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Allen N: Late Heaney

Late Heaney

<ul><li>1: Stockholm in Pylos</li> <li>2: Landscapes</li> <li>3: Bearings</li> <li>4: Ghosts</li> <li>5: The Riverbank Fields</li> <li>Afterword</li> </ul>

SHORTLISTED FOR THE DIVERSE BOOK AWARDS 2026Bracing and essential, a radical reframing of British Romanticism through the lens of Black experience - for fans of David Olusoga, Gretchen Gerzina, Saidiya Hartman and Emma Dabiri'A masterpiece about how history is made, written with power and ferocity' Boston GlobeWordsworth, Shelley, Byron, Keats - the Romantic poets are titans of English literature, taught and celebrated around the world. Their writings are associated with the sublime power of nature and revolutionary politics. But these literary icons also lived through the climax of the transatlantic slave economy. They witnessed both the explosion of the abolition movement - and the reactionary formation of white supremacist ideologies.The Trembling Hand examines how the lives and works of six major Romantic authors were entangled with the racial politics of their era. Mathelinda Nabugodi studies manuscripts and archival treasures - a teacup, a baby rattle, a lock of hair - to recover startling links between the poetry of freedom and the practices of slavery in the Romantic period.'Urgent . . . One will never look at these poets in quite the same way' The New York Times'Ambitious and ingenious, Mathelinda Nabugodi engages the reader in the quest to re-see, re-imagine and re-read the past' Colm Tóibín

Reflections of a Black Woman in the Romantic Archive

The Trembling Hand

Oxford World's Classics

'One afternoon in the autumn of 1851 a solitary horseman, followed by a pack-mule, was pushing through an arid stretch of country somewhere in central New Mexico. He had lost his way'

Death Comes for the Archbishop is the story of two missionary priests, travelling through the American Southwest in the aftermath of the Mexican American wars. Father Jean-Marie Latour and Joseph Vaillant spread Catholic faith and religious practices, convert and gather new souls, and discipline wayward priests. Their missionary journey takes them towards a greater understanding of the place and people they serve.

Cather wrote at length about the layers within her texts and the influences and the details she incorporated. This edition of Death Comes for the Archbishop edited by Catherine Morley highlights and addresses these details: Cather's engagement with fine art, her palimpsestic layering of texts, and her movement through different languages. Morley also places Cather among her American modernist peers, while reflecting upon the thematic details of the text, and offering insights into Cather's personal life and her life as a writer.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Death Comes for the Archbishop

Oxford World's Classics Hardback Collection

'Grey-eyed Athena sent them a following breeze, the fresh- 
blowing westerly, whistling over the wine-dark sea'

Twenty years after setting out to fight in the Trojan War, Odysseus is yet to return home to Ithaca. His household is in disarray: a horde of over 100 disorderly and arrogant suitors are vying to claim Odysseus' wife Penelope, and his young son Telemachus is powerless to stop them. Meanwhile, Odysseus is driven beyond the limits of the known world, encountering countless divine and earthly challenges. But Odysseus is 'of many wiles' and his cunning and bravery eventually lead him home, to reclaim both his family and his kingdom. 

The Odyssey rivals the Iliad as the greatest poem of Western culture and is perhaps the most influential text of classical literature. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

The Odyssey

"An act of devotion without monument-making...Arno's achievement is to return Celan to mortal scale: ardent in friendship, hungry for recognition, capable of wounded tenderness." -Benjamin Balint, The Wall Street Journal A luminous, groundbreaking biography of one of the most important literary figures of the twentieth century, best known for the poem "Deathfugue." Paul Celan (1920-1970) was recognized as the greatest poet of the German language shortly before his tragic death just shy of his fiftieth birthday, when he drowned himself in the Seine. He described his "Todesfuge" ("Deathfugue") as a "tombstone" for his mother, who perished in the Holocaust. Celan's work is often viewed as a rejoinder to Theodor Adorno's dictum that it was barbaric to write poetry after Auschwitz. While the commentary on Celan's contributions to poetics and Holocaust literature is voluminous, little has been written about his life itself. Anna Arno provides the definitive biography. Paul Celan: A Life follows the poet from his birthplace, Czernowitz (today Chernivtsi, Ukraine), to Bucharest, where he was part of an important circle of Surrealists; then on to Vienna, where he met and fell in love with Ingeborg Bachmann; and finally to Paris. Although in his final years he was haunted by bouts of mental illness, his life cannot be defined by its implosion. Paul Celan was an ardent, inveterate romantic whose many meaningful relationships left their mark on his poetry. He also cultivated intense, often fraught dialogues with such thinkers as René Char, Yves Bonnefoy, and Martin Heidegger. Drawing upon a linguistically wide range of archival sources and the most up-to-date research, Arno presents a complete picture of Celan's life. Here is the essential story of a towering figure in modern poetry.

