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Accessible and Beautiful

Repertoire for mixed voices to encourage connection and growth

Get Set! Piano

A new audio edition of the popular instruction book. Get Set! Piano is an exciting beginner piano course for children that inspires, entertains and builds confidence from the start.This book is supported by a host of downloadable materials, including beautiful audio accompaniments and demo tracks.

Get Set! Piano Tutor Book 1

In the deep

The Lake Isle of Innisfree

Cello Time

for cello duet Cello Time Duets is an exciting and attractive collection for cellists of all ages by the award-winning educational composers Kathy and David Blackwell. The duets progress from pieces suitable for established beginners through to repertoire ideal for students at approximately Grade 4 and beyond.

30 progressive duets for cello

Cello Time Duets

Iesous ahatonnia'

Christmas Fantasy

Oxford Three-part Repertoire

In the Silence of the Night

Christian Gerhaher, one of the most import contemporary singers, writes vividly of his performing life and the experiences that he has had in over thirty years with the great works of the history of the Lied, from Beethoven's 'An die ferne Geliebte' via Schubert's great cycles, Schumann's varied Lieder, and art songs from Gustav Mahler to Othmar Schoeck and Wolfgang Rihm. He reflects on what these Lieder mean, what makes each of them unique and how they should be performed. An essential addition to the canon of writing on singing.

Lieder from Franz Schubert to Wolfgang Rihm

Lyrical Diary

Songbird

Beyond the Sea

Adam lay ybounden

Revelations on Stage

Bliss and Dance

for SSA and piano Andrew Steffen's setting of Christina Rosetti's poem Echo is both contemplative, yet passionate. With lyricism at its heart, this piece moves between unison, canon, and homophonic harmony, guiding the listener through the emotional ebbs and flows of longing, nostalgia, and lost love.

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

In the 1790s, the music of Gothic novels and plays was celebratory, calming rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort, and unease. This Element shows Melodrama brings about this change which had long-lasting effects on the music of the Gothic in fiction and poetry, on the stage and the screen.

The Music of the Gothic 1789–1820

Accessible and Beautiful

Bibliografische Angaben

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Bibliografische Angaben

Schlagworte

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