<div class="raw-html-embed"> Sonderangebot Stämpflis juristische Lehrbücher: Bis Ende November profitieren Sie von 20% Rabatt auf folgende <a href="/aktion-sjl-und-pds">Lehr- und Praxisbücher</a>.</div>

NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Thèmes principaux

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Kanzleien und Behörden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen 2024

Nouveautés 2024

Infos, Tipps und Tricks

Infos, conseils et astuces

Vorankündigungen 2024/2025

Préavis 2024/2025

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Fragments: Ian Hamilton Finlay

The Art of Falling in Love Again is the highly anticipated second collection from poet and internet personality Franny Arrieta that speaks on heartbreak and resurfacing after pain with vulnerably and unbreakable hope. Franny Arrieta has made a name for herself as a poet and creator who speaks openly on the universal experiences of heartbreak and the courage it takes to love in a world of opposition. Relatable in its vulnerability, and guided by Franny's gentle and soothing words, The Art of Falling in Love Again takes readers on a deep dive into the struggles of falling in love again--with someone new and with yourself--and the rollercoaster of emotions we all face along the way from heartbreak to healing. The Art of Falling in Love Again is an earnest reminder that it's okay to not be okay after experiencing deep pain; It's okay to have a heart half full or not full at all; It's okay to feel completely broken and unrecognizable. And even if it feels like it never will, love will find you, and you will fall again.

The Art of Falling in Love Again is the highly anticipated second collection from poet and internet personality Franny Arrieta that speaks on heartbreak and resurfacing after pain with vulnerably and unbreakable hope.

The Art of Falling in Love Again

The sea stole him from her. Could it bring him back? Winter, 1900. A little boy washes up on the beach of a small fishing village in Scotland, barely alive. He bears an uncanny resemblance to teacher Dorothy's son, lost to the sea many years before. When the village is snowed in, Dorothy agrees to look after the child until he can be returned home. But, as the past rises to meet the present, long-buried secrets in this tight-knit community start to come to light. And Dorothy finds herself thrown together again with the reclusive fisherman Joseph, after years of keeping their distance. Bursting with tension and tenderness, this is an exquisite love story that delves into the griefs and hopes that can lie behind village gossip. 'A beautiful story of grief, hope and love; of dark snowy nights, the mysteries of the sea and, above all, redemption' Lucy Diamond, Sunday Times bestselling author of Something to Tell You 'Spectacular... a gift to readers everywhere...a treasure' Adriana Trigiani, New York Times bestselling author of The Good Left Undone 'Rich in atmosphere and brimming with mystery... a poignant, spellbinding tale of loss and resilience. Kelly captures the ache of a mother's grief and the healing that can only come from confronting old wounds, reminding us that the human heart, like the sea, holds depths we can never fully fathom' Christina Baker Kline, New York Times No. 1 bestselling author

A story of love, lost and found. Winter, 1900. A little boy washes up on the beach of a small fishing village in Scotland, barely alive. He bears an uncanny resemblance to teacher Dorothy's son, lost to the sea many years before. When the village is snowed in, Dorothy agrees to look after the child until he can be returned home. But, as the past rises to meet the present, long-buried secrets in this tight-knit community start to come to light, like the snowdrops pushing up through the ice. And Dorothy finds herself thrown together again with the reclusive fisherman Joseph, after years of keeping their distance. Bursting with tension and tenderness, this is an exquisite love story that delves into the griefs and hopes that can lie behind village gossip. The sea grew higher and fiercer around her and now she heard their voices, the children of the waves, Come away, come away

The Fisherman's Gift

The poems in Fuel pick at the weave of oil-soaked world orders to interrogate the ways capitalist death-drive seeps into our unconscious lives. <div>Traversing multivalent intimacies from the underworld of California’s Central Valley oil fields to the quotidian domestic and love’s painful retraction, Stockton’s poems articulate the blurry modes of extraction, fantasy, loss, gender, and labor as they interact and overlap in the shadow of environmental and personal collapse. Between gas station gifts, Venmo requests, and nocturnal love letters, Fuel unravels the self and violent systems of domination, longing for a togetherness that transcends its own ending.</div>

Fuel

A story of love, lost and found. Winter, 1900. A little boy washes up on the beach of a small fishing village in Scotland, barely alive. He bears an uncanny resemblance to teacher Dorothy's son, lost to the sea many years before. When the village is snowed in, Dorothy agrees to look after the child until he can be returned home. But, as the past rises to meet the present, long-buried secrets in this tight-knit community start to come to light, like the snowdrops pushing up through the ice. And Dorothy finds herself thrown together again with the reclusive fisherman Joseph, after years of keeping their distance. Bursting with tension and tenderness, this is an exquisite love story that delves into the griefs and hopes that can lie behind village gossip. The sea grew higher and fiercer around her and now she heard their voices, the children of the waves,Come away, come away

