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Allen Nicholas: Late Heaney

Late Heaney

<ul><li>1: Stockholm in Pylos</li> <li>2: Landscapes</li> <li>3: Bearings</li> <li>4: Ghosts</li> <li>5: The Riverbank Fields</li> <li>Afterword</li> </ul>

Very Short Introductions

Very Short Introductions: Brilliant, Sharp, Inspiring From the motorcar to the radio, modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F.T. Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression." A growing cadre of Futurist painters, poets, authors, and musicians exchanged Italy's cultural patrimony for new technologies, media, and metaphors, championing machine-propelled speed and its salutary hazards. Cubist painting, collage, and sculpture lent the Futurist campaign a revolutionary style to match its rhetorical fervor. Yet whereas Cubism remained a revolution of artistic form, Futurism sought to shatter the boundaries between art and life itself. Indeed, the movement's challenge to twentieth-century culture lay not in any specific set of images or objects, but a more comprehensive revolution of sensibility. By the mid-1910s there circulated several dozen Futurist proclamations on everything from men's clothing to set design, photography to film, dance to politics. That political impetus proved relentlessly paradoxical in origin and upshot. From its base in Milan, Futurist activity spread throughout the entire peninsula, while related movements emerged almost immediately in Moscow, Lisbon, Tiblisi, and Tokyo. Prefiguring and then propagandizing Fascist imperialism, Futurism also galvanized a range of progressive modernist phenomena. More than a century later, the "activist model" of the Futurist avant-garde remains deeply fraught in its historical implications. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

From the motorcar to the radio, modern technology radically transformed urban life by the first decade of the twentieth century. This Very Short Introduction explores the ideas, works, key figures, and development of the Futurist movement in Italy and beyond, in the context of the turmoil and rapid change of the early 20th Century.

A Very Short Introduction

Futurism

Routledge Studies in Latin American and Iberian Literature

Corpse Encounters in Spanish and Latin American Narrative Fiction: Tantos muertos takes a historically and geographically broad view to argue for the central significance of corpses in modern and contemporary Spanish and Latin American narrative fiction.It offers critical readings of twenty novels and short stories from nine countries to show how modern and contemporary prose fiction addresses the human death crisis triggered by corpse encounters. It demonstrates that literary corpse encounters register histories of social violence that include both political repression and a current epidemic of organized criminality in Latin America. The corpse is shown to function in four primary ways: as an index of historical violence, as a figure of a social body rent by dissolutive forces, as a metaliterary figure of the narrative text itself, and as evidence of a necroecological sensibility shaped by post-Christian and posthumanist views of death.The book traces the rise of this necroecological sensibility and proposes that the autopsied corpse emerges as a prominent figure for the literary text itself, as authors liken writing and narration to post-autopsic stitching. Authors studied include Pío Baroja, Rafael Chirbes, Gabriel García Márquez, Manuel Puig and Cristina Rivera Garza.

Tantos muertos

Corpse Encounters in Spanish and Latin American Narrative Fiction

Named a BOOK OF THE YEAR by The Times and Sunday Times,New Statesman,Spectator,Prospect,and New Yorker.'Undoubtedly Hoare's masterpiece'Olivia Laing'Queer in all senses of the word'Neil Tennant'A life-changing book'Robert Douglas Fairhurst, The Times'Fabulously idiosyncratic'Lucy Hughes-Hallett, New Statesman¿How one visionary inspired 200 years of art, poetry, and protest.Weaving between the historical, cultural and personal, award-winning author Philip Hoare reveals a web of creative minds and artistic iconoclasts fired with the wild and revolutionary genius of William Blake.In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero - a man who had died a long, long time ago, yet who remained electrically alive to them.In this alluring and poetic odyssey, Philip Hoare traces the enduring legacy of William Blake and how he came to inspire so many creative lives. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up twentieth-century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. This stirring, deeply felt book brings us back to Blake and shows that art still has the power to create positive change.'A book that is neither Blake biography nor critical analysis nor legacy-tracing nor personal odyssey but a capacious mixing of them all ... a joyful and dizzying romp' Philip Marsden, Spectator'This love letter to William Blake couldn't be more eccentric ... Philip Hoare's weird and wonderful style soars in this study of the poet and his disciples' Ian Sansom, Telegraph'Hoare's impassioned style, alive with metaphor and wordplay, has often been called "dreamlike". This is apt, given his total immersion in his subject ... Nothing will be as audacious or intriguing as William Blake and the Sea Monsters of Love' Jenny Uglow, Times Literary Supplement

