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Cash J: The Complete Johnny Cash

The Complete Johnny Cash

Lyrics from a Lifetime of Songwriting

Named a nonfiction book “Everyone Will Be Reading This Summer” by the New York Times From Indigenous chef Nephi Craig, a searing personal and cultural reckoning that demonstrates the power of food to heal intergenerational wounds At just eighteen years old, Nephi Craig was facing a felony charge that could have put him in prison for years. Having struggled with substance abuse throughout his teens, his life had come to a dizzying halt. So when a judge ordered three years of probation instead—on the condition he attend work or school—Craig took it as an opportunity for a new lease on life. Not long after, he enrolled in a culinary arts program a few hours from Whiteriver, Arizona, where he had grown up on the White Mountain Apache Tribe Reservation. Expecting little more than a means to an end, Craig quickly discovered a talent and passion for cooking. He also experienced a profound dissonance as the only Indigenous person in the kitchen, preparing European recipes that—disguised by their French and Italian names—relied on ingredients native to the Americas. Craig untangled the buried histories of Indigenous cultivars such as tomato, cacao, and amaranth, each one a portal into possibility as well as a marker of the violent legacy of colonization. As he did so, he found new ways to honor his Apache and Navajo roots and build Indigenous food sovereignty. His journey led him around the world, from top fine-dining restaurants in the United States to high-profile banquets in Brazil, England, Germany, and Japan. All the while, Craig wrestled with addiction, entering one treatment center after another in the hopes that he could get—and remain—sober. In the heat, frenzy, and collaborative energy of restaurant kitchens, Craig found a lifeline. But when he was faced with the difficult decision of choosing between a career-defining executive chef job and an opportunity to serve his community back on the Rez, he realized his true vocation. Interweaving personal reflection with illuminating cultural insight, Our Knives Will Save Us offers a vision of hope: one where food is decolonized and cooking is a pathway to healing for all of us.

Named a nonfiction book “Everyone Will Be Reading This Summer” by the New York Times From Indigenous chef Nephi Craig, a searing personal and cultural reckoning that demonstrates the power of food to heal intergenerational wounds At just eighteen years old, Nephi Craig was facing a felony charge that could have put him in prison for years. Having struggled with substance abuse throughout his teens, his life had come to a dizzying halt. So when a judge ordered three years of probation instead—on the condition he attend work or school—Craig took it as an opportunity for a new lease on life. Not long after, he enrolled in a culinary arts program a few hours from Whiteriver, Arizona, where he had grown up on the White Mountain Apache Tribe Reservation. Expecting little more than a means to an end, Craig quickly discovered a talent and passion for cooking. He also experienced a profound dissonance as the only Indigenous person in the kitchen, preparing European recipes that—disguised by their French and Italian names—relied on ingredients native to the Americas. Craig untangled the buried histories of Indigenous cultivars such as tomato, cacao, and amaranth, each one a portal into possibility as well as a marker of the violent legacy of colonization. As he did so, he found new ways to honor his Apache and Navajo roots and build Indigenous food sovereignty. His journey led him around the world, from top fine-dining restaurants in the United States to high-profile banquets in Brazil, England, Germany, and Japan. All the while, Craig wrestled with addiction, entering one treatment center after another in the hopes that he could get—and remain—sober. In the heat, frenzy, and collaborative energy of restaurant kitchens, Craig found a lifeline. But when he was faced with the difficult decision of choosing between a career-defining executive chef job and an opportunity to serve his community back on the Rez, he realized his true vocation. Interweaving personal reflection with illuminating cultural insight, Our Knives Will Save Us offers a vision of hope: one where food is decolonized and cooking is a pathway to healing for all of us.

Dispatches from a White Mountain Apache Chef

Our Knives Will Save Us

Betrayal, Hope and an Extraordinary Fight for Women’s Rights

The Vanishing Girl of Kabul

In 1971, Surinder Arora stepped off a plane at Heathrow, a thirteen-year-old boy with limited English who was sent from the Punjab to find a future in a country so far from home. He had to learn a new language and discover shocking truths about his own family - all while working twice as hard as anyone else to prove his worth.

