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Allen Nicholas: Late Heaney

Late Heaney

<ul><li>1: Stockholm in Pylos</li> <li>2: Landscapes</li> <li>3: Bearings</li> <li>4: Ghosts</li> <li>5: The Riverbank Fields</li> <li>Afterword</li> </ul>

Ein Adventsbuch zum Aufschneiden

Lichterglanz & Winterzauber – 24 weihnachtliche Geschichten

A vibrant account of the remarkable novel Lady Chatterley's Lover, tracing its life over the last centuryD. H. Lawrence's Lady Chatterley's Lover is one of the best-known and most resonant works of the twentieth century. Originally considered obscene and unpublishable in numerous countries, its scandalous story of class divide and the English countryside is infamous. But, since the 1920s, we have repeatedly re-created Lady Chatterley, from film and TV to music and tourism.Guy Cuthbertson tells the colourful story of the novel's journey through the last hundred years. He examines how the book has been read, adapted, and reimagined across the globe, from the United States to Japan, and explores the 1960 "Chatterley trial"-a key moment in the struggle for freedom of expression. It might have been burnt and derided, laughed at and defaced, but Lawrence's novel has crept into all walks of life. Whether the book, or its influence, be good or bad, we live in a world that Lady Chatterley's Lover helped to create.

The Long, Sensational Life of Lady Chatterley’s Lover

Lady C

Oxford World's Classics

'impossible here, absurd, depraved, ludicrous and yet sacred, still honourable, even here: "I love you!"'

This volume contains a generous selection of the short fiction Thomas Mann published in the years 1897 to 1912, after which he turned to larger-scale projects. The acknowledged classic among the early shorter fiction is the novella Death in Venice, in which Mann develops a lyrical style and a range of mythological allusions, through the forbidden love of a middle-aged man for a teenage boy, a theme with roots in Mann's own emotional experience. In many of his shorter works, Mann uses irony and humour to treat the conflict between sensitive, often artistic souls and the vital, often brutal forces of life. The stories, usually about isolated figures, convey a mixture of humour, sadness, and irony which invites ambivalent responses from readers. 

This new set of translations by Ritchie Robertson and Nicola Luckhurst is accompanied by explanatory notes and introduction.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Death in Venice and Other Stories

These intimate love letters reveal the open relationship between de Beauvoir and Sartre, two of the twentieth century's groundbreaking thinkers. Simone de Beauvoir lived her feminist philosophy. She never married or had children, she had affairs with both men and women, and she actively defied the norms for women of her era. At the same time, she conducted an intense, long-term relationship with the philosopher Jean-Paul Sartre, whom she referred to as her husband. De Beauvoir and Sartre met as philosophy students in Paris in 1929. For over fifty years, until their deaths in the 1980s, the couple had a close open relationship. This book contains her letters to him, revealing the details of her everyday life and her passion for the man who shared her ideals. It is an intimate portrait of a woman living in an adventurous, complicated way in the name of individual freedom. 'For 51 years, the conversations between them created ideas, books, and a bond which other passions enraged or enriched, but never altogether ruptured. It was, for De Beauvoir, an experiment in loving' Guardian 'An opportunity to hear a vigorous and innovative thinker...speaking in her abrasive, touching, breathtakingly candid private voice' Sunday Times TRANSLATED AND EDITED BY QUINTIN HOARE

Letters To Sartre

Henry James's experience of drama began in the New York theatres of his 1850s childhood; in Europe he became familiar with the London theatre and the Théâtre-Français in Paris. He went on to experiment continuously with the 'scenic art' in his fiction, and to write plays himself. This complete collection of James's essays and reviews on drama discusses a range of theatre, including productions of Shakespeare, Tennyson, 'well-made' French plays and early performances of Ibsen. In addition, he characterises some of the great performers of the day, including Irving, Terry, Kemble, Ristori, Coquelin and Salvini. Readers will find James's texts as they first appeared, with a wealth of editorial support, which evokes the colourful world of late Victorian theatre. Many of the items included have not previously been available in a scholarly edition. The editorial apparatus includes a general introduction, a chronology, a textual variants section, and a biographical guide to actors.

The Complete Writings of Henry James on Art and Drama: Volume 2, Drama

This thirtieth-anniversary edition of June Jordan's foundational poetry program guidebook features a foreword by Hanif Abdurraqib and a new introduction from Samiya Bashir. 
 
If you want to know how to teach poetry-in a university, a high school, at a nature preserve, in a hospital, or in your living room-read this book. 
 
June Jordan's Poetry for the People&nbsp;details how to build a grassroots poetry program through&nbsp;a collection of strategies, sample student work, course descriptions, and a step-by-step guide to organizing and promoting readings, alongside original writing from Adrienne Rich, Joy Harjo, Ntozake Shange, and Cornelius Eady. 
 