A Life

Paul Celan

My Reading

The power of Colette's work comes from its modernist storytelling.

Colette was a pioneering, ground-breaking modernist writer, but has not always had her originality and worth recognized in Britain. Her work provocatively uses unstable narratives, gaps, silences, fairytale, mythical tropes, and sensual evocations of childhood, sex, and landscapes.

In this book, Michèle Roberts examines how Colette invents new forms to express her unsettling content on desire, perversion, ageing, and different forms of love. Delving into four key texts, Roberts explores Colette's willingness to break open taboos about older woman and desire, as well as hidden and forbidden aspects of human longings and pleasures.

Through these re-readings, Roberts discovers that Colette's work is even more entrancing, more disturbing, and more original than she first thought.

My Literary Mother

Colette

This thirtieth-anniversary edition of June Jordan's foundational poetry program guidebook features a foreword by Hanif Abdurraqib and a new preface from Samiya Bashir. 
 
If you want to know how to teach poetry-in a university, a high school, at a nature preserve, in a hospital, or in your living room-read this book. 
 
June Jordan's Poetry for the People&nbsp;details how to build a grassroots poetry program through&nbsp;a collection of strategies, sample student work, course descriptions, and a step-by-step guide to organizing and promoting readings, alongside original writing from Adrienne Rich, Joy Harjo, Ntozake Shange, and Cornelius Eady. 
 
Now with a guide to teaching ethically in the digital age, this easy-to-use, timely reference is perfect for teachers of poetry at any level and in any group setting.&nbsp;

A Revolutionary Blueprint

June Jordan’s Poetry for the People (Expanded Edition)

'The best book on "story" that I have ever read' Jimmy McGovern 'A masterpiece . . . genius - funny and wise and occasionally profound' Billy Ivory A masterclass in telling stories - and how they shape our world - from the internationally renowned narrative expert To command narrative is to control a sometimes frightening power. What is it that turbocharges some tales, and how is it possible to harness that potency? John Yorke has revolutionised our understanding of story structure. In this new book he delves deeper - into how to put that structure to work in the world. Trip to the Moon takes us on a journey not just through drama and fiction but through politics, religion and non-western narrative, to seek out the role of story in all our lives, examining how to utilise its lessons to create life-changing tales - and, in a world aflame with conspiracy theories, to guard ourselves against their darker purpose too. Revealing the artful symmetry and underlying principles that connect Summer beach reads to Classical Chinese poetry, superhero flicks to Russian arthouse, and classical rhetoric to state propaganda, Yorke makes dazzling connections that show how stories have the power to transfigure the chaos of our existence into a new equilibrium, and make the world anew.

Understanding the True Power Of Story

Trip to the Moon

Hot Type is the epic story of the magnificent 19th-century machine that rendered Gutenberg's movable type obsolete and opened the portal to the long century of mass media. The Linotype mechanized the 400-year-old process of setting type one laborious letter at a time, and thus ignited an explosion of newspaper, book, and magazine empires. This is a tale populated with wondrous characters: tragic inventors, malign media moguls, hand-typesetters called the Swifts who turned their craft into a spectator sport, and authors and journalists who chronicled the turmoil of their time, their every word molded into metal type by what some viewed as a thinking machine. This revolution in media technology helped to propel Mark Twain into literary celebrity, but it also cost him his fortune - as well as his sense of humor and optimism. The era of the Linotype was a bridge between Twain's Gilded Age with its tycoons of steam, steel, and wire and today's Gilded Age with its barons of bits and AI. Its history provides an opportunity to reflect on how technology changes culture just as new technologies - the internet and artificial intelligence -manufacture their endless streams of words today.

