campaigns for communities. Above all, the book encourages readers to reconsider assumptions about race, class, gender, identity, sexual orientation, immigration status, religion, disability and age, and recognize communicators' responsibilities in shaping national and international discussions. This new edition addresses recent significant cultural events (e.g. George Floyd's murder, the COVID-19 pandemic and attacks on DEI), U.S. Supreme Court decisions, and adds a new chapter (Chapter 12) on Visual Communication and Artificial Intelligence.A fantastic introduction to this complex but important field, this book is perfect for students, teachers and early career communicators. The combination of a hands-on approach and pull-out boxes with the diverse voices curated by editors María E. Len-Ríos and Earnest L. Perry Jr. makes this an ideal text for the classroom and beyond.

Storytelling and Diversity

Cross-Cultural Journalism and Strategic Communication

A Psychological Exploration of Women and Gender

Women's Lives

Technology is conventionally viewed as dehumanizing. Yet, as this concise book shows, it has become uniquely emotional, continuously tapping into and eliciting a great variety of emotions. From emojis, GIFs, likes, influencers, meditation apps and virtual worlds, technology increasingly mimics and extends emotional life, turning feelings into quantifiable data and yielding extraordinary profits. Techno-capitalism, Eva Illouz argues, no longer mines the soil by extracts value from the self and subjectivity, transforming emotional energy into capital. This machinic intimacy between humans and technology integrates economy, culture and psychology into one single matrix, making emotions into the new economic pipelines of techno-capitalism. These claims are backed by economic data that reveal the extraordinary profitability of emotions. The emotionalism of technology has profound effects: the loss of experience, loneliness crowded with vicarious interactions and leisure, and the replacement of reality by the performance of authenticity. Through a variety of examples - social media, gaming, and TV series like Black Mirror - Illouz explores the mechanisms through which the emotional self has become the main economic resource of capitalism, a world where out feelings pass through machines and are manufactured, measured and sold by them.

How Techno-Capitalism Exploits Our Subjectivity

Emotional Technologies

Iberian and Latin American Studies

Refutes contemporary stereotypes about Mexico by sharing first-hand experiences from men who support the feminist movement in their country.The Mexican Feminist Movement responds to the Trumpian generalization that branded Mexican men as rapists, drug dealers, killers, and "bad hombres." Contrary to what Trump has expressed, many Mexican men are deeply concerned about the number of femicides in their country, and they express that concern in varied ways--they debate the issue with family and friends, participate in rallies in support of women's rights, and some have seen their own daughters, sisters, and partners suffer violence and daily harassment. This book offers Mexican men a space to share their lived experiences and everyday praxis in support of ending the violence that Mexican women face in society; it highlights these men's challenges to misogyny, their stand in solidarity with women, and their work toward building more just and equitable relationships at home, at work, and in the public sphere.

Mexican Men’s Perspectives and Praxis

The Mexican Feminist Movement

This open access book offersa cultural history of lawsuits that traces the development of French performance rights from la Belle Époque, throughthe Roaring Twenties, and into thePost-War period. It does so by analysing the ways in which performers, composers, and playwrights took to French courtrooms, sought attention in mass media, and participated in political debates to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. By the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre and the rise of modern celebrity culture, to mass media and radio entertainment, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emergence of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

I'm Just a Girl

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