Now with a guide to teaching ethically in the digital age, this easy-to-use, timely reference is perfect for teachers of poetry at any level and in any group setting.&nbsp;

A Revolutionary Blueprint

June Jordan’s Poetry for the People (Expanded Edition)

'The best book on "story" that I have ever read' Jimmy McGovern 'A masterpiece . . . genius - funny and wise and occasionally profound' Billy Ivory A masterclass in telling stories - and how they shape our world - from the internationally renowned narrative expert To command narrative is to control a sometimes frightening power. What is it that turbocharges some tales, and how is it possible to harness that potency? John Yorke has revolutionised our understanding of story structure. In this new book he delves deeper - into how to put that structure to work in the world. Trip to the Moon takes us on a journey not just through drama and fiction but through politics, religion and non-western narrative, to seek out the role of story in all our lives, examining how to utilise its lessons to create life-changing tales - and, in a world aflame with conspiracy theories, to guard ourselves against their darker purpose too. Revealing the artful symmetry and underlying principles that connect Summer beach reads to Classical Chinese poetry, superhero flicks to Russian arthouse, and classical rhetoric to state propaganda, Yorke makes dazzling connections that show how stories have the power to transfigure the chaos of our existence into a new equilibrium, and make the world anew.

Understanding the True Power Of Story

Trip to the Moon

A Norton Short

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterised as "inaccessible", "irrelevant" or "intimidating". She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question and engage across diverse cultures and backgrounds. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to confront life's many uncertainties and losses, to build camaraderie with strangers and to understand ourselves. She grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets, alongside classic poems. By reimagining and re-examining the age-old art form, Fear Less is a warm invitation to find meaning, consolation and hope through poetry.<ul><li>A Norton Short</li>
</ul>

Poetry in Perilous Times

Fear Less

Rhyme and Reason

Research in Creative Writing

Just like a magician, spiritual guide or modern-day witch, poets use their craft to tap into the inherent power of language as an agent of change, willing words to construct and alter reality through intentional acts and performances. Through an examination of the linguistic, historical, and affective poetics of magic, this book shows how pragmatic magical practices from the ancient and Medieval worlds, and poetry from the English Romantics to the present day, leverage the same linguistic qualities to bring about change. Making the case that contemporary poets, especially poets of disenfranchised identity groups, write with language meant to do something, Robert Eric Shoemaker highlights how these writers successfully incant through language, using techniques such as metaphor, symbolism, chant and other magics, to change their readers by leveraging slippages of meaning. Drawing on the long histories of magical, religious, and ritual language, from modernist poets through the English Romantics and stretching back to poems and spells from the Middle Ages and ancient Egyptian, Greek, Roman, and Jewish traditions, this book establishes a theoretical, analytic, and practical framework for magical poetics. An introduction to the theory and topic, Magical Poetics manages and expands on important poetic legacies, establishes frameworks of contemporary practitioners and aids today's writers and readers in seeing the importance of poetry in the everyday, positioning them as part of the larger lineage of poet-hierophants who may work to change the world with words.

The Power of Language and Effective Poetry

Magical Poetics

The arresting story of how Thomas Mann wrote The Magic Mountain as a defeated Germany descended into political chaos"Jensen brings to the subject the breadth of knowledge and the critical insight it demands, while maintaining a clear style and quick pace. The combination makes The Master of Contradictions the rare work of literary criticism with real appeal for the common reader."-Adam Kirsch, New York Review of BooksLike many writers of his generation, Thomas Mann (1875-1955) welcomed the outbreak of the First World War. He viewed it as a spiritual necessity, a chance to reassert German cultural dominance over Western ideas of democracy and enlightenment. Then, in 1924, he published The Magic Mountain, a massive novel that culminates in the slaughter of war and foreshadows the Nazi terror to come. One of the central achievements of modernism, The Magic Mountain bears testimony to its author's dramatic political reorientation as a defender of democracy. &nbsp; This poignant book is a biography of Mann's great novel-its evolution from a short story into a two-volume masterpiece and one of the bestselling novels of the Weimar era. Deftly weaving together elements of biography, history, and literary criticism, Morten Høi Jensen reveals how writing The Magic Mountain against a backdrop of world war, revolution, hyperinflation, and rising right-wing terror moved Mann to embrace the democratic and humanistic ideas he once scorned. &nbsp; One hundred years after The Magic Mountain was first published, at a time when democratic ideas are again under threat, Jensen reveals the universality and timeliness of Mann's great novel-its still-resonant debates over democracy and tyranny, time and place, illness and death.

Thomas Mann and the Making of "The Magic Mountain"

The Master of Contradictions

'Hans Castorp filled his lungs with the pure mountain air--this fresh, light atmosphere that was so easy to inhale and held no scent of moisture, no content, no memories...'

Thomas Mann's The Magic Mountain (1924) is a social comedy with tragic overtones, providing a portrait of Europe in the first decades of the twentieth century. The novel recounts how an apparently simple North German engineer, Hans Castorp, comes to a tuberculosis sanatorium in Davos, Switzerland, intending to visit his sick cousin, and ends up staying for seven years. He matures intellectually and emotionally, encountering love and death amid a cast of vivid characters who are portrayed with Dickensian humour and sophisticated irony, until he is jerked out of his torpor by the outbreak of the First World War.

This translation is accompanied by an accessible introduction by Ritchie Robertson, and detailed notes explaining the many cultural and historical references in the text.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Magic Mountain

Late Heaney

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