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Denninger L: You Know You Love Me

You Know You Love Me

The Oral History of Gossip Girl

Witchcraft in Movies, Television, and Popular Culture

Something Wicked

Jason Bourne

Robert Ludlum's™ The Bourne Revenge

Visual Storytelling with Color and Light teaches background and concept designers in animation and film the skills needed to create visually stunning and professionally appealing pieces. In the world today-where digital is considered king- the importance of traditional media and the skills attached to them are often overlooked.

Visual Storytelling with Color and Light

The classic thrillers of Alfred Hitchcock, including Vertigo, North by Northwest and Psycho, achieved much of their power from the music of legendary Academy Award winner Bernard Herrmann (Citizen Kane, Taxi Driver). In this book, author Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Their collaboration ended in a bitter break; but today, the music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. Smith takes us inside the friendship between "Benny and Hitch," and explains why Herrmann's pulse-quickening music has become the soundtrack of our own anxious times.

The Friendship and Film Scores That Changed Cinema

Hitchcock and Herrmann

Pandemics, Society and the Evolution of the Undead in the 21st Century

Zombie Futures in Literature, Media and Culture

IMAGINES – Classical Receptions in the Visual and Performing Arts

A cohesive, interdisciplinary study of the imaginative power screen media has to reshape our perception of Roman women, covering over 100 years with examples from silent cinema through to computer games.

Gender, History & Screen Media

Audio-Visual Roman Women

A spectacular celebration of the first 50 years of Industrial Light &amp; Magic (ILM), the award-winning visual effects house behind the Star Wars saga, Indiana Jones, E.T., Terminator 2, and Jurassic ParkIndustrial Light &amp; Magic: 50 Years of Innovation is the official decade-by-decade visual retrospective of the legendary visual effects house. Founded by Star Wars creator George Lucas in 1975, ILM has won 16 Academy Awards in Best Visual Effects and pushed the boundaries of what can be visually realized in storytelling, from the big screen to emerging technologies such as streaming television, 3D immersive adventures, and more. Breaking down ILM's evolution in visual effects decade-by-decade, 50 Years of Innovation features stunning visuals and analysis of the creative and technical processes from concept to execution, and highlights 50 of their key projects that have helped shape the visual effects industry. Concluding with a look at both the future of ILM and the visual effects industry at large, the key creative forces at ILM speculate about what the next 50 years may have in store for the innovators that transformed entertainment forever.

Industrial Light & Magic: 50 Years of Innovation

Depictions of the Nazi Genocide and National Identity

Holocaust Cinema Since 2000

'Davies has done it again, damn him. Irritatingly good. Maddeningly funny. Annoyingly fine.' STEPHEN FRY 'Emotional, entertaining and startlingly honest. I was totally engrossed.' AMY LIPTROT, author of The Outrun. Following Just Ignore Him, the bestselling memoir of his traumatic childhood, White Male Stand-Up is what happened next to Alan Davies. It's the story of how he threw himself into the joyous and idealistic world of stand-up comedy, leading to a television career, but how echoes from the past, and the thought that everyone might prefer it if he disappeared, saw him repeatedly dismantle everything around him. With a cast of well-known comedians, actors, agents and producers, Alan awkwardly navigates his life from the camaraderie of the comedy circuit via life-changing fame as TV's Jonathan Creek, to the unwelcome realisation that most people know him from a bank advert and think he's had a perm. Often very funny and always honest, this very personal memoir is a rich tale of uplifting highs and painful lows, of success and excess, and the dangers of both. How Alan Davies survived it - and very nearly didn't - is the compelling tale of White Male Stand Up.

White Male Stand-Up

The Underdog TV Show That Lit'rally Inspired a Vision for a Better America

Parks and Rec

Gender, Race and the Power of Code in a Galaxy Far, Far Away

Decoding Star Wars

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

You Know You Love Me

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