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Allen N: Late Heaney

Late Heaney

<ul><li>1: Stockholm in Pylos</li> <li>2: Landscapes</li> <li>3: Bearings</li> <li>4: Ghosts</li> <li>5: The Riverbank Fields</li> <li>Afterword</li> </ul>

These intimate love letters reveal the open relationship between de Beauvoir and Sartre, two of the twentieth century's groundbreaking thinkers. Simone de Beauvoir lived her feminist philosophy. She never married or had children, she had affairs with both men and women, and she actively defied the norms for women of her era. At the same time, she conducted an intense, long-term relationship with the philosopher Jean-Paul Sartre, whom she referred to as her husband. De Beauvoir and Sartre met as philosophy students in Paris in 1929. For over fifty years, until their deaths in the 1980s, the couple had a close open relationship. This book contains her letters to him, revealing the details of her everyday life and her passion for the man who shared her ideals. It is an intimate portrait of a woman living in an adventurous, complicated way in the name of individual freedom. 'For 51 years, the conversations between them created ideas, books, and a bond which other passions enraged or enriched, but never altogether ruptured. It was, for De Beauvoir, an experiment in loving' Guardian 'An opportunity to hear a vigorous and innovative thinker...speaking in her abrasive, touching, breathtakingly candid private voice' Sunday Times TRANSLATED AND EDITED BY QUINTIN HOARE

Letters To Sartre

How To Think

The Poets That Made Our World and Why We Need Them

How to Think Like a Poet

How to Read and Write Poetry Past Fear

Poetry Detective

Anthem Studies in Australian Literature and Culture

The book focuses on various ways of articulating settler belonging in Australian memoir since the turn of the 21st century. After Australia witnessed a reinvigorated public interest in the revisionist history of European settlement and colonial violence, resulting in the dispossession of Indigenous people and damaged settler-Indigenous relations, Australian settler majority has experienced an unsettlement of their sense of belonging, or the so-called "setter anxiety." The book analyzes how settler (un)belonging is narrativized in popular memoirs written by Australian public intellectuals, such as historians, artists, writers, and commentators, in the period after 2000. These memoirs of settler belonging share one aspect: they all ask and seek answers to the implicit question, how to belong as a White settler who bears witness to the legacy of violent colonization vis-à-vis continuing Indigenous dispossession? How to justify the settler presence in and love of the land that was stolen from First Australians? The individual chapters examine historians' memoirs, White women's travel narratives, experimental place-writing, and eco- and landscape memoirs, tracing a gradual shift in literary representations of settler anxiety and detecting new perspectives on what can be called ethical settler belonging.

Pursuits of Settler Belonging in Contemporary Australian Memoirs

George Orwell has never been more quoted and misquoted. Can he be rescued from the soundbites?

George Orwell remains a work in progress. He is, or has become, a meme, a global writer, a national treasure, a London statue, a scholarly society, a Prize and a Journal, a trope and a show, various movies and murals, too many misquotations, two adjectives, at least half a dozen fictions, and most recently a dead metaphor with plenty more accolades to come. 

George Orwell: Life and Legacy is an intellectual biography which offers an authentic account of Orwell's life and work from his birth in the high noon of British imperialism in 1903, to his death on the eve of the Cold War in 1950-a life played out against a background of two world wars, the rise of communism, and the war-time pre-eminence of the United States. Yet no matter how alert he was to the world order, and no matter how guarded he was in his personal life, Orwell never shied away from the question of who he was, and the contradictions that entailed.

His two great modern masterpieces Animal Farm (1945) and Nineteen Eighty-Four (1949) arrived to define the age he lived in. Interest in him has never abated since; no writer is more quoted or misquoted. Orwell is in danger of being lost to soundbites. Colls reveals the author once again.

Life and Legacy

George Orwell

My Reading

A book on the experience of reading Ursula Le Guin's Earthsea novels.

What makes readers fall in love? You might want to start your answer by explaining Ursula Le Guin. She owned John Plotz at age eight, on the overlit and understaffed second floor of the DC library. Four decades and who knows how many re-readings later, her Earthsea owns him still. 

The reasons to love her Earthsea are many. Le Guin sets readers adrift among worlds: peripatetic but somehow at home. She sublimely mixes comfort and revelatory, emancipatory unsettlement. Ursula Le Guin's Earthsea aims to do justice to both Le Guin's passionate simplicity and her revenant complexity. Small wonder the inspiration she has been for later speculative writers like Neil Gaiman, Kim Stanley Robinson, and N. K. Jemisin.
 
The boldness and coldness of the later three books of Earthsea is a revelation. In Tehanu, Tales from Earthsea, and The Other Wind, she turned a cold eye, a dragon's searching eye, back on the comfortable green world she herself had made decades earlier. They unfold a distinctive vision of the writer's task: world-building as responsibility plus openness. Call it invitational realism. She builds a world that leaves the real task of building, of creating, of imagining, and of reimagining, with her readers.
 
Drawing on his own crooked path-from a DC childhood to teaching in Prague to San Francisco journalism to graduate school and then parenthood-Plotz maps the ways that readers young and old find in Earthsea a kind of scholar's stone, a delightfully mutable surface that rewards recurrent contemplation.

