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S&unāō

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

Topics in Musical Theatre

Short introductory books on significant theories, concepts, forms, and elements of musical theatre. Latinidad in Musical Theatre offers an accessible exploration of the substantial contribution of Latinx culture, specifically via music, dance, and choreography to the last century of the American Musical from Carmen Miranda to Lin-Manuel Miranda. Latinx artists, music and dance have been influencing musical theatre since the early 1900s, but it’s only in the last 50 years or so that Latinx artists have been able to fully contribute to the art form, not just via appropriation or stereotype, but by owning their own narrative, creatively and intellectually. This volume takes a survey approach that builds on case studies ranging from classic musicals The Pajama Game,West Side Story and Bye, Bye, Birdie through to the contemporary musicals In The Heights and Hamilton. As well as considering the shows themselves it also unpacks the careers and contributions of Latinx artists such as Chita Rivera and Graciela Daniele. Published in Methuen Drama's Topics in Musical Theatre series, this volume is perfect for students of musical theatre and those wishing to deepen their appreciation of the artform.

Latinidad in Musical Theatre

In the deep

In the Silence of the Night

Essential Musicals

Boy Meets Boy to Jagged Little Pill

Queer Musicals

Drei Weihnachtslieder (Three Christmas Carols)

Ankunft (Arrival)

for upper voices, SATB, and piano or chamber ensemble This vibrant nine-movement work unites upper- and mixed-voice choirs in a multi-faceted exploration of colour. A richly scored instrumental accompaniment, which may alternatively be performed by piano, helps to characterize each colour within the over-arching narrative of the value of your own self-expression.

The Rainbow

The Lake Isle of Innisfree

The Oxford Organ Library

adapted for mixed choir, baritone solo, organ, and percussion

Belshazzar's Feast

Elements in Twenty-First Century Music Practice

This Element explores ELT songs from the authors' insider perspective as songwriters. It describes the relationship between music and lyrics in songs, what this means for using songs in the language classroom, the historical developments through which ELT songs emerged, and the contexts in which they are written, listened to, and made.

Songs for the Language Classroom

More Than Words

Works of Giuseppe Verdi, Series I: Operas

Opera in Four Acts by Salvadore Cammarano, French Translation by Émilien Pacini

Le Trouvère

Voice Junction

Wanderlust

A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical. At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business," particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture. Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked. Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.

A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical. At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business," particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture. Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked. Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.

How Immigrant, Jewish, Queer, and Black Artists invented the Broadway Musical

Broadway Nation

S&unāō

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