NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Thèmes principaux

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Kanzleien und Behörden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Infos, Tipps und Tricks

Infos, conseils et astuces

Vorankündigungen

Préavis

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Tara M Stringfellow: Magic Enuff / B

Magic Enuff

Radiant poems from the bestselling author of Memphis

Winner of the National Book Award (USA), Don Mee Choi's DMZ Colony explores the history of South Korea and the United States through innovative deployments of voice, story, and poetics.

DMZ Colony

In What We Do with God, Daniella Toosie-Watson collapses the divisions between humans, the natural world, and the divine, and between the intimacies of mercy and desire within ourselves. 
 
Daniella Toosie-Watson's debut poetry collection, What We Do with God, meditates on the politics of mental health, pleasure, and the natural world. In this book, the everyday miracles of insects are studied, celebrated, and made sacrosanct. Prayer and pleasure are two sides of the same coin. Social constructions of propriety have no bearing on sensual connection and exploration. As the speaker navigates these different worlds and their myriad questions-calling upon Puerto Rican, Iranian, and Russian inheritance to explore where, why, and how ancestral mysticism and Western pathology intersect and/or diverge-they find those questions mirrored back as they maneuver through the stark realities of the U.S. mental health care system. 

 Guided by curiosity, tenderness, stark clarity, and unapologetic impiety toward a binary of holiness and waywardness, What We Do with God invites readers to imagine a world where the "care" we choose to cultivate extends beyond the grace we give ourselves and those directly around us, but to the interconnecting ecosystems that hold the wider world together.

Poems

What We Do With God

'Gayl Jones's work represents a watershed in American literature . . . her truth-telling, filled with beauty, tragedy, humour and incisiveness, is unmatched' Imani Perry Two epic poems brimming with intimacy, history and revolution, from the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'A once-in-a-lifetime work of literature, the kind that changes your understanding of the world' Yara Rodrigues Fowler on Palmares 'Page after breathtaking page, her prose is intricate, mesmerizing, and endlessly inventive' Deesha Philyaw on Palmares 'Jones's writing powerfully blends narrative and lyricism' Margo Jefferson

By the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful, epic poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'I want to stay here, Anninho.' 'There won't be any way you can stay here. When they catch us, they'll take you back.' 'The men they kill, the women they take back.'

Song for Almeyda and Song for Anninho

Bloomsbury Introductions to World Philosophies

Where does the great Bengali poet and philosopher Rabindranath Tagore stand in today's global world?

 The legacy of Rabindranath Tagore is vast. No writer in the history of India and Asia in general matches his variety and range of creation. In this book, Ramin Jahanbegloo looks beyond the poetry and literature for which Tagore was awarded the Nobel Prize, showing how his thinking enriches every branch of the humanities - philosophy, pedagogy and the arts.

Each chapter is dedicated to one aspect of Tagore's philosophy: his vision of human nature and its relation to Nature and God; his views on interculturality and dialogue among cultures; the idea of universal education and its influence on modern educative institutions. Reading Tagore as an intercultural thinker, Jahanbegloo seeks to understand how he confronted violent and fanatic orders. He places an emphasis on Tagore's social and political contributions, his dialogue with Gandhi and his approach to colonialism.

Attempting to bring civilisations and cultures closer together, Tagore answered many of the intellectual, moral and spiritual crises of his time. His work has inspired writers and intellectuals from different parts of the world for more than a century. This far-reaching exploration of the many facets of Tagore's multi-dimensional thoughts allows us to understand why.

Where does the great Bengali poet and philosopher Rabindranath Tagore stand in today’s global world?

 The legacy of Rabindranath Tagore is vast. No writer in the history of India and Asia in general matches his variety and range of creation. In this book, Ramin Jahanbegloo looks beyond the poetry and literature for which Tagore was awarded the Nobel Prize, showing how his thinking enriches every branch of the humanities – philosophy, pedagogy and the arts.

Each chapter is dedicated to one aspect of Tagore’s philosophy: his vision of human nature and its relation to Nature and God; his views on interculturality and dialogue among cultures; the idea of universal education and its influence on modern educative institutions. Reading Tagore as an intercultural thinker, Jahanbegloo seeks to understand how he confronted violent and fanatic orders. He places an emphasis on Tagore’s social and political contributions, his dialogue with Gandhi and his approach to colonialism.