He never imagined that decades later, he would own the very skyline he first saw from the airplane window. From his early days as a waiter at the Penta hotel and trading on the Blackbushe market stalls to building a billion-pound empire, Surinder's journey is a masterclass in grit and Plan B thinking. Navigating the racial tensions of 1970s Britain, the 2008 financial crash and personal tragedy, he turned a struggle for survival into a legacy of hospitality.

Candid and inspiring, this is the definitive story of how one man conquered the high-stakes world of aviation hospitality.&nbsp;

Risk, Resilience and the Making of a Business Empire

Barefoot Billionaire

An uncompromising and sensually charged collection from one of the great practitioners of the short story. Squandering the Blue is Kate Braverman’s debut story collection, a fierce, hallucinatory vision of Southern California and the women who move through its heat, glamour, and wreckage. Set among artists, addicts, lovers, and drifters, these interconnected stories form a vivid patchwork of lives caught between longing and self-destruction, where affection and addiction are often inseparably entwined. Across brief, haunting snapshots, Braverman captures women at moments of fracture and transformation: an art-world satire that becomes a feminist post-nuclear parable in “Falling in October”; a woman struggling to break free from an abusive relationship in “Points of Decision”; and, in the widely anthologized “Tall Tales from the Mekong Delta,” a recovering alcoholic navigating motherhood, sobriety, and a dangerously seductive stranger. At once raw, lyrical, and unsparing, Squandering the Blue explores how people shape—or bury—their own experiences while living in the long shadow of a better life just out of reach. “If, as they say, beauty is in the eye of the beholder, it stands to reason that horror, too, lurks deep within the optic nerve. How else to explain the lushly menacing imagery in the poet and novelist Kate Braverman’s latest book?” —The New York Times

An uncompromising and sensually charged collection from one of the great practitioners of the short story. Squandering the Blue is Kate Braverman’s debut story collection, a fierce, hallucinatory vision of Southern California and the women who move through its heat, glamour, and wreckage. Set among artists, addicts, lovers, and drifters, these interconnected stories form a vivid patchwork of lives caught between longing and self-destruction, where affection and addiction are often inseparably entwined. Across brief, haunting snapshots, Braverman captures women at moments of fracture and transformation: an art-world satire that becomes a feminist post-nuclear parable in “Falling in October”; a woman struggling to break free from an abusive relationship in “Points of Decision”; and, in the widely anthologized “Tall Tales from the Mekong Delta,” a recovering alcoholic navigating motherhood, sobriety, and a dangerously seductive stranger. At once raw, lyrical, and unsparing, Squandering the Blue explores how people shape—or bury—their own experiences while living in the long shadow of a better life just out of reach. “If, as they say, beauty is in the eye of the beholder, it stands to reason that horror, too, lurks deep within the optic nerve. How else to explain the lushly menacing imagery in the poet and novelist Kate Braverman’s latest book?” —The New York Times

Stories

Squandering the Blue

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weeklong nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

A landmark memoir that stands as a testament to survival, memory, dignity, and the stubborn beauty of insisting on one’s place in the world, named a 1990 New York Times Notable Book. Jean Said Makdisi—Palestinian writer, scholar, and sister of the late critic Edward Said—has lived in Beirut since the 1970s. First published in 1989, Beirut Fragments endures as a beautifully wrought, intimate record of civilian life through Lebanon’s fifteen-year civil war and the Israeli invasion of the early 1980s. At once clear-eyed and deeply compassionate, a portrait of everyday survival—shattered streets, sudden silences, the fragile rituals of family life—told with a storyteller’s grace and emotional precision. As Jean and her husband choose to remain in their war-torn city, raising their children and teaching at the local university, she renders both the terror and the tenderness of living through catastrophe. Amid ongoing regional violence and global patterns of displacement and erasure, Beirut Fragments offers a rare, layered perspective on identity, endurance, and the radical act of staying put when the world tries to unroot you. “Profound, heartbreaking…Makdisi’s…words [are] worth listening to, and her faith in humanity worth emulating.” —The Los Angeles Times Book Review “An impassioned cry against indifference.” —The New York Times Book Review

A landmark memoir that stands as a testament to survival, memory, dignity, and the stubborn beauty of insisting on one’s place in the world, named a 1990 New York Times Notable Book. Jean Said Makdisi—Palestinian writer, scholar, and sister of the late critic Edward Said—has lived in Beirut since the 1970s. First published in 1990, Beirut Fragments endures as a beautifully wrought, intimate record of civilian life through Lebanon’s fifteen-year civil war and the Israeli invasion of Lebanon in 1982. At once clear-eyed and deeply compassionate, a portrait of everyday survival—shattered streets, sudden silences, the fragile rituals of family life—told with a storyteller’s grace and emotional precision. As Jean and her husband choose to remain in their war-torn city, raising their children and teaching at local universities, she captures both the terror and the tenderness of living through catastrophe. Amid ongoing regional violence and global patterns of displacement and erasure, Beirut Fragments offers a rare, layered perspective on identity, endurance, and the radical act of staying put when the world tries to unroot you.

