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Noakes Lucy: The People's Victory

The People's Victory

VE Day Through the Eyes of Those Who Were There

This open access book is a cultural history of lawsuits that explains the development of French performance rights from la Belle Époque, via the roaring Twenties, and into Post-War France. It does so by analysing the ways in which performers, composers, and playwrights used French court rooms, newspaper scandals, and international conferences to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. Towards the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre, the rise of modern celebrity culture and mass media, to the French governments' management of radio entertainment in the interwar period, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime, while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emerging of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

'An outstanding dual biography... Dinshaw's book is profoundly entertaining, startling in its depth, and a necessary cautionary tale about the human cost of political division' Daily Telegraph Two old friends end up on opposite sides of the English Civil War, in this dazzling history from the acclaimed author of Outlandish Knight At the Inns of Court, the intellectual, literary, and social heart of early 17th century London, many pivotal friendships were forged: few closer than that of Bulstrode Whitelocke and Edward (Ned) Hyde. Both young men were lively characters, industrious, well-connected, principled and optimistic. They dreamed of reforming the government of Charles I, a young court with age-old problems, by restoring the traditional harmony of Crown and Parliament. This is the story of how their hopes climbed, overreached, and fell into an abyss of relentless civil war. This highly original, vivid and engaging book recreates the atmosphere, drama, players and ideas of what is arguably England's (and Britain's) most crucial and traumatic formative period. Through the stories of his two protagonists, Minoo Dinshaw shows how subtle religious and political differences, careful personal judgments, and mere happenstance combined to place these two friends, most reluctantly, on opposite sides in the English Civil Wars. They would both survive, unlike many thousands of others, into old age; both would become influential historians, shaping how we still understand the conflicts of their age. But their friendship, like the once hopeful country in which it had first flourished, would be forever changed: permanently marred by what both men believed to be senseless and unnecessary civil strife.

Choosing Sides in the English Civil War

Friends in Youth

A Financial Times Book of the Year No other phenomenon has shaped human history as decisively as capitalism. It structures how we live and work, how we think about ourselves and others, how we organise our politics. Sven Beckert situates the story of capitalism within the largest conceivable geographical and historical framework in this fascinating new book. Capitalism, argues Beckert, was born global. Emerging from merchant communities across Asia, Africa and Europe, capitalism's radical recasting of economic life rooted itself only gradually. Then it burst onto the world scene, as European states and merchants built a powerful alliance that would propel them across the oceans. This epic drama corresponded at no point to an idealised dream of free markets. All along, state-backed institutions and imperial expansions shaped its dynamics. Capitalism decentres the European perspective, highlighting agency, resistance, innovation and ruthless coercion around the world through to the present with the rise of Asian economies, particularly China. Sven Beckert doesn't merely add up capitalism's debits and credits in this monumental book, but allows us to think afresh about the past to help us re-imagine the future.

A Global History

Capitalism

Routledge Explorations in Economic History

This book explores late colonial Zimbabwe's troubled transition from colony to independent state from a financial and economic history perspective.

Money, Sanctions and War Economy

Finance in Colonial Zimbabwe

Ladies and gentlemen, step right up...On 23 March, 1844, General Tom Thumb, at 25 inches tall, entered the Picture Gallery at Buckingham Palace and bowed to Queen Victoria. On both sides of the Atlantic, this event marked a tipping point in the nineteenth century: the age of the 'Freak' was born. Bewitching all levels of society, the 'Freak Show' was a world of astonishing spectacle and entertainment. But the real stories and human dramas of the performing men, women and children have been marginalised in the histories of the very people who exploited them. In The Wonders, Dr John Woolf brings to life the history of the Freak show, and how it gave way to some of the great transformations of the age: the birth of showbusiness, celebrity, and 'alternative facts'. The book explores the virtues of the 'Freak' circuit, as well as the ongoing effects of power, fame, exploitation, and our fascination with otherness. Sometimes tragic, sometimes triumphant, and always extraordinary, The Wonders is the true story of the performers whose talents and disabilities helped define an era.

