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Durbin Andrew: The Wonderful World that
Almost Was

The Wonderful World that Almost Was

A Life of Peter Hujar and Paul Thek

The Princess Protection Program

The Princess Protection Program #2: After Ever After

The Cartoonist as Architectural Critic

Alan Dunn

A History In Objects

This compelling illustrated history in objects traces Japan's complex past through its material culture. Over 350 artifacts--from the everyday to the sacred--highlight significant moments and themes from ancient times until the present, including religion and culture, agriculture and industry, urbanization and immigration, and politics and trade. This ambitious visual account, spanning over fifteen thousand years of history, examines the materials, ideas, and cross-cultural connections that continue to shape Japan.Historian Angus Lockyer reveals the stories behind an intriguing selection of objects from the British Museum Collection. The book explores the history of the region through artifacts, from the lengthy prehistoric record, through the rise of Buddhism and a military elite in Japan's classical and medieval periods, to the economic and cultural developments of the early modern and modern eras.Ancient flame pots and jewelry, textiles and armor, folding screens and contemporary manga provide glimpses of the lives of farmers and merchants, medieval warriors, and modern women. A wide range of ceramics and sculpture, metalwork and lacquerware, paintings, prints, and textiles provide a rich and compelling portrait of a society and culture that occupies a special place in the imagination of its citizens and visitors.

A History in Objects

Japan

Photofile

Letizia Battaglia

A Cultural History

The Italian Renaissance

Biography and memoirs

A Boarding School Memoir

One Boy!

A personal meditation on, examination of, and tribute to Black single motherhood, unapologetically told through poignant essays and candid interviews, by a celebrated cultural critic. Through her signature candid, humorous and yet often biting takes, Lemieux suffers no fools while also courageously revealing the scars of her own parenting journey and search for self-acceptance in a world that doesn’t see the full worth of women like her. With a particular verve and relatability—honed, in part, from her many years among “Black Twitter’s” most prominent voices—Lemieux puts the lived reality of Black single motherhood: uncertainty, fierceness, and sensuality on full display. Interspersed with beautifully written personal narrative, readers will find cultural and historical analysis, and interviews with single mothers from all walks of life, telling it how it really is.&nbsp; Baby Mamas Day is a bold testament to the multifaceted Black single mother and an invitation to all readers to finally recognize this powerful figure for who&nbsp;she&nbsp;is—not&nbsp;bad, but so, so good.

Real Life Tales of Longing and Belonging

Black. Single. Mother

Afro-Latin America

Art and Anti-Racism in Latin America

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

The World According To

The World According to Henri Matisse

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

A nuanced and personal look at the Latino art world in New York from the 1970s to the new millennium &nbsp; In this deft interweaving of autobiography with the story of Latino art’s place in the flourishing New York art scene, Edward J. Sullivan calls attention to the prominent influence of Latin American artists from the 1970s until today. Recounting his own journey from student and curator to one of the field’s most celebrated scholars, Sullivan gives readers an insider’s look at a time when Latino art went from the margins to the spotlight and the discipline of Latin American art emerged. Beginning in the wake of the Black Power, gay liberation, and second wave feminism movements, Latino artists exhibited their work everywhere from alternative art spaces to major museums and forged a community and a collective identity. As Latin American and Latino artists navigated crises from AIDS to 9/11, they established their art forms as central to academic study and made New York’s institutions, museums, and galleries take it more seriously. &nbsp; Sullivan offers his readers an intimate view of the people, places, and events that populated the world of Latino art in New York as he showcases Latin American art from ancient to modern times. Rufino Tamayo, Carmen Herrera, Pepón Osorio, Cecilia Vicuña, and Juan Sánchez are among the many personalities who populated the scene. The result is a compelling and often surprising tale of cultural, personal, and institutional activity, and, at times, the intrigues that result from their collaborations.

Art and Experience, 1970-2001

Latino New York

The Wonderful World that Almost Was

Informations bibliographiques

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