William Blake and The Sea Monsters of Love

A major poet and literary critic leads an aesthetic adventure through poems about queer experience, by writers who identify as lesbian, gay, bisexual, queer, trans, nonbinary, gender fluid, and more. A groundbreaking anthology edited by acclaimed poet, critic, and scholar Stephanie Burt, Super Gay Poems brings together fifty-one works encompassing the wide range of queer and trans verse after the Stonewall uprising of 1969. Since that galvanizing moment, poetry has served as both a vehicle for queer liberation and a witness to its sometimes fragile, sometimes ebullient flourishing, across the world. The poems in this anthology represent the great variety of queer and trans life itself. They include near-sonnets, iambic couplets, and rhymed quatrains; skinny dimeters and shaped poems; chatty free verse and intentionally inaccurate translations; the demotic and the rococo. Arranged in chronological order, the selections trace queer culture's recent evolutions. Frank O'Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, essa ranapiri, and The Cyborg Jillian Weise-poets widely known and poets who deserve to be-share their alienation, their euphoria, and their encounters with a protean community as it discovers new solidarities and new selves. Each piece is paired with a concise, eye-opening essay in Burt's trademark style, with verve and an inimitable literary ear. A treasury of aesthetic experience and insight, Super Gay Poems points protestors, political organizers, poetry lovers, and LGBTQIA+ readers toward many beautiful tomorrows.

Esteemed scholar, poet, and critic Stephanie Burt anthologizes five decades of verse for and by queer Americans. Interpreted by Burt, the poems of Frank O’Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, The Cyborg Jillian Weise, and others trace a flourishing of queer life from Stonewall to today.

LGBTQIA+ Poetry after Stonewall

Super Gay Poems

'A landmark appraisal... deep and enriching' GUARDIAN 'An exhilarating meeting of critical minds' OBSERVER 'Serpell is a superlative essayist' DIANA EVANS 'Serpell brings her expertise and eye to Toni Morrion's singular literary genius' HARPER'S BAZAAR The essential companion to Toni Morrison's work, written by Namwali Serpell, 'one of the most innovative and intelligent writers today' (Financial Times) Toni Morrison, Nobel Laureate and most beloved of writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, 'she is our only truly canonical black, female writer - and her work is highly complex.' In On Morrison, Serpell brings her unique experience as both an award-winning writer and professor to illuminate Toni Morrison's masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her vivid fiction and criticism, as well as her lesser-known dramatic works and poetry - with contextual guidance and original close readings. Accessible and thrillingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of our time, but how to approach any great work of literature. The conversation between the two black women artist-readers that rises from these pages is stylish, edifying and spectacular in its scope and erudition. '[Serpell has] hopped on a rocket and touched the Tonisphere, with her mind... Serpell's excitement, her sense of discovery and dismay, become yours' NEW YORK TIMES BOOK REVIEW 'Breathtaking, provocative, and refreshing' IMANI PERRY

On Morrison

Frühe Neuzeit

Das Echo ist im 17. Jahrhundert nicht nur im gesamten literarischen Gattungsspektrum anzutreffen, sondern repräsentiert zentrale Aspekte eines modernen dichterischen Selbstverständnisses. Diese Studie macht die Vielfalt der Echo-Symboliken und -Funktionalisierungen im deutschen Barock zugänglich, insbesondere für die Zeit von 1640 bis 1700. Dabei wird das Gebrauchsschrifttum erstmals angemessen berücksichtigt. Der literarische Echo-Dialog schwankt antithetisch zwischen sozialem Ausschluss und kommunikativer Hoffnungssuggestion. In der italienischen und französischen Renaissance-Lyrik dominiert der Ausschluss: Die Echo-Begegnung im einsamen Naturraum ist Signum des isolierten Subjekts. Diese Poetik wird im deutschen 17. Jahrhundert sukzessive in ihr Gegenteil verkehrt. Ausgehend von konsolatorischen Deutungen wandelt sich das Echo zu einem Paradigma der Diskursivität und Vergemeinschaftung. Mit der Einbettung in neue Gattungen und Kontexte wird es zu einer Form des poetischen Diskurses und verkörpert eine Poetik der Sozialität und des Konsens. Als Natursprache und Landschaftsmetonymie schafft es ästhetische, soziale und politische Identitätsräume; und als metaphysische Stimme und raumzeitliche Transgressionsfigur suggeriert es die Verbindung zum Göttlichen.

