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Rosenfeld J: Writing Through the Pause

Writing Through the Pause

Mining Midlife for Powerful Writing

XpressPress

A Practical Treatise on the Art of the Short Story (Cram Edition)

Short Story Writing

The words teachers write on student work have the power to help students think critically and to hone and project their voices with confidence. They also have the power to shut students down. These words may affect student identity, motivation, and improvement of writing skills. Research suggests that many of the types of comments teachers and other reviewers write on student papers are negative, nonsensical, unhelpful, and even potentially harmful, especially for first-generation, working-class, and otherwise disenfranchised students. This harm can be understood as a form of violence. Nonviolent Response, which is centered on tenets for nonviolent teaching practices, presents an approach to writing responses that helps eliminate harmful affect and integrates efficient, carefully crafted, and clear guidance to writers. Sheri Rysdam and JT Torres offer evidence-based methods for effective, timesaving, motivational responses useful to teachers of writing and other responders or reviewers in professional and public contexts.

The words teachers write on student work have the power to help students think critically and to hone and project their voices with confidence.

Strategies for Responding to Writing

Nonviolent Response

News Writing and Reporting

The celebrated novelist Andrea Barrett has for decades reached backward to find inspiration from the past, and written acclaimed and prize-winning works of historical fiction. In Dust and Light, her first non-fiction work, Barrett draws from that deep well of experience to explore the mysteries, methods and delights of the form. She reveals how she created some of her own beloved works, taking readers on a fascinating journey into some of the largest questions in the genre.Building on pieces originally published in leading literary magazines, Dust and Light is an elegant exploration of the hazy borderlands of fiction sewn from the materials of history. Filled with profound insights, it will be a delight for any devoted fiction readers, and of great use to aspiring writers too.

On the Art of Fact in Fiction

Dust and Light

This engaging and highly practical workbook introduces students and writers to the creative and critical possibilities of the essay form, inviting them to see it as creative, imaginative and practice-led in content and approach. With most viewing the essay in academia as formulaic, impersonal, strictly linear and arguing a series of points evidenced according to certain rubrics, Kirsty Gunn and Gail Low make a case for the form to be more verb than noun, more activity and process than final arrival. Through practical examples, tips, readings, how-to plans for groups, collaborative exercises, publishing initiatives, network resources and ideas to refresh and energise study, this hybrid workbook-manifesto makes critical work creative, and creative work more probing and enlarging. With exciting implications for subjects from creative writing to areas across the humanities, the book incorporates forays into such disciplines as archival studies and history, visual and fine art, philosophy, presentation and rhetorical study and architecture. Bold and innovative, The Writing Studio is an ethos, an orientation over an instructional manual, using words, language, rhetoric and images to experiment playfully and productively with the essay form. Taking risks and offering surprises, this book chips away at outdated notions of the essay and presses forward with a mode of writing for the modern world.

Making Essays

The Writing Studio

A Guide to Crafting Modular and Non-Linear Fiction

Stack, Build, Write

2025 CHOICE Outstanding Academic Title A powerful critique of mass incarceration by the people who have experienced it Inside Knowledge is the first book to examine the American prison system through the eyes of those who are trapped within it. Drawing from the writings collected in the American Prison Writing Archive, Doran Larson deftly illustrates how mass incarceration does less to contain any harm perpetrated by convicted people than to spread and perpetuate harm among their families and communities. Inside Knowledge makes a powerful argument that America's prisons not only degrade and debilitate their wards but also defeat the prison's cardinal missions of rehabilitation, containment, deterrence, and even meaningful retribution. If prisons are places where convicted people are sent to learn a lesson, then imprisoned people are the ones who know just what American prisons actually teach. At once profound and devastating, Inside Knowledge is an invaluable resource for those interested in addressing mass incarceration in America.

Incarcerated People on the Failures of the American Prison

Inside Knowledge

Bloomsbury Spectres, Hauntings and Horrors

Exploring current debates in creative writing about the borders between fiction and creative nonfiction, this collection of essays draws on concepts of the uncanny and hauntology to challenge, subvert and transgress the boundary between forms. Hauntology, as originally defined by Derrida, challenges the certainties of ontology, in a similar way to debates about truth in creative nonfiction; by bringing together authors that undermine the fiction/nonfiction binary, Haunted Writing considers the ways in which real events and experiences haunt writers as they craft their work. Offering insight into how the past - both personal and historical - is experienced and understood in the present, this book includes writing from a diverse group of established and emerging authors who situate their work on genre boundaries and discuss their own creative practice to show how their writing 'haunts' real events. With essays covering a range of ideas from subjectivity, intersectionality and challenging dominant versions of history, to braiding personal and researched stories, playfulness, experimentation and creating stories from archival documents, this beautifully written collection intervenes in contemporary discussions in creative writing and culture surrounding ownership, appropriation and ethics. Bringing a fresh voice and new perspectives to ever-present questions within creative writing, Haunted Writing uncovers how the past is a spectre that disrupts contemporary writing.

Storytelling from the Borders of Fiction and Nonfiction

Haunted Writing

An invaluable aid for writers and other innovators seeking to envision and attract their inspired dreams.A writing practice isn’t static—it ebbs and flows. In times when it feels small and tight, or doesn’t match the vision in our heads, Write Free&nbsp;offers new ways to help our endeavors—and our souls—breathe and expand.Equal parts writer’s workshop and creative journey, this open-hearted guide shows writers and other artists how to ease into positive, fruitful practices. Based on a time-tested principle and using methods developed by the authors, Write Free provides a wealth of tools and examples to feed our wild imaginations.&nbsp;Write Free&nbsp;is an invaluable aid for writers and other innovators seeking to envision and attract their inspired dreams. Now in its third edition, authors have expanded the introduction and other parts of the book, providing a fresh modern day take on the writing process.

Write Free

Tradd Street Press

Short-Story Technique

What if reading poetry could change you--not just what you think, but how you move through the world?For forty years, Thomas Gardner led students through this transformative act--not analyzing poems from a distance but reperforming them from the inside. Walking together through Elizabeth Bishop's broken beaches, Robert Frost's snowy woods, and Emily Dickinson's rooms of possibility, they discovered that getting lost is how we are found. That acknowledging fragility opens eyes to wonder. That poems, like parables, ask us not to produce definitive explanations but to keep up.A Place of Encounter is Gardner's luminous record of this work. Through fifty-one short lyric essays moving between memory, close reading, and theological reflection, he opens up the inner drama of poems as spiritual exercises--spaces where, as Dickinson puts it, our narrow hands are forced wide to gather paradise. With the grace and precision of the poems he loves, Gardner shows how deep reading grooves interior change.Here is the classroom as temple: bodies leaning forward, voices rising together, readers discovering they're no longer alone. Here is teaching from a position of faith that speaks across every spiritual commitment. Here is poetry as a place of encounter.

On Poetry, Teaching, and Faith

A Place of Encounter

Teaching Black: The Craft of Teaching on Black Life and Literature presents the experiences and voices of Black creative writers who are also teachers. The authors in this collection engage poetry, fiction, experimental literature, playwriting, and literary criticism. They provide historical and theoretical interventions and practical advice for teachers and students of literature and craft. Contributors work in high schools, colleges, and community settings and draw from these rich contexts in their essays. This book is an invaluable tool for teachers, practitioners, change agents, and presses. Teaching Black is for any and all who are interested in incorporating Black literature and conversations on Black literary craft into their own work.

The Craft of Teaching on Black Life and Literature

Teaching Black

Writing Through the Pause

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