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Keep me as the apple of the eye

Get Set! Piano

The popular beginner instruction books for kids with fun exercises, theory and easy songs to play.An exciting new course by Heather Hammond and Karen Marshall, written specially for the twenty-first century child.

Get Set! Piano Tutor Book 2

In Perfect Peace

Topics in Musical Theatre

Orchestration in Musical Theatre offers an analytic and critical overview of the practice, execution, and effects of orchestration in musical theatre since the time that rock music became significant in the genre.
 
 Broadly described as the art of arranging a piece of music for a particular musical ensemble, orchestration is a specific skill that few composers or songwriters possess. This volume helps the reader understand and appreciate the art of orchestration and traces how the incorporation of rock and other types of popular music into scores for musical theatre on Broadway and in the West End fundamentally changed the genre’s sound. From discussions of specific instrumentation through to a brief history of the art, this book demystifies how different instrumentation contributes to a show’s soundscape.
 
 Featuring case studies from shows such as Hair, The Phantom of the Opera, The Lion King, Wicked, and Hamilton, this accessible and engaging volume in the Topics in Musical Theatre series gives students the tools to identify and discuss how orchestration contributes to the drama, characterization and dramaturgy of the modern musical.

Orchestration in Musical Theatre

Of A Rose

Abracadabra Woodwind

Learn to play the flute with popular pieces - lessons and sheet music for beginners

The Way to Learn Through Songs and Tunes

Abracadabra Flute

Essential Musicals

What was Broadway's first Jukebox Musical? What does 42nd Street have in common with Moulin Rouge! and Mamma Mia! ? Will Broadway ever fall out of love with the Jukebox Musical form? Essential Musicals: Jukebox Musicals defines what is meant by this much over-used term whilst taking care to draw a distinction between it and a revue. Taking a historical, survey approach it looks at when these shows first appeared on Broadway and how they become a dominant genre, offering a critical approach as to how something that used to be an anomaly is now the norm. Through a chronological look at 10 case studies this book asks questions related to rising production costs through to audience appeal behind bringing well-known catalogs of music to the stage. It ponders the question: is there a shortage of original music being written for the musical genre or is there something else at play? Examining the origins, development and reception for each of these shows it offers an academic discussion of the most divisive sub-genres of the musical form. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway’s biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre’s unique brand of magic.

Crazy for You to MJ the Musical

Jukebox Musicals

Works of Giuseppe Verdi, Series I: Operas

Opera in Four Acts by Salvadore Cammarano, French Translation by Émilien Pacini

Le Trouvère

Alleluia! A new work is come on hand

Learn to play the saxophone with popular pieces - lessons and sheet music for beginners

Abracadabra Saxophone

What links the shows Of Thee I Sing, South Pacific and A Strange Loop? Did you know that the Pulitzer Prize for Drama has been awarded to just 10 musicals since the award's inception in 1917? Why have certain musicals captured the imagination and hearts of the Pulitzer Prize committee? Essential Musicals: The Pulitzer Prize Winners takes a chronological look at the ten musicals that have won the prestigious Pulitzer Prize for Drama sine 1917. Looking at the inception and development of each show, this accessible study unpacks the creation, production and reception of each musical in order to draw parallels within the wider American dramatic canon. Pulling from multiple primary resources, each chapter traces the show from its inception to its opening night. It introduces the reader to each musical's key creators and company members and places them in the larger context of Broadway history. After examining the contemporary reception of each show and its cultural impact – both when it opened and now - it answers the question as to what what made it so appealing to the Pulitzer Board in an attempt to articulate, if possible, the qualities most likely to make a Pulitzer Award-winning musical. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway’s biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre’s unique brand of magic.

Of Thee I Sing to A Strange Loop

Pulitzer Prize Winning Musicals

Short introductory books on significant theories, concepts, forms, and elements of musical theatre. Latinidad in Musical Theatre offers an accessible exploration of the substantial contribution of Latinx culture, specifically via music, dance, and choreography to the last century of the American Musical from Carmen Miranda to Lin-Manuel Miranda. Latinx artists, music and dance have been influencing musical theatre since the early 1900s, but it’s only in the last 50 years or so that Latinx artists have been able to fully contribute to the art form, not just via appropriation or stereotype, but by owning their own narrative, creatively and intellectually. This volume takes a survey approach that builds on case studies ranging from classic musicals The Pajama Game,West Side Story and Bye, Bye, Birdie through to the contemporary musicals In The Heights and Hamilton. As well as considering the shows themselves it also unpacks the careers and contributions of Latinx artists such as Chita Rivera and Graciela Daniele. Published in Methuen Drama's Topics in Musical Theatre series, this volume is perfect for students of musical theatre and those wishing to deepen their appreciation of the artform.

Latinidad in Musical Theatre

Elements in Religion and Monotheism

What connects the phenomenon of music as an art with the belief in one indivisible God? What has music, a non-linguistic medium, to say about the personal, loving, communicative God of Scripture and the Prophets, or the omniscient, omnipotent, omnipresent, transcendent God of the Philosophers and can it bring these 'concepts of God' together? To answer these questions, this book takes divine Creation as its starting point, that the God of monotheism must be the Creator of all that is. It thus argues that anything which instantiates and facilitates communication within the created realm has been enabled to do so by a God who communicates with His Creation, and who wishes that His Creation be communicative. Indeed, it will argue that the communication allowed by music, and aesthetic experience in general, is the very raison d'être of Abrahamic monotheism and might thus allow an opportunity for dialogue between monotheistic faiths.

Music and Monotheism

Keep me as the apple of the eye

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