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Lighten our Darkness

Keep me as the apple of the eye

Repertoire for mixed voices to encourage connection and growth

Accessible and Beautiful

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

S&unāō

Works of Giuseppe Verdi, Series I: Operas

Opera in Four Acts by Salvadore Cammarano, French Translation by Émilien Pacini

Le Trouvère

Elements in Twenty-First Century Music Practice

This Element explores cross-cultural collaboration in popular music, highlighting opportunities for multiple voices and new sounds, but also challenges in technical matching and negotiating power discrepancies. The practitioner-based research field offers new knowledge and pragmatic strategies for creating pop music with culturally diverse people.

This Element explores cross-cultural collaboration in popular music, highlighting opportunities for multiple voices and new sounds, but also challenges in technical matching and negotiating power discrepancies. The practitioner-based research field offers new knowledge and pragmatic strategies for creating pop music with culturally diverse people.

Practice-Based Research

Cross-Cultural Collaboration in Popular Music

Catholicism as Musical Discourse reveals the important role that French-language sacred songs, written primarily for women, played in the evolution of the Catholic Reform over the long seventeenth century. By singing sacred songs--called cantiques, spiritual or devotional airs--reformers believed that principles of Catholicism would be easier to learn, remember, and affect women's behavior. This book shows that various interpretations of Catholicism were not only transformed over time but also how and why. Most importantly, it demonstrates that sacred songs became a part of the Catholic Church's effort to mediate and shape the role of women in French society.

Catholicism as Musical Discourse reveals the important role that French-language sacred songs, written primarily for women, played in the evolution of the Catholic Reform over the long seventeenth century. Thought to be one of the best ways to facilitate a deeper spiritual experience and alter behavior, sacred songs became a part of the Catholic Church's effort to mediate and shape the role of women in French society. Whether contrafacta of secular songs or newly composed texts and music, sacred songs (cantiques, airs spirituel, or airs de dévotion) were non-liturgical and written primarily by clergymen. The songs gave voice to various, even contradictory, interpretations of Catholicism. Some texts were educational, some expressed a female religiosity focusing on love for Jesus and God, and some communicated Jansenist notions regarding sin and penitence. The intended public--women--determined the repertory's discursive properties: the messages communicated, language used, prescribed function(s), and musical features. 

Through an analysis of the musical repertory over time, Catholicism as Musical Discourse demonstrates how transformations within the church were linked to religious, political, and social and cultural trends, including the wars of religion, the fight against libertinism, Louis XIV's relationship with the church, the need to convert lay women to a life of piety, the condemnation of mysticism, the rise and fall of Jansenism, the need for female educational institutions, and an increasing public interest in connecting religious devotion with pleasurable entertainments. Although the songs' styles and lyrics changed over time, the power of music as one of the most important discursive modes of communication during the Catholic Reform remained the same.

The Reconversion of Women through Seventeenth-Century French Sacred Songs

Catholicism as Musical Discourse

Peace be mine

Alleluia! A new work is come on hand

Bloomsbury Handbooks

The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.

The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology.
 
 It comprises 30 updated essays and six new chapters covering the following areas:
 
 · Popular Music, Religion, and Performance
 · Musicological Perspectives
 · Popular Music and Religious Syncretism
 · Atheism and Popular Music
 · Industrial Music and Noise
· K-pop

 The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.

The Bloomsbury Handbook of Religion and Popular Music

"The first collection to show the full range of ways in which the Bible was mediated through both popular and elite music in nineteenth-century Britain"--

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

Scripture and Song in Nineteenth-Century Britain

Lighten our Darkness

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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