A War Memoir

Beirut Fragments

Thanks to a thrown beer bottle and a fan letter to a P.O. box, Melissa Auf der Maur's first band scored an opening slot for the Smashing Pumpkins in her bohemian home town, Montreal. Sensing Melissa's talent, Billy Corgan recommended her to Courtney Love. Whisked from her local scene, Melissa joined Hole just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with the just-widowed Courtney Love at the centre of it all. That was only the beginning of Melissa's journey through alternative rock, a trip she undertook alongside 90s luminaries including Rufus Wainwright, Michael Stipe and her former boyfriend, Dave Grohl. Even the Good Girls Will Cry is a vivid dispatch from the last analogue decade, capturing that bygone era in all its messy, angsty glory.

My 90s Rock Memoir

Even the Good Girls Will Cry

Turn Off Your Autopilot and Reconnect with Life

Do Something

'A uniquely thrilling writer . . . The Tantrum, animated by good humor and ungovernability, is so daring: Garnett shows herself as breakable where the world wants strength, fearless when the reader feels danger. There is simply no one doing personal writing on her level right now' JIA TOLENTINO A portrait of intimacy and midlife upheaval that uses personal stories of marriage, separation, twinhood, parenting, sex, and money to explore the tension of being both subsumed into others and alone. After an experiment in non-monogamy upends her life, calling into question every choice she has made and everything she has believed about herself, Jean Garnett gropes her way toward a new kind of existence is this intense, funny, aching account of a woman's breakdown. Dissecting her closest entanglements and her most frightening feelings, Garnett explores marriage, separation, sex, twin sisterhood, money, heartbreak, parenthood, and the problem of what to do with the emotions that overwhelm us. An unflinching study of need, envy, infatuation, depression and the sudden and mystifying ways our identities can change, The Tantrum is about the relationships that define, destroy and sustain us, and about trying-perhaps unsuccessfully-to find oneself as a single being.

The Tantrum

The Memoir of Concha Lombardo de Miramón, 1835–1869

A Feisty Woman

AN INSTANT NEW YORK TIMES BESTSELLERA grounded and intimate portrait of life by Pennsylvania Governor Josh Shapiro.Where We Keep the Light is the story of public service and personal faith. From an early age, Josh Shapiro learned and practiced the power of showing up, listening, and executing, to make people’s lives a little better. In the pages of this account of his life, Shapiro relates powerful stories about his family, his faith, and what matters to Americans tired of all the divisiveness and distrust in our leaders.Reflecting on what he’s learned by knocking on doors, serving his community, and tackling the tough problems that no one wanted to touch in new and different ways, Shapiro reminds us that government can be a force for good, that conventional wisdom is rarely wise, and there’s more that unites Americans than divides us.Shapiro is answering a call to service at a time when we need leaders like him to step up. Where We Keep the Light is a must-read account of his life and what lies ahead.

A grounded and intimate portrait of life by Pennsylvania Governor Josh Shapiro.Where We Keep the Light is the story of public service and personal faith. From an early age, Josh Shapiro learned and practiced the power of showing up, listening, and executing, to make people’s lives a little better. In the pages of this account of his life, Shapiro relates powerful stories about his family, his faith, and what matters to Americans tired of all the divisiveness and distrust in our leaders.Reflecting on what he’s learned by knocking on doors, serving his community, and tackling the tough problems that no one wanted to touch in new and different ways, Shapiro reminds us that government can be a force for good, that conventional wisdom is rarely wise, and there’s more that unites Americans than divides us.Shapiro is answering a call to service at a time when we need leaders like him to step up. Where We Keep the Light is a must-read account of his life and what lies ahead.

Stories from a Life of Service

Where We Keep the Light

The Complete Johnny Cash

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