Attempting to bring civilisations and cultures closer together, Tagore answered many of the intellectual, moral and spiritual crises of his time. His work has inspired writers and intellectuals from different parts of the world for more than a century. This far-reaching exploration of the many facets of Tagore’s multi-dimensional thoughts allows us to understand why.

Thinking Across Cultures

The Philosophy of Rabindranath Tagore

Routledge Revivals

An Interpretation of the Major English Poets from Keats to Bridges

The Poetry of the Invisible

Craig E. Stephenson's Ages of Anxiety examines how W. H. Auden in his Pulitzer Prize winning poem, The Age of Anxiety, used C. G. Jung's psychological types to structure and explore his responses to war and the rise of fascism.

Auden Reading Jung in Times of War

Ages of Anxiety

The long-anticipated third collection from the revered Richard Siken delivers his most personal and introspective collection yet.
Richard Siken’s long-anticipated third collection, I Do Know Some Things, navigates the ruptured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with a body forgetting itself—“the mind that / didn’t work, the leg that wouldn’t move…”. Meditations on language are woven throughout the collection. Nouns won’t connect and Siken must speak around a meaning: “dark-struck, slumber-felt, sleep-clogged.” To say “black tree” when one means “night.”Siken asks us to consider what a body can and cannot relearn. “Part insight, part anecdote,” he is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in “The field [that] had been swept clean of habit.”

I Do Know Some Things

"The North American debut by cult favorite New Zealand poet Hera Lindsay Bird, Juvenalia wrangles the flamboyant, provocative pique of youth into a poetry collection highly focused and desperately alive. this impressive debut has established Hera Lindsay Bird as a good girl.........with many beneficial thoughts and feelings......... with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is.........juxtaposing many classical and modern breezes Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog.........or a bejewelled Christmas sleigh, gliding triumphantly through the desert......... this is at once an intelligent and compelling fantasy of tenderness......... heartbreaking and charged with trees.........without once sacrificing the forest......... Whether you are masturbating luxuriously in your parent's sleepout......... .........or pushing a pork roast home in a vintage pram......... this is the book for you........................... heroically and compulsively stupid............................................."--

Juvenalia

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from U.S. Poet Laureate and MacArthur Fellow Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

The Hurting Kind

Majestic, playful, brainy, heart-wrenching, Katharine Coles’s tenth collection of poems at once celebrates and elegizes: her teachers and parents—both dead at ninety—who still issue advice (some good, some not) from beyond the grave; the creatures who pass through her canyon quarter-acre; the moon as it rises and sets; even her Levi's shrink-to-fits, when she realizes she’ll never wear out another pair. The&nbsp; poems "guide us with their empathy, sometimes yoked with a wry irony, around the physics of interactions." [John Kinsella]&nbsp;More than anything, this is a book about presence: haunted by the past yet firmly rooted in the also-haunting now, Coles keeps spinning, finding herself in words, in her body, in time.

Time and Chance

Bloomsbury Studies in Philosophy and Poetry

Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised.
 
 Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek's discussion of performed poetry also advances discussions of affect and experience in contemporary analytic aesthetics which raise new insights and connections within the field.
 
 The moral significance of the differing effects of poetry finds comprehensive articulation through a rich philosophical analysis of the thoughts and affects which arise in particular contexts. Simecek concludes that when page poetry is treated as paradigmatic, this enables reflection in the singular, whereas taking poetry in live performance as paradigmatic enables reflection on what is shared and shareable with others.

Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised.
 
 Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek’s discussion of performed poetry also advances discussions of affect and experience in contemporary analytic aesthetics which raise new insights and connections within the field.
 
 The moral significance of the differing effects of poetry finds comprehensive articulation through a rich philosophical analysis of the thoughts and affects which arise in particular contexts. Simecek concludes that when page poetry is treated as paradigmatic, this enables reflection in the singular, whereas taking poetry in live performance as paradigmatic enables reflection on what is shared and shareable with others.

The Cognitive Value of Page and Performance Poetry

Philosophy of Lyric Voice

The Palgrave Encyclopedia of Early Modern Women's Writing

Magic Enuff

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema