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Tyler Mitchell: Wish This Was Real

Renaissance Lives

An engaging account of how Michelangelo's art was viewed in its own time.

Michelangelo and the Viewer in His Time

"Akasegawa is the kind of artist who inspires everybody every time he makes a new piece of art." -Yoko OnoIn the 1970s, estranged from the institutions and practices of high art, avant-garde artist and award-winning novelist Genpei Akasegawa (1937-2014) launched an open-ended, participatory project to search the streets of Japan for strange objects which he and his collaborators labeled "hyperart," codifying them with an elaborate system of humorous nomenclature. Along with "modernologists" such as the Japanese urban anthropologist Kon Wajiro and his European contemporary, Walter Benjamin, Akasegawa is part of a lineage of modern wanderers of the cityscape. His work, which has captured the imagination of Japan, reads like a comic forerunner of the somber mixed-media writings of W.G. Sebald, and will appeal to all fans of modern literature, art, artistic/social movements and writing that combines visual images and text in the exploration of urban life. In this revised edition, Matthew Fargo's original US translation of Akasegawa's hilarious, brilliantly conceived exercise in collective observation is accompanied by reflections from noted scholars Jordan Sand and Reiko Tomii, as well as a new essay by Akasegawa scholar William Marotti and a reflection on Akasegawa's legacy as a teacher by writer, artist and composer Masayuki Qusumi, a former student of Akasegawa's.

Hyperart: Thomasson

This lavishly illustrated book offers a comprehensive overview of the work of the great Malian photographer Seydou Keïta, one of the most important portraitists of the 20th century.

Seydou Keïta

Bradford's Jewish community dates from the mid-nineteenth century. Never large, in 2013 its dwindling congregation had to face the prospect of their last synagogue closing down as its 1881 Grade II listed building was in need of expensive and unaffordable repair. The local Muslim community stepped in to help raise funds and eventually a Lottery grant followed. Aware of this and of the local Jewish culture that had earlier thrived in the city, Nudrat Afza, a Muslim woman, decided to document it. With the support of members of the Jewish community she was given access to photograph in both the now demolished Orthodox synagogue and in the remaining Reform synagogue. Entitled Kehillah (Hebrew for congregation or community), the project is an invaluable record of Jewish worship in one of the nation's oldest Reform congregations. It is a collection which captures the everyday spirit of contemporary Jewish Britain with poignancy and elegance, pursuing a path less travelled to reveal Jewish provincial life in the twenty first century.

KEHILLAH

Working between activism and performance, Pinder creates texts and diagrams exploring the interdependence of art and politicsAs the commercialization and popularity of the "Black struggle" in mainstream culture continues, artists and creatives are being challenged to reinvent and refocus their approach to activism with the explicit intention of helping people understand race dynamics. Jefferson Pinder: The Black Subversive decodes the Chicago-based artist‿s performance work and uniquely straddles the subtle boundaries of activism and drama, challenging art audiences and civilians alike. Functioning as an "instruction manual" for subversive work, the book poetically reveals the inner workings of Pinder's performative practice. Enthralled by mid-20th-century "cut-away illustrations," Pinder (born 1970) develops texts and diagrams that reveal the connection between art and politics and the inner workings of a politicized performance practice in which every artistic choice is imbued with symbolism and meaning. In addition to performance documentation and insight into the research that informs the artist‿s work, the book includes essays by scholars Carlos Sirah, Jordana Saggese and Isaiah Wooden.

Jefferson Pinder: The Black Subversive

Icons, Legends, and Muses

Moments

Flame Tree Bookmarks

L.S. Lowry: Gentleman Looking at Something Bookmarks (pack of 10)

In celebration of 120 years, this book offers a unique decade-by-decade journey through the legacy of Rolex, featuring 12 chapters that tell the story of the brand and the exceptional watches that cemented its fame and prestige. Explore 120 meticulously photographed Rolex timepieces, showcasing the diversity of models, styles, and finishes - from the legendary Submariner series and Daytona to the elusive Rolex Unicorn and the iconic 'Paul Newman' Daytona. Accompanying these extraordinary watches is the most extensive collection of Rolex ephemera ever assembled, tracing the company's history and influence with unparalleled detail. James Dowling ('Mr Rolex'), the lead dealer of Rolexes in Europe, uncovers hundreds of images from never-before-seen archives and specially commissioned photoshoots from around the globe, sharing personal encounters and stories from his quest to discover these remarkable pieces.

The history of Rolex through 120 seminal and rare watches

The Rolex Legacy

A Feather's Tale 100 Featured Artistic Creations

Christina Tung Wai Breath of the Universe

The Lost Era of Club Fighting

Shadow Boxers

Isms

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

A comprehensive survey of a prolific photographer who fearlessly charts the dreams and dystopias of Mexico today. Ground Rules is the first comprehensive, fully bilingual survey charting the career of the prolific photographer Alejandro Cartagena, author of the celebrated photobooks Carpoolers and A Small Guide to Homeownership. Cartagena is known for his formally engaging and socially incisive images that span the politics of the US-Mexico border, suburban sprawl, and the increasing wealth disparities in North America--and his prodigious output is unified by a commitment to addressing Mexico's most pressing social and environmental issues. In Ground Rules, Cartagena deploys a diverse array of photographic formats, from documentary and collage to the appropriation of vernacular photographs and AI-generated imagery. His work amounts to an urgent statement full of humor and pathos about the mechanisms of power across nations and cultures and the network of images that shape our perception of the world today.

Alejandro Cartagena: Ground Rules

Tyler Mitchell: Wish This Was Real

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