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Allen N: Late Heaney

Late Heaney

<ul><li>1: Stockholm in Pylos</li> <li>2: Landscapes</li> <li>3: Bearings</li> <li>4: Ghosts</li> <li>5: The Riverbank Fields</li> <li>Afterword</li> </ul>

My Reading

The power of Colette's work comes from its modernist storytelling.

Colette was a pioneering, ground-breaking modernist writer, but has not always had her originality and worth recognized in Britain. Her work provocatively uses unstable narratives, gaps, silences, fairytale, mythical tropes, and sensual evocations of childhood, sex, and landscapes.

In this book, Michèle Roberts examines how Colette invents new forms to express her unsettling content on desire, perversion, ageing, and different forms of love. Delving into four key texts, Roberts explores Colette's willingness to break open taboos about older woman and desire, as well as hidden and forbidden aspects of human longings and pleasures.

Through these re-readings, Roberts discovers that Colette's work is even more entrancing, more disturbing, and more original than she first thought.

My Literary Mother

Colette

A hands-on guide for poets who want to make work beyond the page. How can a poem become an image, a soundscape, a performance, an erasure, a tactile object, or a digital encounter? A Writer's Guide to Multimodal Poetry brings together poets, visual artists, editors, publishers, and teachers working across the expanding field of multimodal poetics. Pairing examples of artists' work with craft essays and writing exercises, this collection gives readers practical ways to combine poetry with visual art, sound, music, movement, archive, found materials, digital media, and performance. Contributors share the tools, choices, and compositional processes behind their work, from blending text and image to experimenting with rhythm, translating across media, using erasure and collage, and designing interactive or embodied reading experiences. Rather than treating multimodal poetry as an add-on to traditional forms, this book shows how medium itself can become part of the poem's thinking. The essays explore audio-modality, image-text hybrids, musical influence, alphanumeric translation, lyrical improvisation, neo-concrete poetry, archival practice, found poetry, mythic reimagining, tactile experience, and more. Designed for writers, artists, students, and teachers, A Writer's Guide to Multimodal Poetry offers both inspiration and instruction: a field-defining introduction to multimodal poetics and a practical invitation to make poems that move through sight, sound, touch, space, and screen.

Mixtures and Margins

A Writer's Guide to Multimodal Poetry

Bloomsbury Studies in Digital Cultures

Bringing together book historians, textual editors, and new media theorists, this is an engaging and wide-ranging examination of the interactions between the history of the book and digital humanities.

Book History, Scholarly Editing and Curation in Conversation

New Directions in Digital Textual Studies

Oxford World's Classics

'Hans Castorp filled his lungs with the pure mountain air--this fresh, light atmosphere that was so easy to inhale and held no scent of moisture, no content, no memories...'

Thomas Mann's The Magic Mountain (1924) is a social comedy with tragic overtones, providing a portrait of Europe in the first decades of the twentieth century. The novel recounts how an apparently simple North German engineer, Hans Castorp, comes to a tuberculosis sanatorium in Davos, Switzerland, intending to visit his sick cousin, and ends up staying for seven years. He matures intellectually and emotionally, encountering love and death amid a cast of vivid characters who are portrayed with Dickensian humour and sophisticated irony, until he is jerked out of his torpor by the outbreak of the First World War.

This translation is accompanied by an accessible introduction by Ritchie Robertson, and detailed notes explaining the many cultural and historical references in the text.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Magic Mountain

SHORTLISTED FOR THE DIVERSE BOOK AWARDS 2026Bracing and essential, a radical reframing of British Romanticism through the lens of Black experience - for fans of David Olusoga, Gretchen Gerzina, Saidiya Hartman and Emma Dabiri'A masterpiece about how history is made, written with power and ferocity' Boston GlobeWordsworth, Shelley, Byron, Keats - the Romantic poets are titans of English literature, taught and celebrated around the world. Their writings are associated with the sublime power of nature and revolutionary politics. But these literary icons also lived through the climax of the transatlantic slave economy. They witnessed both the explosion of the abolition movement - and the reactionary formation of white supremacist ideologies.The Trembling Hand examines how the lives and works of six major Romantic authors were entangled with the racial politics of their era. Mathelinda Nabugodi studies manuscripts and archival treasures - a teacup, a baby rattle, a lock of hair - to recover startling links between the poetry of freedom and the practices of slavery in the Romantic period.'Urgent . . . One will never look at these poets in quite the same way' The New York Times'Ambitious and ingenious, Mathelinda Nabugodi engages the reader in the quest to re-see, re-imagine and re-read the past' Colm Tóibín

Reflections of a Black Woman in the Romantic Archive

The Trembling Hand

This thirtieth-anniversary edition of June Jordan's foundational poetry program guidebook features a foreword by Hanif Abdurraqib and a new preface from Samiya Bashir. 
 
If you want to know how to teach poetry-in a university, a high school, at a nature preserve, in a hospital, or in your living room-read this book. 
 
June Jordan's Poetry for the People&nbsp;details how to build a grassroots poetry program through&nbsp;a collection of strategies, sample student work, course descriptions, and a step-by-step guide to organizing and promoting readings, alongside original writing from Adrienne Rich, Joy Harjo, Ntozake Shange, and Cornelius Eady. 
 
