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Tombro M: Writing about Objects

Writing about Objects

Crafting Nonfiction from Things

36 ways to improve your writing Two writers show you how to turn a worthy sentence into a memorable one. Starting where The Elements of Style leaves off, Good Writing can improve your book, your essay, your memo, your blog post, speech, or script. These essential rules for persuasive language work on any type of writing, and anyone can learn them quickly. Each rule is accompanied by examples and a lively pair of essays, the first by Neal Allen, who developed the list of tips over the course of his journalism and corporate careers; the second by his wife, Anne Lamott, acclaimed author of Bird by Bird and nineteen other nonfiction works and novels. The authors don’t always agree on the specifics, but they are passionate about making better sentences. As Neal writes, “These rules economize, favor the plainspoken and the specific, keep the reader’s attention sharp, and in other ways show respect for the audience’s time and desire for novelty.” Some rules are fundamental: Use strong verbs. Remove the boring stuff. Twist clichés. Some are more subtle: Draw on all five senses. Give your sentence a finale. Along the way, Good Writing addresses practicalities such as finishing projects despite challenges, trusting editors, and knowing when to break the rules to serve your story. Whether you're a novice writer or a seasoned author, this entertaining guide will revolutionize your approach to crafting sentences.

36 Ways to Improve Your Sentences

Good Writing

Bringing together essays from neurodivergent and disabled writers, and writers with chronic illnesses, this collection explores the impact of these experiences and the struggle against such biases within the field of creative writing. Whilst neuro-divergent and disabled writers publish world-class poetry, prose, and drama that moves readers and wins awards, they face many difficulties accessing these achievements - difficulties which often go unnoticed, unmentioned, and underappreciated. Visibility, insight, alternative approaches, and thorough research are all needed to create more inclusive writing environments. This book confronts these issues head on, calling for diversity in the creative writing field, community, and industry, and more equitable spaces in adjacent arenas from academia to publishing. Broken into four sections, this anthology focuses on creative writing programs, classrooms, the community, and its people, combining narrative, research and practical contributions to the field to offer a mix of practical strategies, personal and pedagogical interventions, critiques, and craft meditations that explore teaching, transformation, evolution, embodied craft, visibility, belonging, injustice, otherness, and views from the outside. With essays and excerpts written by authors and educators from across seven countries, who are each impacted by a wide range of disabilities, including ADHD, autism, blindness, dyslexia, dyspraxia, stroke aphasia, cerebral palsy, bipolar, fibromyalgia, and rheumatoid arthritis, this collection informs, deconstructs and re-imagines to reform and revolutionize normative structures within writing institutions and communities.

Disability, Illness, Neurodivergence, and Ableism in Creative Writing

Divergent Writers

The celebrated novelist Andrea Barrett has for decades reached backward to find inspiration from the past, and written acclaimed and prize-winning works of historical fiction. In Dust and Light, her first non-fiction work, Barrett draws from that deep well of experience to explore the mysteries, methods and delights of the form. She reveals how she created some of her own beloved works, taking readers on a fascinating journey into some of the largest questions in the genre.Building on pieces originally published in leading literary magazines, Dust and Light is an elegant exploration of the hazy borderlands of fiction sewn from the materials of history. Filled with profound insights, it will be a delight for any devoted fiction readers, and of great use to aspiring writers too.

On the Art of Fact in Fiction

Dust and Light

Finally finish the first draft of your novel with a method that maximizes efficiency, speed, and joy. After months (or years) of writing, are you left with nothing but a folder full of false starts? Do you have a novel you were once excited to write but abandoned after only a few chapters-or even halfway through? Are you trapped in an endless cycle of rewrites, self-doubt, and perfectionism? Enter the Novel Fast Drafting Method: a proven approach for getting your book out of your head and onto the page in as little as 30 days. Jessica Brody, best-selling author of Save the Cat! Writes a Novel, will guide you step-by-step through her 3-phase process that's helped thousands of writers finish their first drafts in weeks instead of years: · Mindset: Adopt the mindset of a "chronic finisher" and overcome the destructive beliefs that cause 97% of writers to quit · Preparation: Build your story's foundation, set achievable goals, and prepare both your day-to-day life and writing schedule for success · Drafting: Master proven strategies to maintain consistent momentum, discover the story faster, and finish in record time-so you're ready to revise with confidence and clarity With fast drafting, you'll gain the mental space, freedom, and motivation to easily and more joyfully finish every writing project you start-faster than you ever thought possible.

Finish Your Novel in 30 Days with the Fast Drafting Method

Page One to Done

'Word nerds, assemble! This is the book for us' LUCY MANGAN 'Devilishly funny and clever, this divine comedy of literary errors will remind you why words are such glorious, untameable things' LOUISE WILLDER It's a long journey from a writer's mind to a finished book - and a lot needs to go right along the way. But isn't it more interesting when things go wrong? With an expert Penguin editor as your guide, dive into the dark-side of the book world: a secret history fizzing with scandals, rivalries, cock-ups and con jobs. We'll discover how the tiniest of typos can have oversized consequences, unearth horrifying examples of bad taste and worse style, and peek into tales of forgeries and feuds as dramatic as any thriller. We'll unredact the most egregious cases of censorship, expose hoarders and thieves, and ask: after centuries of man-made mischief, can the humble book survive the new machine age?