Das Echo ist im 17. Jahrhundert nicht nur im gesamten literarischen Gattungsspektrum anzutreffen, sondern repräsentiert zentrale Aspekte eines modernen dichterischen Selbstverständnisses. Diese Studie macht die Vielfalt der Echo-Symboliken und -Funktionalisierungen im deutschen Barock zugänglich, insbesondere für die Zeit von 1640 bis 1700. Dabei wird das Gebrauchsschrifttum erstmals angemessen berücksichtigt. Der literarische Echo-Dialog schwankt antithetisch zwischen sozialem Ausschluss und kommunikativer Hoffnungssuggestion. In der italienischen und französischen Renaissance-Lyrik dominiert der Ausschluss: Die Echo-Begegnung im einsamen Naturraum ist Signum des isolierten Subjekts. Diese Poetik wird im deutschen 17. Jahrhundert sukzessive in ihr Gegenteil verkehrt. Ausgehend von konsolatorischen Deutungen wandelt sich das Echo zu einem Paradigma der Diskursivität und Vergemeinschaftung. Mit der Einbettung in neue Gattungen und Kontexte wird es zu einer Form des poetischen Diskurses und verkörpert eine Poetik der Sozialität und des Konsens. Als Natursprache und Landschaftsmetonymie schafft es ästhetische, soziale und politische Identitätsräume; und als metaphysische Stimme und raumzeitliche Transgressionsfigur suggeriert es die Verbindung zum Göttlichen.

Diskursivierung, Medialisierung, Vergemeinschaftung

Echo-Literatur im deutschen 17. Jahrhundert

**A FINANCIAL TIMES BOOK OF THE YEAR** 'Lively and humane... Reade's enthusiasm and curiosity are winning' GUARDIAN Summoned in Haiti's struggle against colonial rule, read in prison by the young Malcolm X, and reimagined by Virginia Woolf - this is the revolutionary history of Milton's epic poem Paradise Lost Orlando Reade shows the many different, surprising, and often contradictory ways in which Milton's epic poem Paradise Lost has been read across centuries and continents. Boldly original, lively, and far-reaching, What in Me Is Dark is the story of how a work of literature born in the ashes of a failed revolution became an indelible part of the modern imagination. Reade guides us through the epic, exploring how Milton came to write its dark and dazzling poetry, and offers us a new account of its radical, ever-evolving legacy. 'Clever, wide-ranging...witty and sardonic' NEW STATESMAN

The Revolutionary Life of Paradise Lost

What in Me Is Dark

The Margellos World Republic of Letters

A multilayered exploration of poetry, authorship, and digital intelligence by "a writer of immense poetic power" (The Guardian) &nbsp; Finalist, 2025 National Book Award, Translated Literature&nbsp;¿&nbsp; A World Literature Today Notable Translation of 2025 &nbsp; "Many paths cross in Ismailov's beautiful new work-poetry, history and the infinite imagination. Every path winding into another. Every path worth taking."-Patti Smith &nbsp; In the late 1980s, French poet and psychologist Jon¿Perse finds himself in possession of one of the most promising inventions of the century: a computer. Enchanted by snippets of Persian poetry he learns from his Uzbek translation partner, Abdulhamid Ismail, Jon-Perse builds a computer program capable of both analyzing and generating literature. But beyond the text on his screen there are entire worlds-of history, philosophy, and maybe even of love-in the stories and people he and AI conjure. &nbsp; Hamid Ismailov brings together his work as a poet, translator, and student of literature of both East and West to craft a postmodern ode to poetry across centuries and continents. Crossing the poètes maudits with beloved Sufi classics, blending absurdist dreams with the life of the famed Persian poet Hafez, moving from careful mathematical calculations to lyrical narratives, Ismailov invents an ingenious transnational poetics of love and longing for the digital age. Situated at the crossroads of a multilingual world and mediated by the unreliable sensibilities of digital intelligence, this book is a dazzling celebration of how poetry resonates across time and space.

A Ghazal Novel

We Computers

A masterclass in telling stories - and how they shape our world - from the internationally renowned narrative expert To command narrative is to control a sometimes frightening power. What is it that turbocharges some tales, and how is it possible to harness that potency? John Yorke has revolutionised our understanding of story structure. In this new book he delves deeper - into how to put that structure to work in the world. Trip to the Moon takes us on a journey not just through drama and fiction but through politics, religion and non-western narrative, to seek out the role of story in all our lives, examining how to utilise its lessons to create life-changing tales - and, in a world aflame with conspiracy theories, to guard ourselves against their darker purpose too. Revealing the artful symmetry and underlying principles that connect Summer beach reads to Classical Chinese poetry, superhero flicks to Russian arthouse, and classical rhetoric to state propaganda, Yorke makes dazzling connections that show how stories have the power to transfigure the chaos of our existence into a new equilibrium, and make the world anew.

Understanding the True Power Of Story

Trip to the Moon

Oxford World's Classics

'impossible here, absurd, depraved, ludicrous and yet sacred, still honourable, even here: "I love you!"' This volume contains a generous selection of the short fiction Thomas Mann published in the years 1897 to 1912, after which he turned to larger-scale projects. The acknowledged classic among the early shorter fiction is the novella Death in Venice, in which Mann develops a lyrical style and a range of mythological allusions, through the forbidden love of a middle-aged man for a teenage boy, a theme with roots in Mann's own emotional experience. In many of his shorter works, Mann uses irony and humour to treat the conflict between sensitive, often artistic souls and the vital, often brutal forces of life. The stories, usually about isolated figures, convey a mixture of humour, sadness, and irony which invites ambivalent responses from readers. This new set of translations by Ritchie Robertson and Nicola Luckhurst is accompanied by explanatory notes and introduction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Death in Venice and Other Stories

Penguin Clothbound Classics

A classic gothic tale of the dissolution of a family and their estate told by a master of the macabre, now a Penguin Clothbound Classic designed by Coralie Bickford-Smith This selection of Poe's stories, poetry and other writing demonstrates the astonishing power and imagination with which he probed the darkest corners of the human mind. 'The Fall of the House of Usher' describes the final hours of a family tormented by tragedy and the legacy of the past. In 'The Tell-Tale Heart', a murderer's insane delusions threaten to betray him, while stories such as 'The Pit and the Pendulum' and 'The Cask of Amontillado' explore extreme states of decadence, fear and hate. This edition also includes an introduction by the novelist, curator and academic David Galloway. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A collection of Edgar Allan Poe's writings, including The Fall of the House of Usher—the inspiration for the Netflix series from Mike Flanagan, the director of The Haunting of Hill House and Midnight Mass! This selection of critical writings, short fiction and poetry demonstrates Poe’s intense interest in aesthetic issues and the astonishing power and imagination with which he probed the darkest corners of the human mind. “The Fall of the House of Usher” describes the final hours of a family tormented by tragedy and the legacy of the past. In “The Tell Tale Heart”, a murderer's insane delusions threaten to betray him, while stories such as “The Pit and the Pendulum”&nbsp;and “The Cask of Amontillado” explore extreme states of decadence, fear and hate. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

and Other Writings

The Fall of the House of Usher

A delightful, thoughtful and original new way to understand England's history A Times Best Book of the Year 2025 A History Extra History Book of the Year 2025 'This is a marvellous idea, quite brilliantly realised. Catherine Clarke takes 25 poems [...] and uses them as windows into the English past, from politics and plagues to nature and nostalgia. Her book is a winning blend of jolly ballads and melancholy reflections, alive to the ways in which the meanings of England and Englishness are never fixed, always changing' - Dominic Sandbrook, The Times This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation's past, and the experiences, emotions and imaginations of those who lived it. These poems open windows onto wildly different worlds - from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses. Their creators, witnesses to events from the Great Fire of London to the Miners' Strike, range from the famous to the forgotten, yet each invites us into an immersive encounter with their own time. A History of England in 25 Poems is a portal to the past; a constant companion, filled with vivid voices and surprising stories alongside familiar landmarks, and language that speaks in new ways on each reading. Catherine Clarke's knowledge and passion take us inside the words and the moments they capture, with thoughtful insights, humour and new perspectives on how the nation has dreamed itself into existence - and who gets to tell England's story.

A History of England in 25 Poems

Late Heaney

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