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Martin Barnaby: The Quiet / B

The Quiet

The Peak

Jonas Merrick series

The Irregular: The utterly gripping new instalment in the Jonas Merrick series from the master of the spy thriller

The Pale Girls

A DS Cross Thriller

The Tailor

The epic sequel to instant Sunday Times bestseller and inaugural winner of the Future Worlds Prize The Principle of Moments...

The epic sequel to Sunday Times bestselling TikTok favourite The Principle of Moments

The Rule of Chaos

The Lancashire town of Burnley is a typical British melting pot. Where drugs, violence and human trafficking rub shoulders with grand houses and rolling moors... and now two people have been found dead - are they suicides or is there something darker lurking in this community? DI Jane Hacker grew up in Burnley but fled to London after the death of her teenage brother. Now, she's back caring for her sick mother and heading up a crime unit that doesn't trust her instincts. It's time Jane finally faces up to the truth of the town's past and present to track down a sadistic killer, before it is too late.

The Last Rites

The stunning conclusion to the Sunday Times bestselling and award-winning Order of Legends trilogy

The Legacy of Heroes

The Burning Library

Cristy Ward thriller

Never Look Back

The Malabar House Series

a gripping and unforgettable crime thriller from the award-winning author of the Malabar House series

The Edge of Darkness

Anthem Studies in Gothic Literature

Textual and Cultural Fusions

Nuclear Gothic

Widely acclaimed as a novelist, here Nicola Griffith displays her power, precision, and clarity of thought in multiple modes and forms.
Known for her gorgeously supple prose that soars effortlessly over genre boundaries, Griffith is also an incisive essayist whose ground-breaking, data-driven work on gender bias in the literary ecosystem sparked self-searching conversations worldwide. In this heady mélange of essays, poems, art, and stories—some seen here for the first time—the author makes foundational assertions about love versus ownership (“Wife”), advocates for the writer as explorer (“Branding: It Burns”), and points out the gaping hole in our literary landscape where we’d expect to find disability fiction (“Overwriting the Old Story”). These and other public-facing essays are followed by four powerfully intimate poems. Returning to prose, Griffith immerses us so seamlessly in her viscerally imagined fiction that we feel how it is to be hurled like light through the stars in “Glimmer,” hunted through the urban alleys of “Cold Wind” during a holiday blizzard, swept along irresistible currents of “Down the Path of the Sun,” and, in “Many Things in Dumnet,” a novella published here for the first time, brought ashore as a stranger to land where something is very wrong.
Finally, “Otherwise Unremarkable,” series editor Nisi Shawl's interview with the author, teases out sometimes startling and always satisfying answers to questions on power, activism, immigration, cognitive poetics, and art.

She is Here

The Quiet

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