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Graves M: Invisible Hands

Invisible Hands

Fabrication, Forgery, and the Art of Islamic Ceramics

A major reevaluation of a towering figure in twentieth-century art and the relationship of his sculpture to the crisis of nationalism in modern Europe &nbsp; Figures of Crisis examines the neglected decade of artwork that separates the surrealist experiments of Swiss artist Alberto Giacometti (1901–1966) from his iconic postwar sculptures, revealing the connection between a famous artistic crisis in modern art and the crisis of national identity in modern Europe. In 1935, Giacometti abruptly abandoned his early abstract objects and devoted himself to sculpting portrait busts and minuscule figurines, many no larger than a fingernail. Joanna Fiduccia reimagines this fragmentary and inconspicuous body of work as the pivotal phase in his career, which registered the erosion of interwar democratic values and the searching questions this period posed for the future of modern sculpture. &nbsp; Challenging previous explanations of Giacometti’s return to figuration, Fiduccia argues that his figures gave form to the experience of social breakdown during the rise of fascism through their turbulent surfaces, unsettling generality, dramatic reduction of scale, and compulsive repetition. This fresh account, told through the philosophical, political, and aesthetic thought of Giacometti’s time, shows how ideologies of nationalism generated the problems of selfhood at the heart of modernism.

Alberto Giacometti and the Myths of Nationalism

Figures of Crisis

The Extraordinary Life of Gala Dali

Surreal

Published to coincide with an exhibition of the same name, Black Gold showcases recent and newly commissioned artworks reflecting on the resilience, struggles, and triumphs of African Americans who lived in California during its early statehood, from the Gold Rush in 1848 to the Reconstruction era.The project highlights figures and events often omitted from California's history, including the presence of slavery and the struggle for legal rights within this "free" state, the successes of Black entrepreneurs, and the experiences of the African American army regiments known as the Buffalo Soldiers.Black Gold brings together an essay by the exhibitions curator, Cheryl Haines; an artist roundtable discussion moderated by Key Jo Lee, chief of curatorial affairs and public programs, Museum of the African Diaspora, San Francisco, CA; new and archival materials addressing California's hidden history of slavery and anti-Black legislation; and texts detailing the contributions of each of the exhibitions artists—including&nbsp;Akea Brionne, Demetri Broxton, Adrian L. Burrell, the artists of Creativity Explored, Adam Davis, Cheryl Derricotte, Carla Edwards, Mildred Howard, Sir Isaac Julien CBE, Tiff Massey, Umar Rashid, Trina Michelle Robinson, Alison Saar, Yinka Shonibare CBE, Bryan Keith Thomas, Cosmo Whyte, and Hank Willis Thomas.Led by the FOR-SITE Foundation, Black Gold will be on view at San Francisco's historic Fort Point from June 4-November 1, 2025.

Black Gold

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ludwig Heinrich Heydenreich und die Kunstgeschichte in Hamburg 1925-1928

Studieren bei Warburg und Panofsky

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

Bollingen Series

The Collected Essays of Erich Neumann, Volume 1

Art and the Creative Unconscious

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

New Ceramics

Working with Bone China and Porcelain Paperclay

Luminous Clay

The Orient Within

Art and Identity in Spain, 1833-1956

Searching for Palestine’s Hidden Places and Lost Memorials

Forgotten

Invisible Hands

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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