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Rosenfeld J: Writing Through the Pause

Writing Through the Pause

Mining Midlife for Powerful Writing

A creative masterclass for aspiring and established writers alikeAfter decades of writing award-winning books on subjects ranging from poetry to art to liturgical seasons, celebrated author Marilyn McEntyre turns her attention to the vocation that has shaped her life. Start with a Word: On the Craft and Adventure of Writing is a literary masterclass that eschews drills and formulas in favor of close readings and refreshingly playful advice.A veteran teacher, Marilyn understands that the best writing instruction doesn't come from rigid rules or rote approaches to filling the blank page. Instead, she demonstrates how the writers whose works we have enjoyed can become our tutors. She calls us to move beyond asking "What does this text say?" to a more revealing question: "How does this text work?" This shift in perspective--from passive consumption to active apprenticeship--transforms how we encounter literature and how we create it.More than a how-to manual, Start with a Word is an invitation into a way of being that honors both the precision and the mystery of words. It offers short lessons on essential elements of literary craft, close readings of passages from a range of works, writing prompts, and, above all, encouragement for authors to find their unique path into work only they can create. "Reading and writing keep alive in us the desire to be precise, lively, surprising, generous, inviting, challenging, wise. They make us want to be good, if only in the sense that choosing exact and appropriate words is a matter of choosing the good. . . . I don't think you can be an excellent writer without developing some virtues, if only fidelity to a practice that honors the gift of language."

On the Craft and Adventure of Writing

Start with a Word

2025 CHOICE Outstanding Academic Title A powerful critique of mass incarceration by the people who have experienced it Inside Knowledge is the first book to examine the American prison system through the eyes of those who are trapped within it. Drawing from the writings collected in the American Prison Writing Archive, Doran Larson deftly illustrates how mass incarceration does less to contain any harm perpetrated by convicted people than to spread and perpetuate harm among their families and communities. Inside Knowledge makes a powerful argument that America's prisons not only degrade and debilitate their wards but also defeat the prison's cardinal missions of rehabilitation, containment, deterrence, and even meaningful retribution. If prisons are places where convicted people are sent to learn a lesson, then imprisoned people are the ones who know just what American prisons actually teach. At once profound and devastating, Inside Knowledge is an invaluable resource for those interested in addressing mass incarceration in America.

Incarcerated People on the Failures of the American Prison

Inside Knowledge

Independently published

Il passato non è una scenografia. È un mondo da far vivere.Come trasformare una ricerca accurata in un romanzo capace di coinvolgere? Come dare voce a personaggi lontani da noi senza attribuire loro pensieri, parole e possibilità che non appartengono alla loro epoca?La Penna del Tempo è una guida pratica alla scrittura del romanzo storico. Marco Mattiuzzi accompagna il lettore dalla prima idea alla revisione del manoscritto, mostrando come intrecciare documentazione e invenzione senza soffocare il racconto.Il percorso affronta le scelte concrete di chi scrive: <ul><li>cercare e valutare le fonti, distinguendo fatti documentati, ipotesi e libertà narrative;</li><li>costruire ambienti e mentalità credibili, evitando stereotipi e anacronismi;</li><li>dare ai personaggi desideri, relazioni e conflitti radicati nel loro tempo;</li><li>trasformare i dettagli storici in azioni, dialoghi e conseguenze;</li><li>controllare cronologie, distanze e continuità, anche tra più volumi;</li><li>affrontare la revisione e preparare il libro alla pubblicazione.</li></ul>Un'attenzione particolare è dedicata alla rappresentazione di violenza, schiavitù e trauma: come raccontare la durezza del passato senza ridurre i personaggi alla loro sofferenza.Esempi tratti dai due volumi de Il marchio della libertà, esercizi e schede operative aiutano a mettere alla prova il metodo sul proprio progetto. Non formule da applicare meccanicamente, ma domande e strumenti per compiere scelte narrative consapevoli.Per chi comincia un romanzo storico, per chi ha già una bozza da rivedere e per chi vuole capire come la ricerca possa diventare una storia.Scrivere il passato significa conoscere i vincoli di un'epoca e trovare, al loro interno, lo spazio delle vite individuali.

Scrivere il passato perché torni a vivere

La Penna del Tempo

In this unique collection of essays, published writers offer an intimate view of how their work has been informed, shaped and transformed by their literary, political, philosophical or personal influences. Providing models of the critical commentaries that all students of creative writing must write, each essay from contemporary authors of fiction, creative non-fiction, poetry, scripts and digital writing demonstrates how what writers write is determined by what they have read, and what they read is then determined by what they are writing. As writers reflect on their process of moving from sources of inspiration to a finished and original piece of writing, they reveal their anxieties, passions, discoveries and motivations, offering fascinating insights into the imagination's journey. Introductory chapters explore why writers reflect on their own work, and place this practice in wider contexts, offering theoretical frameworks for understanding process, influence, and inspiration. As illuminating for aspiring writers as it is for students reflecting on their research and process as part of writing courses, Creative Writing and the Critical Commentary will change the way writers talk about and engage with other texts.