'Gayl Jones's work represents a watershed in American literature . . . her truth-telling, filled with beauty, tragedy, humour and incisiveness, is unmatched' Imani Perry Two epic poems brimming with intimacy, history and revolution, from the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'A once-in-a-lifetime work of literature, the kind that changes your understanding of the world' Yara Rodrigues Fowler on Palmares 'Page after breathtaking page, her prose is intricate, mesmerizing, and endlessly inventive' Deesha Philyaw on Palmares 'Jones's writing powerfully blends narrative and lyricism' Margo Jefferson

By the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful, epic poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'I want to stay here, Anninho.' 'There won't be any way you can stay here. When they catch us, they'll take you back.' 'The men they kill, the women they take back.'

Song for Almeyda and Song for Anninho

Naturbilder / Images of Nature

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei FrantiSek Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären anima vegetativa verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei František Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären 
 anima vegetativa
 verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Florale Animationen in bildender Kunst, Film und Tanz Frankreichs um 1900

Anima vegetativa

Raegan Fordemwalt--poet and author of the runaway hit Lover Girl--is back with the highly anticipated follow-up collection of poetry and art, Prince of Hearts. Following the success of Lover Girl, Raegan Fordemwalt returns with Prince of Hearts. An indirect sequel to her bestselling debut, this all-new collection of art and poetry takes readers along the narrator's journey through abandonment and dismantled trust following the loss of significant relationships, both platonic and romantic. A far-too-relatable retelling of the courage required to survive young love, first heartbreaks, and your early-20s, Prince of Hearts is a look through both the rearview and the windshield along the journey to self-love.

Raegan Fordemwalt—poet and author of the runaway hit Lover Girl—is back with the highly anticipated follow-up collection of poetry and art, Prince of Hearts.

Prince of Hearts

'Richly detailed' THE NEW YORKER'Carr has taken an often overly romanticised historical figure and given her new life and originality.' THE TIMES'A vivid, visceral read' TRACY CHEVALIER'Bold and immediate' TLS***They are imprisoned, but not contained. Three women cross a loch. It is 1567, one of them is pregnant, two of them fretful. The boat takes them to Lochleven castle in the middle of the water. Awaiting them are courtiers braying for blood, hellbent on keeping one of them under lock and key: Mary Queen of Scots. In the tower, Mary's maids Frenchwoman, Cuckoo and watchful Scot, Jane are her only allies, and the chamber their entire world. A new reality sets in where they are at the mercy of not only their keepers, but of raging Scotland itself. In the outside world, Mary's kin, Queen Elizabeth claims she can do little but write. Downstairs, the shrewd jailor-courtier Margaret Erskine places her daughter-in-law Agnes in the chamber as her pair of eyes. Hope seems futile until the bewitching Lady Seton arrives. Seton's power shifts everything in the tower and soon a plan is hatched. But which of them will risk it all to save their mistress? Which woman loves her queen best? The Tower is a triumphant story of desire, grit, God-given power and wiles from a striking new voice in historical fiction.

'Richly detailed' THE NEW YORKER 'Carr has taken an often overly romanticised historical figure and given her new life and originality.' THE TIMES 'A vivid, visceral read' TRACY CHEVALIER 'Bold and immediate' TLS *** They are imprisoned, but not contained. Three women cross a loch. It is 1567: one of them is pregnant, two of them fretful. The boat takes them to Lochleven castle in the middle of the water. Awaiting them are courtiers braying for blood, hellbent on keeping one of them under lock and key: Mary Queen of Scots. In the tower, Mary's maids Frenchwoman, Cuckoo and watchful Scot, Jane are her only allies, and the chamber their entire world. A new reality sets in where they are at the mercy of not only their keepers, but of raging Scotland itself. In the outside world, Mary's kin, Queen Elizabeth claims she can do little but write. Downstairs, the shrewd jailor-courtier Margaret Erskine places her daughter-in-law Agnes in the chamber as her pair of eyes. Hope seems futile until the bewitching Lady Seton arrives. Seton's power shifts everything in the tower and soon a plan is hatched. But which of them will risk it all to save their mistress? Which woman loves her queen best? THE TOWER is a triumphant story of desire, grit, God-given power and wiles from a striking new voice in historical fiction.

