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Works of Giuseppe Verdi, Series I: Operas

Giuseppe Verdi: Le Trouvère

Le Trouvère

Opera in Four Acts by Salvadore Cammarano, French Translation by Émilien Pacini

The ABS Guides Series

Bach's Church Cantatas guides readers through five contrasting church cantatas, with movement-by-movement commentary and observations about Bach's responses to the texts, his musical construction, and their effects on the listener. With an overarching theme of Glory from the Gallery, Ruth Tatlow shows how Bach's stated aim to glorify God through his compositions was implemented in the cantatas. Written in non-technical language, this book is equally accessible for the expert and for those with no prior knowledge. Full of newly researched insights, it is generously illustrated with thirty-six figures and parallel German-English translations of the cantata texts.

Bach's Church Cantatas

Elements in Twenty-First Century Music Practice

English language teachers have long recognised pop songs' potential for engaging students and establishing positive classroom environments conducive to language learning. Educational publishers increasingly incorporate music into their coursebooks, including specially commissioned 'ELT songs', whose lyrics feature aspects of target language. This Element explores the phenomenon of ELT songs from the authors' insider perspective as songwriters. It considers the relationship between music and lyrics in songs, what this means for using songs in the language classroom, the historical developments through which ELT songs emerged, and the contexts in which they are written, listened to, and made. Through literature review and reflection, the authors derive a framework of twelve criteria and ten dilemmas to guide ELT songwriting, before applying it in an analysis of their songs and songwriting process. The final section proposes a model for multidisciplinary collaboration between songwriters and non-musician collaborators including authors, teachers, and publishers.

Songs for the Language Classroom

More Than Words

Oxford Keynotes

Berlioz's Requiem

Music Theory in Britain, 1500–1700: Critical Editions

A Critical Edition, Volume 1

Thomas Morley: A Plaine and Easie Introduction to Practicall Musick (1597)

Opera Lab: Explorations in History, Technology, and Performance

Opera and the Built Environment

Revelations on Stage

Bliss and Dance

This is the first book about melismas, or long melodies sung to a single vowel. Using the evidence of medieval creative minds, Thomas Forrest Kelly uncovers the melisma as a phenomenon, how it works, how melismas appear when they are written in chant, and how they function as part of a text and as part of a song.

This is the first book about melismas, or long melodies sung to a single vowel. Using the evidence of medieval creative minds, Thomas Forrest Kelly uncovers the melisma as a phenomenon, how it works, how melismas appear when they are written in chant, and how they function as part of a text and as part of a song.

Wordless Song in Medieval Chant

Melisma

What does gentrification sound like? In Intersectional Listening, author Allie Martin engages this question in Washington, DC, asking how Black people experience gentrification as a sonic, racialized process. Drawing from music, interviews, soundscape recordings, and more, Martin argues that gentrification ultimately serves to silence some voices and amplify others.

Gentrification and Black Sonic Life in Washington, DC

Intersectional Listening

Topics in Musical Theatre

Musical Dramaturgy in Musical Theatre discusses the form from the perspective of its most common element: the song. Using a historical approach it surveys how the role of music within a musical theatre structure changed over time, which in turn pushed the function of the score to new dramaturgical levels. 

After introducing the central idea of musical dramaturgy as one which has a pivotal effect on how musicals are constructed, it considers the principles of musical comedy throughout history and the interplay between the score and libretto. Using early European musicals as a case study it moves on to look at the integrated shows of Rogers and Hammerstein and other Golden Age composers who reframe the dramaturgical structures through the book. It continues to trace the history of the form through a chapter on Rock and concept musicals before finally considering how the Jukebox musical introduced the concept of non-narrative dramaturgy thanks to popular songs. 
 
The volume critically reflects on the debates on integration and narration in musical theatre and explores new ways of understanding how musical numbers contribute to the impact and appeal of the stage show. Published in the Topics in Musical Theatre series, it unpacks musical theories in an accessible style that doesn't rely on specialised musicological knowledge, making it perfect for students, scholars, musical fans, and musical creatives.

Musical Dramaturgy in Musical Theatre

"In this book, Robert L. Kendrick examines the way in which stories of biblical families were reconfigured and projected in the genre of the oratorio, a form of sacred opera, in the seventeenth and eighteenth centuries. Based to a great extent on the Old Testament, this largely Catholic musico-dramatic genre was popular in Italy, Austria, and southern Germany. Biblical Families in Music reveals how difficult stories of fratricide, child sacrifice, death, and forbidden love performed a didactic function in oratorios, teaching early modern audiences about piety and the rules of proper family life. In the century after 1670, the heavily adapted tales of Abraham and Isaac, Cain and Abel, or the Egyptian slave Hagar and her son Ishmael, were put to music by figures such as Alessandro Scarlatti and Antonio Sacchini and performed during Lent in churches and other sacred spaces for an audience of court nobility, clergy, and the urban patriciate. By looking at the resonance of Catholic oratorios within predominantly upper-class social realities, the book broadens our cultural understanding of the early modern European family and underscores the centrality of family and familial relation to social position, devotional taste, and identity"--

Conflict and Heterodoxy in Oratorios, 1670–1770

Biblical Families in Music

Le Trouvère

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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