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Fragments: Ian Hamilton Finlay

The Wickedest

Two roads diverged in a wood, and I-I took the one less travelled by,And that has made all the difference.-Robert Frost

Poems to Change Your Life – Poetry for Life, Business, and Inspiration

The Poetry Business School

The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

Let Go of Toxic Bonds and Build Healthy Ones

The One Who Broke You Can't Heal You

A long-awaited, comprehensive collection of renowned poet and performance artist Jayne Cortez’s poetry.Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortez’s practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism, feminism, and early performance art. As intersectional as it is interdisciplinary, her work is consistently visceral and fearless, acting as a powerful expression of collective rage on behalf of the disenfranchised and dispossessed. In the words of historian Robin D.G. Kelley, “her poetry was never ‘protest’ but a complete revolt, a clarion call for a new way of life.”

Firespitter: The Collected Poems

Poems

The Negroes Send Their Love

FROM THE SUNDAY TIMES BESTSELLING AUTHOR OF ADULTS AND ANIMALS'Compulsive and hilarious, like a brilliant gossip with your best friend. Emma Jane Unsworth is my favourite' Sara Pascoe'Her best yet - funny, gritty, delightfully feral and, as ever, painfully truthful' DOLLY ALDERTON'An amazing writer' MARGOT ROBBIE

Slags

Award-winning writer and comedian Mark Watson returns with another standout novel

Mark Watson Untitled Book 2

The Bonfire Party

Longman Annotated English Poets

The final volume of a six-volume edition of The Poems of Shelley, which aims to present all of Shelley's poems in chronological order and with full annotation. Now completed, this is the most comprehensive edition of Shelley's poetry available to students and scholars.

1822

The Poems of Shelley: Volume Six

The Sea of Adventure

Fragments: Ian Hamilton Finlay

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