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Iain R Webb: Vintage Vogue

Vintage Vogue

Detachable postcards to colour in

Defines a unique period in British youth culture and lifestyle publishing, drawing on oral history, editorial analysis and existing fashion and subcultural theory to chart the emergence of the stylist in the 1980s, an ultimately postmodern role that became key to the production of fashion image.

Subculture, Style and the Fashion Image in London 1980–1990

The Rise of the Stylist

A contemporary textile artist provides a new, unexpected and expansive anthropological perspective on the practices, meanings and heritage of a globally important textile technique.

A contemporary textile artist provides a new, unexpected and expansive anthropological perspective on the practices, meanings and heritage of a globally important textile technique.

Performance, Metaphor and Materiality in Contemporary Cloth

Indigo and Resist Dyeing

Afro-Latin America

Art and Anti-Racism in Latin America

Easy, uplifting dopamine designs you actually want to wear

Not Your Grandma's Crochet

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

Ahmed Amrani's Protesta, 1969

Resisting from Morocco's Margins

For 125 years, the Museum of Decorative Arts (Kunstgewerbemuseum) at Dresden's Pillnitz Palace has been home to a treasure trove of Japanese craftsmanship that has remained largely unknown. It consists of 92 cassettes holding more than 15,000 dyeing stencils for textile printing. These so-called katagami were used primarily for fabrics from which the kimonos of samurais were tailored. They show geometric ornaments as well as patterns and motifs depicting elements of nature in virtuoso abstraction, and were handmade from mulberry bark in a lengthy process and engraved using the finest cutting techniques. Fabrics decorated with katagami prints came to Europe in the 19th century and soon had a strong influence on fine and applied art as well as emerging industrial design. This ancient technique remains influential today in graffiti and street art, for example in the works of celebrated street artist and political activist Banksy.This opulent book features for the first time around 140 katagami of outstanding quality from the unique Dresden collection. The selection is dedicated to the representation of rain and water, which have been of major spiritual and cultural significance throughout Japan's history. Some 220 illustrations, mainly in full color, are supplemented with essays by international scholars, who explore in detail all aspects of these fascinating works of Japanese applied art.

Highlights from the world’s largest collection of Japanese katagami stencils for dyeing fabrics for kimonos

A Unique Collection of Japanese Katagami Stencils for Dyeing Kimono Fabrics

The Logic of Rain

The Story of Fashion

From its debut in the 1920s to its reinvention on the runway, this timeless two-piece has come to define the effortless sophistication of the Chanel woman. This book traces the evolution of the Chanel suit through rare archival photography, detailed design analysis, and exclusive insights into the craftsmanship at the heart of the Chanel ateliers. It explores the suit's signature elements - the boxy jacket, braided trim, silk lining, and gilt buttons - and how each has been reinterpreted across decades by designers from Gabrielle 'Coco' Chanel to Karl Lagerfeld and Virginie Viard. Highlighting standout collections, collaborations, and couture creations, the book also celebrates the women who have worn the suit as a statement of power and poise - from Jackie Kennedy to Princess Diana, Kristen Stewart to Beyoncé. With chapters on tailoring techniques, styling tips, and the suit's lasting influence on fashion, feminism, and film, this is the ultimate homage to one of the most iconic garments in history.

The Story of the Chanel Suit

Tactics, Practices, Market Forces

Marginal Fashion Publishing

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vintage Vogue

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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