Reflection, Influence, Process

Creative Writing and the Critical Commentary

Live and Write Her Journey

Fairy Tale Heroine

<div>Mo Willems, a #1 New York Times bestselling and award-winning author and illustrator, delivers a personal, philosophical, and pragmatic look at the art of writing for children.&nbsp;From the creator of The Pigeon, Elephant &amp; Piggie, Knuffle Bunny, and other beloved children's characters comes a collection of essays chronicling Mo Willems' early life through his award-winning career in children's television, theater, art, and books. Willems delivers an in-depth study of his writing process, explores his philosophy on writing for children, and dissects one of his picture books-cover to cover-to give readers a behind-the-scenes look at his creative process. Essays include art, photos, and memorabilia from Willems' sketchbooks and personal archives.Comprised of over twenty-five essays-some writing about stories, others stories about writing-Willems breaks down approaches to the art of storytelling, offers surprising insights and helpful tactics, and answers his most frequently asked question, "Where do you get your ideas?" From Willems' foundational years working at Sesame Street to his groundbreaking debut picture book Don't Let the Pigeon Drive the Bus! to his expansion into exhibits, comedy shows, musicals, and theater, readers go behind the pages and discover how a persistent sketchbook doodle launched a billion "NOs!"</div>

Writing about Stories, Stories about Writing

Words and Pictures by Mo Willems

Verbs are the underrated stars of the English language. They hold it all together. A complete sentence cannot exist without one, yet a single verb can create complete meaning. (See?) In this glittering exploration of language, grammar, and style, Sarah L. Kaufman illuminates how all of us, professional writers and enthusiasts alike, can master the art of the verb. When she was the dance critic at The Washington Post, Kaufman was challenged to translate the dynamic language of movement into words. Verbs showed her the way. Good verbs power great storytelling; they leap off the page, fire our senses, and transform our perceptions. Verb Your Enthusiasm is a clarion call for all of us to get back to basics: to mean what we say and say what we mean. Kaufman proves how strong verbs can make your own writing ­- be it an email, a text, a report, or an ad - more efficient and effective, and she investigates theories of language that will change how you read and write. But this isn't a grammar guide, and it surely isn't a set of rules. Great writing comes from a mix of inspiration, passion, and intelligence-from your unique discernment and imagination. You'll refine your voice in the company of literary greats, including F. Scott Fitzgerald, Virginia Woolf and George Orwell. In the end, your quest for the right verb might even reveal something true about yourself. All that in a word. So go. Write. Breathe life into your world.

How to Master the Art of the Verb and Transform Your Writing

Verb Your Enthusiasm

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

Bringing together essays from neurodivergent and disabled writers, and writers with chronic illnesses, this collection explores the impact of these experiences and the struggle against such biases within the field of creative writing. Whilst neuro-divergent and disabled writers publish world-class poetry, prose, and drama that moves readers and wins awards, they face many difficulties accessing these achievements - difficulties which often go unnoticed, unmentioned, and underappreciated. Visibility, insight, alternative approaches, and thorough research are all needed to create more inclusive writing environments. This book confronts these issues head on, calling for diversity in the creative writing field, community, and industry, and more equitable spaces in adjacent arenas from academia to publishing. Broken into four sections, this anthology focuses on creative writing programs, classrooms, the community, and its people, combining narrative, research and practical contributions to the field to offer a mix of practical strategies, personal and pedagogical interventions, critiques, and craft meditations that explore teaching, transformation, evolution, embodied craft, visibility, belonging, injustice, otherness, and views from the outside. With essays and excerpts written by authors and educators from across seven countries, who are each impacted by a wide range of disabilities, including ADHD, autism, blindness, dyslexia, dyspraxia, stroke aphasia, cerebral palsy, bipolar, fibromyalgia, and rheumatoid arthritis, this collection informs, deconstructs and re-imagines to reform and revolutionize normative structures within writing institutions and communities.

Disability, Illness, Neurodivergence, and Ableism in Creative Writing

Divergent Writers

The Power of Putting Pen to Paper

Handwriting

Multi-Genre Creative Writing

A Writer's Craft

Bloomsbury Spectres, Hauntings and Horrors

Exploring current debates in creative writing about the borders between fiction and creative nonfiction, this collection of essays draws on concepts of the uncanny and hauntology to challenge, subvert and transgress the boundary between forms. Hauntology, as originally defined by Derrida, challenges the certainties of ontology, in a similar way to debates about truth in creative nonfiction; by bringing together authors that undermine the fiction/nonfiction binary, Haunted Writing considers the ways in which real events and experiences haunt writers as they craft their work. Offering insight into how the past - both personal and historical - is experienced and understood in the present, this book includes writing from a diverse group of established and emerging authors who situate their work on genre boundaries and discuss their own creative practice to show how their writing 'haunts' real events. With essays covering a range of ideas from subjectivity, intersectionality and challenging dominant versions of history, to braiding personal and researched stories, playfulness, experimentation and creating stories from archival documents, this beautifully written collection intervenes in contemporary discussions in creative writing and culture surrounding ownership, appropriation and ethics. Bringing a fresh voice and new perspectives to ever-present questions within creative writing, Haunted Writing uncovers how the past is a spectre that disrupts contemporary writing.

Storytelling from the Borders of Fiction and Nonfiction

Haunted Writing

Writing Through the Pause

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