Mischief and Misadventures in the World of Books

Rogues, Widows and Orphans

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible. Delving into some of the largest questions in the genre-How does a writer find meaningful subject matter beyond the confines of their life? How are scraps of history transformed into a fully formed narrative?-Barrett explores how she came to create some of her beloved works and explores lessons gleaned from the work of such masters of historical fiction as including Toni Morrison, Leo Tolstoy, Hilary Mantel and Colm Tóibín. Candid and elegant, Dust and Light is the perfect book for anyone who loves reading fiction set in the past, as well as for anyone aspiring to write it.

Bloomsbury Writer's Guides and Anthologies

In a time defined by uncertainty, change and inequality, speculative fiction is fast-becoming the genre of the 21st century. Straddling genres such as fantasy, science fiction, dystopia, alternative history, and horror, this book is a comprehensive introduction to the art of writing in this imaginative, fluid, and inclusive mode. An all-in-one textbook combining a craft guide with an extensive, diverse anthology, Speculative Fiction explores the multiplicity of influences that the genre has consumed and incorporated, digs into techniques specific to speculative writing, and gives writers exercises and prompts to begin their own works. In addition, Speculative Fiction features: - Annotated stories to showcase speculative techniques in practice - Interviews with authors about the use of craft in their speculative work - Detailed exploration of techniques from world-building to creating characters to plots and conflict in a specifically speculative mode - Exercises engineered to allow readers to master a broad range of techniques - 'Reader response' sections from speculative writing students with critical feedback - Chapters on finding a speculative writing community and workshopping writing within the genre &gt; Featuring the works of such authors as George Saunders, Joyce Carol Oates, Rebecca Roanhorse, Carmen Maria Machado, Sofia Samatar, and many more, this book gives writers the resources to write boldly, differently, and freely as they embrace stories that defy, undermine, and subvert traditional visions and points of view.

A Writer's Guide and Anthology

Speculative Fiction

From two leading writers and thinkers on Palestine: a profound meditation on memory and what we choose to memorialise

Searching for Palestine’s Hidden Places and Lost Memorials

Forgotten

Covering all of the major genres of fiction, nonfiction, poetry, dramatic writing and writing for digital media, this 3rd edition of the book is a practical, complete, introductory manual for students of creative writing. The Bloomsbury Introduction to Creative Writing now features: - New sections and exercises for editing and revising across the genres and hybrid forms - A new chapter on intersectionality and writing alongside interviews with practitioners from a host of backgrounds and experiences - An updated and expanded chapter on writing for digital media that explores the role of AI - An updated and fully expanded glossary of key terms Through a structured series of practical writing exercises - perfect for the classroom, the writer's workshop or the creative writing autodidact - the book helps build the new writer from the first explorations of voice and the relationship between writing and knowledge, through to mastery of a wide range of genres and forms. With practical guidance on writing scholarly critiques of your own work, The Bloomsbury Introduction to Creative Writing is an essential guide for any introductory creative writing course and a practical companion for more advanced writers.

The Bloomsbury Introduction to Creative Writing

Chicago Guides to Writing, Editing, and Publishing

This book of practical writing and publishing advice celebrates the creative, community-building pleasures of humanist expertise. Humanities experts today are embattled. In a world of crises that undermine higher education at every turn, what can still motivate humanists to write? Galvanizing, imaginative, and unrepentantly nerdy, Sarah Mesle's Reasons and Feeling offers practical writing and publishing advice alongside a forcefully affirmative account of why humanities writing matters. Mesle proposes that writing can help envision sustainable community, but only when we recognize that humanist authority comes from both our reasons and our feelings. Alongside everyday compositional advice-including strategies for addressing different audiences, pitching publications, and managing writing anxiety-readers will find an account of how such craft practices connect to both their intellectual commitments and their historical conditions. Mesle shows how university-trained writers at all levels benefit from embracing a broader range of styles and affects. Doing so helps them harness their writing's community-building potential and makes them better able to value their own expertise, whether they write for the classroom, in public venues, or for the specialized scholarly communities that share their niche, weird, or beloved, objects of study. Reasons and Feelings draws on Mesle's expertise as a professor of writing and her work as an editor helping academics shift between writing for scholarly venues and journalistic ones. In a voice that's honest, warm, accessible, and bracingly funny, Reasons and Feelings gives humanists a path toward bolder fantasies of the worlds their writing can make.

Writing for the Humanities Now

Reasons and Feelings

Writers' and Artists'

'This is not a book, it is a sky filled with possibility, so let its wisdom lift you and soar!' Joseph Coelho, Children's Laureate Celebrating its 23rd edition, this indispensable Children's Writers' &amp; Artists' Yearbook provides everything you need to know to get your work noticed. With thousands of up-to-date contacts and inspiring articles from dozens of successful writers, illustrators and industry insiders, it is the ultimate resource on writing and publishing for children of all ages. Packed with insights and practical tips, it provides expert advice on: - submitting to agents and publishers - writing non-fiction and fiction across genres and formats - poetry, plays, broadcast media and illustration - self-publishing - copyright, finances and contracts - marketing, prizes and festivals - and much, much more ... Used, recommended, and with articles across its 23 editions by writers such as Julia Donaldson, Jacqueline Wilson, Quentin Blake, Malorie Blackman, Meg Rosoff, Michael Rosen, Anthony Browne, Eoin Colfer and many more. 'Between the covers of this book is everything you need to know to get published.' Julia Donaldson

The best advice on writing and publishing for children

Children's Writers' & Artists' Yearbook 2027

Writing about Objects

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