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Fragments: Ian Hamilton Finlay

Studien aus dem Warburg-Haus

Die Auseinandersetzung mit Positionen des Skeptizismus wurde in der Kunstgeschichte bisher geführt, indem man Thesen aus der Philosophie auf die Ikonographie von Gemälden bezog. Forschung, die sich mit Skepsis beschäftigte, fragte danach, wie philosophische Texte ihren Niederschlag in Kunstwerken fanden. "Visuelle Skepsis" analysiert stattdessen, wie Bilder aufgrund der ihnen eigenen medialen Struktur zum Ort von performativen Prozessen werden können, die mit den dialogischen Strategien des Skeptizismus vergleichbar sind. Eine Hauptthese lautet, dass dabei Widersprüche und Negationen auftreten, die den Charakter einer medialen Selbstbefragung haben. Bilder können ihren eigenen Status als Erkenntnismedien problematisieren - zum einen ausstellen, zum anderen aber auch in Zweifel ziehen.

Wie Bilder zweifeln

Visuelle Skepsis

A new and selected collection of poetry from a legend of San Francisco’s literary community.From the early days of Gay Liberation to innovations in contemporary verse, Aaron Shurin’s has been a singular voice in American poetry. His work has unwaveringly maintained lyric presence while at the same time utilizing narrative tensions and structural constraints—especially in his chosen form of the prose poem. His queer eye has never wavered—yet his has never been a poetry confined to one audience, one mode. Elixir draws from a dozen books over a period of fifty years, presciently investigating issues of gender, homosexuality, identity, and subjectivity, via ecstatic diction, luxurious sound-scape, creative grammar, and radical form.

New and Selected Poems

Elixir

Ootlin

Joan Aiken takes us from cosmopolitan New York to a bleak Scottish castle in her unforgettable Gothic novel about love, loss and tragedy.

Castle Barebane

'Richly detailed' THE NEW YORKER'Carr has taken an often overly romanticised historical figure and given her new life and originality.' THE TIMES'A vivid, visceral read' TRACY CHEVALIER'Bold and immediate' TLS***They are imprisoned, but not contained. Three women cross a loch. It is 1567, one of them is pregnant, two of them fretful. The boat takes them to Lochleven castle in the middle of the water. Awaiting them are courtiers braying for blood, hellbent on keeping one of them under lock and key: Mary Queen of Scots. In the tower, Mary's maids Frenchwoman, Cuckoo and watchful Scot, Jane are her only allies, and the chamber their entire world. A new reality sets in where they are at the mercy of not only their keepers, but of raging Scotland itself. In the outside world, Mary's kin, Queen Elizabeth claims she can do little but write. Downstairs, the shrewd jailor-courtier Margaret Erskine places her daughter-in-law Agnes in the chamber as her pair of eyes. Hope seems futile until the bewitching Lady Seton arrives. Seton's power shifts everything in the tower and soon a plan is hatched. But which of them will risk it all to save their mistress? Which woman loves her queen best? The Tower is a triumphant story of desire, grit, God-given power and wiles from a striking new voice in historical fiction.

The Tower

Bloomsbury Studies in Philosophy and Poetry

Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised.
 
 Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek's discussion of performed poetry also advances discussions of affect and experience in contemporary analytic aesthetics which raise new insights and connections within the field.
 
 The moral significance of the differing effects of poetry finds comprehensive articulation through a rich philosophical analysis of the thoughts and affects which arise in particular contexts. Simecek concludes that when page poetry is treated as paradigmatic, this enables reflection in the singular, whereas taking poetry in live performance as paradigmatic enables reflection on what is shared and shareable with others.

The Cognitive Value of Page and Performance Poetry

Philosophy of Lyric Voice

The Queen of Twists, bestselling author of Rock Paper Scissors, Good Bad Girl, Alice Feeney, returns with another thrilling mystery filled with drama and her trademark surprises

Beautiful Ugly

What are the conceptual correspondences and gaps between theories of nature, ecology, environment, and aesthetics? This volume addresses the ecological and aesthetic dimensions of human interaction with geographical, geological, botanical, zoological, astronomical, and climatic formations. Other than literary ecocriticism which led to heated debates, this book deals with the ecological turn in visual studies, a territory of research still in its infancy. Art history is thus engaging in the crucial exchange between ecological and aesthetic studies. The contributions adopt a historical as well as a transcultural perspective reaching from the earliest known human interaction with the natural environment to the present day.

Ecologies, Aesthetics, and Histories of Art

"A collection of poems by Traci Brimhall"--

Love Prodigal

'Beautifully written' Michelle Paver 'Stunning' Rebecca Netley'Eerie' Naomi Kelsey 'Compulsive' Martin MacInnesWhat the years have buried, is about to be exposed... The gloomy fortress of Gallondean lies on the Scottish coast. Local legend has it that if the heirs to the house hear the howling of a spectral hound nearby, their death will quickly follow. The current owner of the house is Jacob Beresford who, up until the unexpected death of his father, had never set foot within its crumbling walls. Jacob, already haunted by his own demons, has no need of more ghosts, but as the First World War staggers through its last terrible months and he uncovers unsettling details of his new home's past, the shadows seem to be growing around him. Then he meets Esther, a young volunteer nurse serving at nearby Roddinglaw, an elegant country house requisitioned for use as a temporary hospital ward. Esther, widowed in the early months of the war, dreams of being a poet as she assists the men around her, some of whom are struggling to come to terms with permanent, life-changing injuries. But is it one of the soldiers who appears to have only a minor injury, whose life comes to intersect with both Esther and Jacob in horrifying and unexpected ways. Danger stalks the woods and coast around them, but it soon becomes clear that the gravest threats are within.... Both unsettling and evocative, deeply atmospheric and brilliantly engaging The Unrecovered is an unforgettable historical debut inspired by a real life legend and marks the arrival of an outstanding new talent.

The Unrecovered

The Pieces of Us

A walking tour of the border region where England and Scotland meet by the award-winning writer, meditating on a complicated, storied relationship through history

Walking the History of England and Scotland

Between Britain

Fragments: Ian Hamilton Finlay

Informations bibliographiques

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