Ursula Le Guin's Earthsea

SHORTLISTED FOR THE DIVERSE BOOK AWARDS 2026Bracing and essential, a radical reframing of British Romanticism through the lens of Black experience - for fans of David Olusoga, Gretchen Gerzina, Saidiya Hartman and Emma Dabiri'A masterpiece about how history is made, written with power and ferocity' Boston GlobeWordsworth, Shelley, Byron, Keats - the Romantic poets are titans of English literature, taught and celebrated around the world. Their writings are associated with the sublime power of nature and revolutionary politics. But these literary icons also lived through the climax of the transatlantic slave economy. They witnessed both the explosion of the abolition movement - and the reactionary formation of white supremacist ideologies.The Trembling Hand examines how the lives and works of six major Romantic authors were entangled with the racial politics of their era. Mathelinda Nabugodi studies manuscripts and archival treasures - a teacup, a baby rattle, a lock of hair - to recover startling links between the poetry of freedom and the practices of slavery in the Romantic period.'Urgent . . . One will never look at these poets in quite the same way' The New York Times'Ambitious and ingenious, Mathelinda Nabugodi engages the reader in the quest to re-see, re-imagine and re-read the past' Colm Tóibín

Reflections of a Black Woman in the Romantic Archive

The Trembling Hand

From the internationally bestselling author of The Disappeared comes a profound meditation on the cultural impact of storytelling and testimony in five intimate and illuminating essays. In this moving collection, critically acclaimed novelist Kim Echlin examines how we turn to literature to measure our lives against the darknesses of our time. Tell Others explores how literature resists silencing and repression with truth and imagination. Echlin skillfully blends her lived experience in different parts of the world—teaching in post-revolutionary China, researching war crimes in the former Yugoslavia, studying under one of Canada’s most respected Elders, Basil H. Johnston—with wide-ranging reading that offers solace and highlights the possibility to transform outrage into understanding and resistance. Looking to her favourite writers—Milan Kundera, Salman Rushdie, Ma Jian, Toni Morrison, Margaret Atwood, and Haruki Murakami, to name a few—Echlin grapples in fresh ways with tyranny, war, sexual violence, and censorship to bear witness to the past and look to the future. Written in characteristically unsparing and evocative prose, Tell Others is an invitation to all readers to acknowledge histories that are difficult to see and to make meaning from the stories that buried bones tell. The author proceeds for this book will be donated to PEN Canada and PEN International.

Storytelling for a World in Turmoil

Tell Others

A book on the experience of reading the works of Samuel Beckett.

After a life of writing about Victorian novelists, Rosemarie Bodenheimer found herself entranced by the work of Samuel Beckett. In this book she shares her journey of discovery with readers who may or may not be familiar with Beckett's novels and stories. She follows his trajectory from the first unpublished novel, Dream of Fair to Middling Women, through the great postwar trilogy of Molloy, Malone Dies, and The Unnamable, and on to the ever more experimental inventions in the shorter, later fictions and monologues. Through readings of his work alongside extracts from his published correspondence, Beckett emerges as a sympathetic human figure, a poet of productive doubt, and a brilliant stylist of mood changes and second thoughts. 

Professor Bodenheimer considers Beckett's treatments of memory, nostalgia, and grief, and the forms he finds to convey those essential human experiences while avoiding melodrama or sentimentality. His dramatized relationship with his own writing is a crucial part of that emotional landscape. His playful jousts with the conventions of novel-writing show how, from the start, Beckett challenged the notion of character and other inherited novel conventions. The book also emphasizes his dismantling of the autobiographical "I," his moving narratives of attachment and loss, and the inimitable mixture of comedy and pathos he creates by inventing outlandish situations to which his characters respond in very recognizable human ways.

Samuel Beckett

Oxford World's Classics

'The poem I had planned to write on the banks of the Ganga was never written. But it materialized in my life.'

Rabindranath Tagore (1861-1941), Nobel Laureate and polymath, is one of the most eminent Indian writers of world literature. This volume presents new English translations of twenty of his short stories. Taking in a wide variety of registers (comedies, tragedies, the mundane and the fantastical), the selection showcases Tagore as one of the earliest practitioners of the short story genre in the Bengali language, influenced by both Indian and Western traditions. In particular, Tagore added a unique style of his own to Western conventions of the short story form, allowing him to present the everyday in literary vignettes, seamlessly weaving in the rhythms of daily life, unfolding in rural landscapes. The stories also offer social critiques--of colonialism, dowry, and immolation of widows. A highly sensitive and thoughtful observer of life, Tagore's vision transcends regional boundaries, embracing a universal humanity that resonates across cultures, while never denouncing a deep indigeneity. 

These authoritative translations by a team of expert scholars are accompanied by Sumit Chakrabarti's introduction, reflecting on the literary and historical implications of Tagore's stories. 

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Selected Short Stories

Bloomsbury Studies in Digital Cultures

Bringing together book historians, textual editors, and new media theorists, this is an engaging and wide-ranging examination of the interactions between the history of the book and digital humanities.

Book History, Scholarly Editing and Curation in Conversation

New Directions in Digital Textual Studies

Poetry for Dummies

Late Heaney

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