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Als Hilton: The Women / B

The Women

When Val and Milly find out they're both pregnant, the friends decide that they want to be near each other as they raise their children. Val, a journalist, moves to the posh Brooklyn neighbourhood where Milly, an internet-famous travel writer and influencer, lives with her husband, Harris, a restaurateur. The old friends attempt to pick up where they left off a decade ago, when they were best friends and roommates, before a shared tragedy set their lives on divergent paths. But motherhood hits them each differently. Val is left alone to take care of her newborn daughter as she remembers and retraces her own losses as a daughter. Meanwhile, Milly seems well-suited to new motherhood since she has the help of a supportive young nanny, Cleo, and continues to share online about her beautiful, affluent life, which now includes her baby. As Val begins to fall apart, Milly makes a generous offer: why don't they put the two girls into a nanny share? Cleo can care for them, and Milly won't expect Val to pay more than she can. Val accepts, and she begins to crawl out from under her solitude and unhappiness at being a mother; she forms a friendship with Cleo, a Brooklyn native, and an aspiring musician who depends on her paycheck from Milly. But as Cleo cares for their daughters, she becomes enmeshed in the unspoken tensions between Milly and Val that are finally rising to the surface as they navigate new identities as mothers. The three women wade through shifting allegiances, delicate power relations, and long-guarded silences as they decide who they will be to one another, and what it is they each desire for the future.

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Untitled JC

Motherhood, Identity, Love and F*ckery

A stunning and inspiring memoir charting a life as an astronomer, classically trained actor, mother, and Black woman in STEM, searching for life in the universe while building a meaningful life here on Earth

A Memoir of Finding My Place in the Universe

Life on Other Planets

A fiercely funny and wise story of sensuality, money and romance - how those forces can break us, and how they can make us whole again. Charlotte Shane's utterly compelling serial memoir follows its author over the course of several years as she falls in and out of love, contemplates the nature of sex work and pursues pleasure for its own sake. Growing out of a series of confessional letters sent by the author to a small but devoted mailing list, her unstinting and sometimes heart-breaking honesty about sex and relationships went on to make them a viral sensation, gaining thousands of subscribers. By turns philosophical, irreverent and explicit, here is an affecting, immediate account of one life lived to its fullest.

Prostitute Laundry

On Middle Age, Marathons, and the Quest for Peak Performance

Running for your Life

How a Doll Remade the World

Barbieland

<div><div>Audible's Best of the Year in Well-Being YOU ARE ENOUGH EXACTLY AS YOU ARE. ​&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;From the time we’re born, a litany of do’s and don’ts are placed on us by our families, our communities, and society. We’re required to fit into boxes based on our race, gender, sexuality, and other parts of our identities, being told by others how we should behave, who we should date, or what we should be interested in. For so many of us, those boxes begin to feel like shackles when we realize they don’t fit our unique shape, yet we keep trying because we crave acceptance and validation. But is “fitting in” worth the time, energy, and suffering? Actor, writer, and activist Brandon Kyle Goodman says, Hell no it ain’t! &nbsp; As a Black nonbinary, queer person in a dark-skinned 6’1”, 180-pound male body born into a religious immigrant household, Brandon knows the pain of having to hide one’s true self, the work of learning to love that true self, and the freedom of finally being your true self. &nbsp; In You Gotta Be You, Brandon affectionately challenges you to consider, “Who would I be if society never got its hands on me?” This question set Brandon on a mission to dropkick societal shackles by unlearning all the things he was told he should be in order to step into who he really is. It required him to reexamine messy but ultimately defining moments in his life—his first time being followed in a store, navigating his mother’s born-again Christianity, and regretfully using soap as lube (yes, you read that right!)—to find the lessons that would guide him to his most authentic self. &nbsp; Compassionate and soulful, funny and revealing, You Gotta Be You is an unapologetic call to self-freedom. It’s about turning rejection (from others and yourself) into a roadmap to self-love. It’s a guide to setting boundaries and fostering self-growth. And most importantly, it’s an affirmation that we are enough exactly as we are. </div><div> &nbsp; </div>
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How to Embrace This Messy Life and Step Into Who You Really Are

You Gotta Be You

Reading, Writing, Looking, Listening and Very Occasionally Living Dangerously

Letting Go of the Balloon

A deeply personal account of Laura's journey to Graceland, through the American South, exploring the role music played in saving her life.

Sad Songs

Where slaves became drag queens - and changed the world

The House of Swann

In this volume, Taine Duncan offers a critique of Jürgen Habermas inspired by ethical and political feminist philosophy. She argues for a critical, theoretically grounded relational ethics and maintains that modern critical theory must be sensitive to social, political, and embodied difference. The utopian spirit of normative ethics, she suggests, can only be fairly achieved by fluidly working together for shared interests. By synthesizing feminist hopes for utopian ideals with the concept of solidarity that emerges from a relational ethics, this book puts forth a feminist project of cosmopolitanism as foundational for an ethical society. Habermas and Feminism explores the relevance of Habermas to philosophy while discussing how his strictures and assumptions limit what normative ethics should actually engender, a notion of embodied subjectivity contributing to emancipation and political participation.&nbsp; Duncan delves into the pressing contemporary need for an emancipatory democratic theory that is responsive to feminist thought and takes intersectionality, immigration issues, and disability theory into account. By contrasting Habermas’ recent applications of normativity and consensus with the realities of feminist concerns, this book offers an alternative critical theoretical perspective.&nbsp;

Critical Reflections on Normativity

Habermas and Feminism

The Women

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