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Graves M: Invisible Hands

Invisible Hands

Fabrication, Forgery, and the Art of Islamic Ceramics

New Directions in Contemporary Art

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual's capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual’s capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

AI Art, Machine Learning and the Stakes for Art Criticism

Built Traces of Intercolonial Trade, Industry and Labour, 1800s-1950s

Architectural Encounters in Asia Pacific

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Rethinking Art's Histories

Strategies of Survival Through Contemporary Art

Caribbean ECO-Aesthetics

The Monarch Files: A Monsterverse Manual

Studies in Design and Material Culture

Culture and Practice in Milan, 1930s-60s

Italian Graphic Design

Explorations in Practical, Pastoral and Empirical Theology

This book is founded upon the understanding that things matter to people. Exploring the renewing of practical theology through critical attention to the values and practices of everyday life, this book looks at how recent cultural and epistemological shifts have generated new agendas for theological thinking. Engaging with recent debates in many disciplines that have explored the relationship between persons and objects, Walton advocates a theological methodology which is radically incarnational, though proposing that incarnational theology itself must be rethought in the light of shifts in our understandings of materiality, epistemology and embodiment: when we speak of God integrally present in the material world, God as Word or God in flesh we can no longer assume that these affirmations carry the same meaning they once did. Introducing the work of new materialists focussing in particular on Miller and Bennett and their critique of materiality and appreciation of the sacred potentiality of things, Walton then explores the possibility of an affirmative approach to the created order - including material objects - which is based upon the radically incarnational aspects of the Franciscan tradition. Drawing upon insights offered in the work of Walter Benjamin, Michel de Certeau, Gaston Bachelard and others to construct a theological anthropology that celebrates the significance of things in human life, Walton goes on to argue that there can be discerned within the work of 20th century women writers a mystical appreciation of materiality which is congruent with the incarnational theology being developed within this work. Examples are drawn from the writings of Virginia Woolf, Ettie Hillesum, Elizabeth Smart and Michelle Roberts in order to establish how everyday material objects may become hugely spiritually significant to people. Finally, the book explores how habitual material interactions with things can be understood as sites of potential personal or political renewal.

This book is founded upon the understanding that things matter to people. Exploring the renewing of practical theology through critical attention to the values and practices of everyday life, this book looks at how recent cultural and epistemological shifts have generated new agendas for theological thinking. Engaging with recent debates in many disciplines that have explored the relationship between persons and objects, Walton advocates a theological methodology which is radically incarnational, though proposing that incarnational theology itself must be rethought in the light of shifts in our understandings of materiality, epistemology and embodiment: when we speak of God integrally present in the material world, God as Word or God in flesh we can no longer assume that these affirmations carry the same meaning they once did.  Introducing the work of new materialists focussing in particular on Miller and Bennett and their critique of materiality and appreciation of the sacred potentiality of things, Walton then explores the possibility of an affirmative approach to the created order - including material objects - which is based upon the radically incarnational aspects of the Franciscan tradition. Drawing upon insights offered in the work of Walter Benjamin, Michel de Certeau, Gaston Bachelard  and others to construct a theological anthropology that celebrates the significance of things in human life, Walton goes on to argue that there can be discerned within the work of 20th century women writers a mystical appreciation of materiality which is congruent with the incarnational theology being developed within this work. Examples are drawn from the writings of Virginia Woolf, Ettie Hillesum, Elizabeth Smart and Michelle Roberts in order to establish how everyday material objects may become hugely spiritually significant to people. Finally, the book explores how habitual material interactions with things can be understood as sites of potential personal or political renewal.

A New Theology of Everyday Life

God in Things

A Search for Hidden Legacies

(Post)Socialist Dance

A Collection of Essays and Sources

Visual Arts and Medicine in Early Modern Europe and Beyond

The Art and Architecture of Begum Samru

Marks She Made

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Participation programs have certainly been introduced to a number of museums and as this book will show, some have been tremendously successful. Yet, for the most part, participation has been limited and the bulk of engagement has tended to be around new forms of publication from within rather than discussions with diverse audiences. Based on research conducted with international museums over the past 6 years, this book explores three key areas: engagement, participation, and co-creation as the keystones for understanding the value of the "social" museum. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. This book develops models for new partnerships, based on critical analysis of both the impact of social media and evaluations of some of the most successful examples in the sector to date. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

Invisible Hands

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