The Tower

Every family has a secret. The mega-rich Pallanders are used to luxury - a castle in the Scottish Highlands, a villa in Tuscany, a billion-dollar fortune and an island in the Caribbean - but their perfect life is about to be shattered. Every father has a favourite. Sebastian Pallander dies, leaving a pitiful amount of money to his wife and children. His family fight over the scraps as old rivalries and bitter jealousies come to the surface. And when Pallander's son is killed in mysterious circumstances, everyone suspects foul play. Every killer has a motive. After a desperate race for survival, the relatives gather at their estate to weather the storm. They all begin to wonder: who will be next? Where has all their money gone? And will any of them get what they truly deserve?

The Estate

New Encounters: Arts, Cultures, Concepts

"This book considers the sculptures of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative sculptures Bourgeois produced from 1947 to 2000. Bridging themes and concerns of modernism and postmodernism, the book reveals how Bourgeois brought a decades-long study of psychoanalysis to bear upon her sculptural production that was symbolic, metaphorical, but most importantly, useful"--

This book considers the sculpture of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott’s (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative work Bourgeois produced from 1947 to 2000. 
Critical concepts from British object relational theories – destruction, reparation, integration, relationality and play – drawn from the writings of Winnicott, Melanie Klein, Marion Milner, and Christopher Bollas, among others, bear upon the decades-long study of psychoanalysis Bourgeois brought to her sculptural production that was symbolic, metaphorical, and most importantly, useful.

The book demonstrates how Bourgeois’s transformative sculptural objects and environments are invested in object relations, both psychical and tangible, and explores Bourgeois’s contention that the observer physically engage with the intricate sculptural objects and architectural spaces she produced. Each chapter focuses on a key body of work – Femme Maison, Personages, Lairs, Janus, and Cells – examining how these imaginative and playful objects are staged as embodied encounters in space and time to invoke the mutuality, reciprocity, and ambivalence of our object relationships.

Weaving a tapestry of aesthetic, cultural, and psychological encounters, Transformative Objects and the Aesthetics of Play addresses critical relationships among Bourgeois’s work and that of other artists from Pieter Brueghel to Eva Hesse. It brings together practical, archival, and theoretical material, offering close examinations of historically situated objects and analyses of their complex affects and spatiality. Gathering critical perspectives from psychoanalysis, cultural analysis, feminist, queer, literary and affect studies, the book extends its specific art historical scope to investigate the crucial roles that art and cultural experience assume in everyday life.

Louise Bourgeois’s Sculpture, 1947–2000

Transformative Objects and the Aesthetics of Play

A series of poems that explores walking, writing, and making as divinatory practices.Documenting (and interrogating) the poet’s daily walks, Which Walks investigates the twin practices of walking and art-making while aging. Gender is also a central concern in this intensely feminist work. Moriarty’s book relates to the endlessly unfinished journeys of Nathaniel Mackey’s long poems, as well as to the dailiness of many writers from Charles Baudelaire to Robert Creeley. These poems are an extension of the author’s visual practice, which she is returning to after a fifty-year break. Here she succeeds in existing—even thriving—in today’s strange, often terrifying, world.

Which Walks

Not since Antonia Fraser's major biography (1975) has there been a life of Cromwell so sympathetic to its subject and based on so many years of scholarship and research. As General Editor for Oxford University Press of the five-volume edition of all the recorded words (writings and recorded speech acts) of Oliver Cromwell, Professor Morrill is perfectly equipped to write this biography. He argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought. This was a product of his religious ideas, and, argues the author, in this Cromwell was entirely sincere. After the Siege of Drogheda he murdered 3,000 people and Catholic clergy and the religious were killed on sight. He cast a long shadow over Irish history which appears to many to verge on genocide, but with this and the signing of the act of execution of Charles I, Cromwell never doubted that he was doing God's will. Morrill's book sheds exciting new light on Cromwell, both political and religious, and is based on the latest scholarship of the highest quality. Morrill argues against contemporary critics and claims that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

Oliver Cromwell is one of the most significant figures in British history - and one of the most misinterpreted. 

In this major new biography, John Morrill argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought, which was in fact a product of his religious ideas. And in this, asserts Morrill, Cromwell was entirely sincere.

With new research and insight, this exploration of his life reveals a man who never doubted that he was doing God's will - which included murdering over 3,000 people, among them Catholic clergy, after the Siege of Drogheda, ordering the religious killed on sight, and signing Charles I's execution order. Morrill also looks at the long shadow Cromwell cast over Irish history, with policies that have been accused of verging on genocide. 

He sheds exciting new light on Cromwell, both political and religious, with analysis that is based on the latest scholarship of the highest quality, arguing against contemporary critics and claiming that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

The brave, bad man of British history

Oliver Cromwell

Fragments: Ian Hamilton Finlay

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema