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Allen Nicholas: Late Heaney

Late Heaney

<ul><li>1: Stockholm in Pylos</li> <li>2: Landscapes</li> <li>3: Bearings</li> <li>4: Ghosts</li> <li>5: The Riverbank Fields</li> <li>Afterword</li> </ul>

A masterclass in telling stories - and how they shape our world - from the internationally renowned narrative expert To command narrative is to control a sometimes frightening power. What is it that turbocharges some tales, and how is it possible to harness that potency? John Yorke has revolutionised our understanding of story structure. In this new book he delves deeper - into how to put that structure to work in the world. Trip to the Moon takes us on a journey not just through drama and fiction but through politics, religion and non-western narrative, to seek out the role of story in all our lives, examining how to utilise its lessons to create life-changing tales - and, in a world aflame with conspiracy theories, to guard ourselves against their darker purpose too. Revealing the artful symmetry and underlying principles that connect Summer beach reads to Classical Chinese poetry, superhero flicks to Russian arthouse, and classical rhetoric to state propaganda, Yorke makes dazzling connections that show how stories have the power to transfigure the chaos of our existence into a new equilibrium, and make the world anew.

Understanding the True Power Of Story

Trip to the Moon

The story of the most acclaimed literary biography of the twentieth century-an ingeniously plotted, behind-the-scenes account of how the literary critic and scholar Richard Ellmann shaped James Joyce's reputation. Richard Ellmann's James Joyce, published in 1959, was hailed by Anthony Burgess as "the greatest literary biography of the twentieth century." Frank Kermode thought the book would "fix Joyce's image for a generation," a prediction that was if anything too cautious. The biography won the National Book Award and durably secured Joyce's standing as a preeminent modernist. Ellmann's Joyce provides the biography of the biography, exploring how Ellmann came to his subject, gained the cooperation of Joyce's family and estate, shrewdly, doggedly collected vital papers and interviews, placated publishers, thwarted competitors, and carefully balanced narrative with literary analysis. Ellmann's Joyce also removes the veil from the biographer-richly rewarded in public, admirable in private life, but also possessed of a startling secret life. An eminent biographer himself, Zachary Leader constructs a powerful argument not only in support of Ellmann's intellectual and artistic claims but also on behalf of literary biography generally. In the process, he takes readers on a rare tour through midcentury publishing houses in New York and London, as well as the corridors and classrooms of elite universities, from Yale to Oxford. The influence of Ellmann's book, recognized instantly, persists to this day, among literary scholars and Joyce fans alike. Filled with surprising details, tales of intrigue from the heyday of literary publishing, and intimate portraits of the Joyce and Ellmann families, Ellmann's Joyce is as immersive as a walk around town with Leopold Bloom and as moving as the thickly drifted snow on Michael Furey's grave.

The Biography of a Masterpiece and Its Maker

Ellmann's Joyce

Henry James's experience of drama began in the New York theatres of his 1850s childhood; in Europe he became familiar with the London theatre and the Théâtre-Français in Paris. He went on to experiment continuously with the 'scenic art' in his fiction, and to write plays himself. This complete collection of James's essays and reviews on drama discusses a range of theatre, including productions of Shakespeare, Tennyson, 'well-made' French plays and early performances of Ibsen. In addition, he characterises some of the great performers of the day, including Irving, Terry, Kemble, Ristori, Coquelin and Salvini. Readers will find James's texts as they first appeared, with a wealth of editorial support, which evokes the colourful world of late Victorian theatre. Many of the items included have not previously been available in a scholarly edition. The editorial apparatus includes a general introduction, a chronology, a textual variants section, and a biographical guide to actors.

The Complete Writings of Henry James on Art and Drama: Volume 2, Drama

Oxford World's Classics

This new anthology brings together a generous selection of famous wartime poets alongside works by civilians and soldiers, offering a symphony of different voices, all connected in their shared experience of the Second World War. An introduction provides historical context and biographical accounts of each poet.