Now with a guide to teaching ethically in the digital age, this easy-to-use, timely reference is perfect for teachers of poetry at any level and in any group setting.&nbsp;

A Revolutionary Blueprint

June Jordan’s Poetry for the People (Expanded Edition)

'A profoundly affirming book about the potential for literature . . . One of the few essential writers of this generation' The ScotsmanFrom acclaimed critic, novelist and academic W. G. Sebald, author of Austerlitz and The Rings of Saturn, a collection of essay on the Austrian writers who inspired himAppearing for the first time in English, Silent Catastrophes brings together W. G. Sebald's essays on the Austrian writers who meant so much to him. The evolution of Austria from vast empire to diminutive Alpine republic, followed by its annexation by Nazi Germany, had a profound traumatic impact on the literary output of the nation. Essays on the writings of Kafka, Handke, Bernhard and more, explore the concepts of 'home/land', 'borderland' and 'exile' with deep compassion and insight. A revelation to Sebald's English-language readers, Silent Catastrophes traces many of the themes which animate Sebald's own work and illuminates how melancholy - the contemplation of disaster in progress - is itself a form of resistance.'One of Europe's most mysterious and best-loved literary imaginations' Evening Standard

Essays in Austrian Literature

Silent Catastrophes

A book on the experience of reading Ursula Le Guin's Earthsea novels.

What makes readers fall in love? You might want to start your answer by explaining Ursula Le Guin. She owned John Plotz at age eight, on the overlit and understaffed second floor of the DC library. Four decades and who knows how many re-readings later, her Earthsea owns him still. 

The reasons to love her Earthsea are many. Le Guin sets readers adrift among worlds: peripatetic but somehow at home. She sublimely mixes comfort and revelatory, emancipatory unsettlement. Ursula Le Guin's Earthsea aims to do justice to both Le Guin's passionate simplicity and her revenant complexity. Small wonder the inspiration she has been for later speculative writers like Neil Gaiman, Kim Stanley Robinson, and N. K. Jemisin.
 
The boldness and coldness of the later three books of Earthsea is a revelation. In Tehanu, Tales from Earthsea, and The Other Wind, she turned a cold eye, a dragon's searching eye, back on the comfortable green world she herself had made decades earlier. They unfold a distinctive vision of the writer's task: world-building as responsibility plus openness. Call it invitational realism. She builds a world that leaves the real task of building, of creating, of imagining, and of reimagining, with her readers.
 
Drawing on his own crooked path-from a DC childhood to teaching in Prague to San Francisco journalism to graduate school and then parenthood-Plotz maps the ways that readers young and old find in Earthsea a kind of scholar's stone, a delightfully mutable surface that rewards recurrent contemplation.

Ursula Le Guin's Earthsea

Global Challenges in the Environmental Humanities

Featuring contributions from key names in the field alongside some of the most exciting new voices, this collection presents cutting-edge work on species extinction from a wide variety of perspectives across the environmental humanities.

Biodiversity loss threatens to transform the ecological foundations of all biological life on the planet, yet solutions to this crisis are fiercely contested. This book addresses extinction - along with climate change, the most urgent environmental crisis of the twenty-first century - by exploring species decline and conservation with a particular emphasis on divergent cultural framings, temporal scales, and media.

Contributors explore what ethical guidelines underlie acceptable and unacceptable ways of interacting with plants and animals, what social, aesthetic, and affective perceptions and meanings are attributed to particular species, how human-nonhuman relations are construed as part of a particular social order and which species are considered worth conserving, and at what cost.

Drawing on the disciplines of anthropology, cultural geography, environmental history, philosophy, literary studies, media studies, and studies of religion, this book explores how the engagement with biodiversity loss challenges basic assumptions in these disciplines and opens up new avenues of thought and activism for shaping the multispecies communities of the future.

Unsettling Extinction

'I love thee... once more helpless, and therewith hopeless!--but this time no longer silent, before the Friendship which is Love, the Love which is Friendship.'

Considered one of the first examples of the 'homosexual' novel, Edward Prime-Stevenson's Imre: A Memorandum takes the reader to the almost Arcadian capital of Hungary, where a seemingly chance encounter brings together Englishman Oswald and dashing Hungarian officer Imre. From the initial stages of their friendship, there is no doubt on Oswald's part that this is love at first sight. But will Imre return Oswald's feelings? Will they dare to let their guard down-the figurative 'Mask' that has become second nature to them? Heavily indebted to the newly established classificatory science of sexualities, Imre offers a thrilling and heart-rending account of the relationship between two super-virile men at the turn of the twentieth century.

This edition presents an authentic version of the text that preserves the author's orthographical and other eccentricities, and opens the door to the sexological subtext that propels the plot. Also included is one of Prime-Stevenson's dramatic short stories, 'The Lady with the Madonna-Face', in which Imre returns.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A Memorandum

Imre

Vanguard

INDEPENDENT PRESS TOP 40 BESTSELLER 
 
Award-winning poet and performer Saul Williams explores how artists today must respond to systemic violence and injustice-in the words of Paul Robeson, by choosing sides. 
 
Songs My Mother Taught Me&nbsp;is Williams' clear-eyed exploration of the role of the artist in these times by answering the question: what radicalized you? He answers by examining how his role models-writers and artists, from Amiri Baraka to local musicians in Brazilian bars to Palestinian hip-hop heads-have responded to imperialist violence, oppression, and genocide. Riffing on Paul Robeson's famous declaration, Williams builds a provocative case for why today's artists cannot remain neutral in the face of injustice. "We need songs that crumble empires," he writes, "films that teach, remind, and inspire, poems that would make a despot revoke your citizenship." 
 
The radical artists of the&nbsp;Vanguard Series&nbsp;offer new poetry and prose to answer the question, What does poetry have to do with politics?

Why the Artist Must Take Sides

Songs My Mother Taught Me

Late Heaney

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