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Graves M: Invisible Hands

Invisible Hands

Fabrication, Forgery, and the Art of Islamic Ceramics

A definitive six-volume catalogue raisonné documenting the entire body of paintings made by Amedeo Modigliani

Catalogue Raisonne of Painting

Amedeo Modigliani

Explorations in Practical, Pastoral and Empirical Theology

This book is founded upon the understanding that things matter to people. Exploring the renewing of practical theology through critical attention to the values and practices of everyday life, this book looks at how recent cultural and epistemological shifts have generated new agendas for theological thinking. Engaging with recent debates in many disciplines that have explored the relationship between persons and objects, Walton advocates a theological methodology which is radically incarnational, though proposing that incarnational theology itself must be rethought in the light of shifts in our understandings of materiality, epistemology and embodiment: when we speak of God integrally present in the material world, God as Word or God in flesh we can no longer assume that these affirmations carry the same meaning they once did. Introducing the work of new materialists focussing in particular on Miller and Bennett and their critique of materiality and appreciation of the sacred potentiality of things, Walton then explores the possibility of an affirmative approach to the created order - including material objects - which is based upon the radically incarnational aspects of the Franciscan tradition. Drawing upon insights offered in the work of Walter Benjamin, Michel de Certeau, Gaston Bachelard and others to construct a theological anthropology that celebrates the significance of things in human life, Walton goes on to argue that there can be discerned within the work of 20th century women writers a mystical appreciation of materiality which is congruent with the incarnational theology being developed within this work. Examples are drawn from the writings of Virginia Woolf, Ettie Hillesum, Elizabeth Smart and Michelle Roberts in order to establish how everyday material objects may become hugely spiritually significant to people. Finally, the book explores how habitual material interactions with things can be understood as sites of potential personal or political renewal.

A New Theology of Everyday Life

God in Things

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

Rethinking Art's Histories

Psychoanalysis, Politics and the Art of French Feminism

Counterpractice

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Based on thousands of never-before translated letters and unpublished sources, Jackie Wullschläger's enthralling biography is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. Deeply moving, it immerses us in that passionate experience, transforming our understanding of the man, his art and the fullness of his achievement.

The Restless Vision

Monet

Tracing the rich tradition of Chinese patchwork art in domestic and rural spaces, from its ancient origins to its contemporary manifestations Patchwork design has a long history in China, dating back almost two thousand years to the arrival of Buddhism in the region. Across millennia, a thread can be followed from spiritual practitioners embracing patchwork textiles as a visual expression of their beliefs to patchwork's use in secular culture, where it was prized for its protective powers. Eventually, patchwork became a form of domestic decoration--and an outlet for artistic ingenuity--that continues in some areas of China's countryside today. Chinese Patchwork explores the creativity of 20th- and 21st-century Chinese makers who stitch fabric remnants into functional, decorative and auspicious articles for use in their homes and by their families. These objects display a wide variety of designs, patterns and techniques, and reflect both local tendencies and the individual aesthetics of the makers. Through a series of scholarly essays, museum curator Nancy Berliner illuminates the tradition and history behind the art form, as well as its links to Chinese visual culture; these texts are illustrated by stunning reproductions of lively and colorful patchwork examples. Interviews with contemporary makers offer readers firsthand insight into the practice and its intricacies. Additional photographs of the artists, their families and their works in situ by American photographer Lois Conner beautifully illustrate patchwork's bold visual presence in rural China.

Ancient Origins, New Expressions

Chinese Patchwork

A Guided Tour

Relational Art

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

Invisible Hands

Informations bibliographiques

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Informations bibliographiques

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