An Anthology

Poetry of the Second World War

'impossible here, absurd, depraved, ludicrous and yet sacred, still honourable, even here: "I love you!"' This volume contains a generous selection of the short fiction Thomas Mann published in the years 1897 to 1912, after which he turned to larger-scale projects. The acknowledged classic among the early shorter fiction is the novella Death in Venice, in which Mann develops a lyrical style and a range of mythological allusions, through the forbidden love of a middle-aged man for a teenage boy, a theme with roots in Mann's own emotional experience. In many of his shorter works, Mann uses irony and humour to treat the conflict between sensitive, often artistic souls and the vital, often brutal forces of life. The stories, usually about isolated figures, convey a mixture of humour, sadness, and irony which invites ambivalent responses from readers. This new set of translations by Ritchie Robertson and Nicola Luckhurst is accompanied by explanatory notes and introduction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Death in Venice and Other Stories

Routledge Studies in Twentieth-Century Literature

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929 focuses on fifty-three silent film adaptations of the novels of acclaimed authors George Eliot, Charlotte Brontë, Emily Brontë, Mary Shelley, Louisa May Alcott, Harriet Beecher Stowe, Willa Cather, and Edith Wharton. Many of the films are unknown or dismissed, and most of them are degraded, destroyed, or lost-burned in warehouse fires, spontaneously combusted in storage cans, or quietly turned to dust. Their content and production and distribution details are reconstructed through archival resources as individual narratives that, when considered collectively, constitute a broader narrative of lost knowledge-a fragmented and buried early twentieth-century story now reclaimed and retold for the first time to a twenty-first-century audience. This collective narrative also demonstrates the extent to which the adaptations are intertextually and ideologically entangled with concurrently released early "woman's films" to re-promote and re-instill the norm of idealized white, married, domesticated womanhood during a time of extraordinary cultural change for women. Retelling this lost narrative also allows for a reassessment of the place and function of the adaptations in the development of the silent film industry and as cinematic precedent for the hundreds of sound adaptations of the literary texts of these eight women writers produced from 1931 to the 2020s.

Viewer, I Married Him

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929

The Great Gatsby is often called the great American novel. Emblematic of an entire era, F. Scott Fitzgerald's classic tale of illicit desire, grand illusions, and lost dreams is rendered in a lyrical prose that revives a vanished world of glittering parties and vibrant jazz, where money and deceit walk hand in hand. Rich in humor, sharply observant of status and class, the book tells the story of Jay Gatsby's efforts to keep his faith - in money, in love, in all the promises of America - amid the chaos and conflict of life on Long Island's Gold Coast during the Roaring Twenties. This centennial edition presents the established version of the text in a collector's volume replete with social, cultural, and historical context, and numerous illustrations. The authoritative introduction examines persistent myths about Fitzgerald, his greatest work, and the age he embodies, while offering fresh ways of reading this iconic work.

The Cambridge Centennial Edition of The Great Gatsby

'James Anthony has done something I would have confidently stated to be impossible. He has "translated" Shakespeare's sonnets and he has done so with an insolent, loveable charm ... A dazzling success' - Stephen Fry Rediscover the greatest love poetry ever written Shall I compare you to a summer's day? You're more delightful, always shining strong; High winds blow hard on flowering buds in May, And summer never seems to last that long... Shakespeare's sonnets are some of the nation's favourite lines of verse, but the Elizabethan language can make it difficult to really understand them. Many guides offer to clarify the meaning, but lose the magic of the words by explaining them away. James Anthony has done something boldly different. He has rewritten the whole series of poems as sonnets using modern language, while retaining the rhythm and rhyme patterns that gives them such power. In doing so he breathes new life into the original poems and opens them up for a modern readership, demystifying Shakespeare's eternal poetry with provocative new translations and delightful new lines. Presented as an attractive book with the original sonnets facing their new translations, this is a stunning collection of beautiful love poems, made new.

Classic Love Poems with a Modern Twist

Shakespeare’s Sonnets, Retold

Frühe Neuzeit

Das Echo ist im 17. Jahrhundert nicht nur im gesamten literarischen Gattungsspektrum anzutreffen, sondern repräsentiert zentrale Aspekte eines modernen dichterischen Selbstverständnisses. Diese Studie macht die Vielfalt der Echo-Symboliken und -Funktionalisierungen im deutschen Barock zugänglich, insbesondere für die Zeit von 1640 bis 1700. Dabei wird das Gebrauchsschrifttum erstmals angemessen berücksichtigt. Der literarische Echo-Dialog schwankt antithetisch zwischen sozialem Ausschluss und kommunikativer Hoffnungssuggestion. In der italienischen und französischen Renaissance-Lyrik dominiert der Ausschluss: Die Echo-Begegnung im einsamen Naturraum ist Signum des isolierten Subjekts. Diese Poetik wird im deutschen 17. Jahrhundert sukzessive in ihr Gegenteil verkehrt. Ausgehend von konsolatorischen Deutungen wandelt sich das Echo zu einem Paradigma der Diskursivität und Vergemeinschaftung. Mit der Einbettung in neue Gattungen und Kontexte wird es zu einer Form des poetischen Diskurses und verkörpert eine Poetik der Sozialität und des Konsens. Als Natursprache und Landschaftsmetonymie schafft es ästhetische, soziale und politische Identitätsräume; und als metaphysische Stimme und raumzeitliche Transgressionsfigur suggeriert es die Verbindung zum Göttlichen.