The Magnificent Machine that Gave Birth to Mass Media and Drove Mark Twain Mad

Hot Type

A pioneering biography of George Orwell told through moments of everyday life 'A fascinating, oblique take... Revelatory and very insightful.' William Boyd, author of The Predicament When we think about Orwell, we imagine an angular, moustachioed sceptic crouched over a typewriter, who – between puffs on his cigarette – composes effortless streams of prose, unadorned but explosive. We see a man with ‘Important Things to Say’ about: the slow creep of authoritarianism; the consequences of all-seeing tech; the fragility of truth. Much less often do we see him as a person caught up in the business of everyday life. And yet Orwell’s work thrums with the quotidian: the smell of boiled cabbage, the chill of an unheated flat in early spring, the rumbling of old pipes. A Bright Cold Day reveals how the principles that govern us begin in the mundane. From waking and showering to breakfast, work, lunch, the pub, sleep and dreaming, Orwell was never dulled to the routines of living. And in the details of the day, we can understand how power, money, freedom and choice play out, not just for Orwell’s literary characters, but for us all. *** 'Summons one of the biggest questions we face nowadays, the relationship between fiction and reality.' Andrew O'Hagan, author of Caledonian Road 'A clever, offbeat history of mid-century Britain through George Orwell’s eyes.' Helen Lewis 'An astute and intimate portrait of George Orwell.' Dorian Lynskey, author of The Ministry of Truth 'Beautifully written... urgent and compelling.' Emma Smith, author of Portable Magic

The Wonder of George Orwell

A Bright Cold Day

Rhyme and Reason

A book on the experience of reading the works of Samuel Beckett.

After a life of writing about Victorian novelists, Rosemarie Bodenheimer found herself entranced by the work of Samuel Beckett. In this book she shares her journey of discovery with readers who may or may not be familiar with Beckett's novels and stories. She follows his trajectory from the first unpublished novel, Dream of Fair to Middling Women, through the great postwar trilogy of Molloy, Malone Dies, and The Unnamable, and on to the ever more experimental inventions in the shorter, later fictions and monologues. Through readings of his work alongside extracts from his published correspondence, Beckett emerges as a sympathetic human figure, a poet of productive doubt, and a brilliant stylist of mood changes and second thoughts. 

Professor Bodenheimer considers Beckett's treatments of memory, nostalgia, and grief, and the forms he finds to convey those essential human experiences while avoiding melodrama or sentimentality. His dramatized relationship with his own writing is a crucial part of that emotional landscape. His playful jousts with the conventions of novel-writing show how, from the start, Beckett challenged the notion of character and other inherited novel conventions. The book also emphasizes his dismantling of the autobiographical "I," his moving narratives of attachment and loss, and the inimitable mixture of comedy and pathos he creates by inventing outlandish situations to which his characters respond in very recognizable human ways.

Samuel Beckett

A book on the experience of reading Ursula Le Guin's Earthsea novels.

What makes readers fall in love? You might want to start your answer by explaining Ursula Le Guin. She owned John Plotz at age eight, on the overlit and understaffed second floor of the DC library. Four decades and who knows how many re-readings later, her Earthsea owns him still. 

The reasons to love her Earthsea are many. Le Guin sets readers adrift among worlds: peripatetic but somehow at home. She sublimely mixes comfort and revelatory, emancipatory unsettlement. Ursula Le Guin's Earthsea aims to do justice to both Le Guin's passionate simplicity and her revenant complexity. Small wonder the inspiration she has been for later speculative writers like Neil Gaiman, Kim Stanley Robinson, and N. K. Jemisin.
 
The boldness and coldness of the later three books of Earthsea is a revelation. In Tehanu, Tales from Earthsea, and The Other Wind, she turned a cold eye, a dragon's searching eye, back on the comfortable green world she herself had made decades earlier. They unfold a distinctive vision of the writer's task: world-building as responsibility plus openness. Call it invitational realism. She builds a world that leaves the real task of building, of creating, of imagining, and of reimagining, with her readers.
 
Drawing on his own crooked path-from a DC childhood to teaching in Prague to San Francisco journalism to graduate school and then parenthood-Plotz maps the ways that readers young and old find in Earthsea a kind of scholar's stone, a delightfully mutable surface that rewards recurrent contemplation.

Ursula Le Guin's Earthsea

Late Heaney

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