Das Echo ist im 17. Jahrhundert nicht nur im gesamten literarischen Gattungsspektrum anzutreffen, sondern repräsentiert zentrale Aspekte eines modernen dichterischen Selbstverständnisses. Diese Studie macht die Vielfalt der Echo-Symboliken und -Funktionalisierungen im deutschen Barock zugänglich, insbesondere für die Zeit von 1640 bis 1700. Dabei wird das Gebrauchsschrifttum erstmals angemessen berücksichtigt. Der literarische Echo-Dialog schwankt antithetisch zwischen sozialem Ausschluss und kommunikativer Hoffnungssuggestion. In der italienischen und französischen Renaissance-Lyrik dominiert der Ausschluss: Die Echo-Begegnung im einsamen Naturraum ist Signum des isolierten Subjekts. Diese Poetik wird im deutschen 17. Jahrhundert sukzessive in ihr Gegenteil verkehrt. Ausgehend von konsolatorischen Deutungen wandelt sich das Echo zu einem Paradigma der Diskursivität und Vergemeinschaftung. Mit der Einbettung in neue Gattungen und Kontexte wird es zu einer Form des poetischen Diskurses und verkörpert eine Poetik der Sozialität und des Konsens. Als Natursprache und Landschaftsmetonymie schafft es ästhetische, soziale und politische Identitätsräume; und als metaphysische Stimme und raumzeitliche Transgressionsfigur suggeriert es die Verbindung zum Göttlichen.

Diskursivierung, Medialisierung, Vergemeinschaftung

Echo-Literatur im deutschen 17. Jahrhundert

Routledge Studies in Latin American and Iberian Literature

Corpse Encounters in Spanish and Latin American Narrative Fiction: Tantos muertos takes a historically and geographically broad view to argue for the central significance of corpses in modern and contemporary Spanish and Latin American narrative fiction.It offers critical readings of twenty novels and short stories from nine countries to show how modern and contemporary prose fiction addresses the human death crisis triggered by corpse encounters. It demonstrates that literary corpse encounters register histories of social violence that include both political repression and a current epidemic of organized criminality in Latin America. The corpse is shown to function in four primary ways: as an index of historical violence, as a figure of a social body rent by dissolutive forces, as a metaliterary figure of the narrative text itself, and as evidence of a necroecological sensibility shaped by post-Christian and posthumanist views of death.The book traces the rise of this necroecological sensibility and proposes that the autopsied corpse emerges as a prominent figure for the literary text itself, as authors liken writing and narration to post-autopsic stitching. Authors studied include Pío Baroja, Rafael Chirbes, Gabriel García Márquez, Manuel Puig and Cristina Rivera Garza.

Tantos muertos

Corpse Encounters in Spanish and Latin American Narrative Fiction

A pioneering biography of George Orwell told through moments of everyday life

'A clever, offbeat history of mid-century Britain&nbsp;through George Orwell's eyes.' Helen Lewis

When we think about Orwell, we imagine an angular, moustachioed sceptic crouched over a typewriter, who - between puffs on his cigarette - composes effortless streams of prose, unadorned but explosive. We see a man with 'Important Things to Say' about: the slow creep of authoritarianism; the consequences of all-seeing tech; the fragility of truth.

Much less often do we see him as a person caught up in the business of everyday life. And yet Orwell's work thrums with the quotidian: the smell of boiled cabbage, the chill of an unheated flat in early spring, the rumbling of old pipes.

A Bright Cold Day reveals how the principles that govern us begin in the mundane. From waking and showering to breakfast, work, lunch, the pub, sleep and dreaming, Orwell was never dulled to the routines of living. And in the details of the day, we can understand how power, money, freedom and choice play out, not just for Orwell's literary characters, but for us all.

***

'An astute and intimate portrait of George Orwell.' Dorian Lynskey, author of The Ministry of Truth

'Beautifully written... urgent and compelling.' Emma Smith, author of&nbsp;Portable Magic

The Wonder of George Orwell

A Bright Cold Day

Focusing on the nuances and connotations of writing while Black, this practical guide to crafting fiction gives Black writers, and anyone including non-white characters in their work, the tools to decolonize their imagination and create authentic characters and fictional worlds.

A Practical Guide to Writing Fiction

The Black Writers' Toolbox

Late Heaney

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