Lifting the Curtain on the Freak Show, the Circus and the Victorian Age

The Wonders

'An epic account ... myth-busting ... Bull writes with knightly brio and packs a great deal of local and global history into his authoritative book' Pratinav Anil, The Times A major new history of the epic siege of the island fortress of Malta Even as the great siege began it was understood by both sides to be an epic - a potentially decisive encounter between an uneasy assortment of soldiers, native Maltese, adventurers and Knights Hospitaller on a strategically crucial but near waterless island and a vast, seemingly all-powerful Ottoman armada. With three quarters of the Mediterranean's coasts already in the hands of the Sultan and his allies, all eyes were now on Malta. This superb new account of the siege emphasises the crucial importance of the siege while at the same time putting it in a far wider context. While since mistakenly recast as a climactic battle between the West and the East, it was also much more interesting and nuanced than that - both sides had many other interests and priorities beyond Malta. Süleyman the Magnificent had conquered and subsumed regions from Hungary to the Persian Gulf; Philip II was building an empire in America and Asia. Drawing on a wide range of eyewitness stories, Marcus Bull gives a vivid sense of the period's technologies, values and assumptions. It was a grim world built on the labour of many thousands of disposable galley-slaves, shockingly brutal forms of warfare and religious absolutism. But it was also a world filled with the most extraordinary new discoveries and ideas. Both these worlds come together in the siege and in this book.

The Great Siege of Malta

*SHORTLISTED FOR THE DUBLIN LITERARY AWARD 2026* 'There is no living writer whose new books I fall on with greater delight than Laurent Binet. . . Perspectives is a proper treat' Naomi Alderman 'A dazzling romp' Guardian Florence,1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden portrait scandalously depicting Maria de Medici, daughter of the Duke of Florence, as a naked Venus. Who is the murderer? Who made the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation. Letters fly back and forth carrying news of plots and speculation about the killer's identity - between Maria and her aunt Catherine de' Medici, the queen of France; between Catherine and her secret agents; and between Vasari and his friend Michelangelo. And the truth, when it comes to light, is as shocking as the bold new artworks that have made Florence the red-hot centre of Europe. Bursting with characters and colour, Perspectives is a mystery like no other that shows us Renaissance Florence as we've never seen it before - a dazzling, hugely entertaining novel of court machinations, murder and art. 'Doesn't get much better than this' Sunday Telegraph 'A racy and enjoyable detective story' The Times 'A dazzling romp' Guardian 'Funny and very gripping' Financial Times

Perspectives

A fascinating, exhaustive guide to London's private members' clubs - both old and new - and their culture. In this comprehensive tour of London's clubs, every question you've ever had about Clubland will be answered by a consummate insider, grounded in a 'real world' perspective of how these secretive institutions are seen. By turns knowing and insightful, while also affectionately funny, Clubland offers an warts-and-all survey of private members' clubs, spanning the old, the new and, of course, the singularly eccentric traditions and quirks within them.

A Companion for the Curious

London Clubland

Penguin Modern Classics

Close, close beneath the land I had once rooted myself in and loved, lay a land filled with violence, injustice and hatred On 22 April 1962 what remains of Göran Rosenberg's family embark from his native Sweden to make Israel their new home. Transplanted into a nation born only a few months before him, he is first enchanted by its vitality, imprinted by its ideals. It marks the beginning of a lifetime's journey across the promised land and into its past, a reckoning with the utopian visions and desperate fears that went into Zionism as well as the violence and dispossession of its realization. This landmark book tells the story of that journey - through buried stories and erased villages, dreams and disillusionments, and the histories still unfurling today.

A Personal History

Israel

Athena's Sisters transforms our understanding of Classical Athenian culture and society by approaching its institutions-kinship, slavery, the economy, social organisation-from women's perspectives. It argues that texts on dedications and tombstones set up by women were frequently authored by those women. This significant body of women's writing offers direct insights into their experiences, values, and emotions. With men often absent, women redefined the boundaries of the family in dialogue with patriarchal legal frameworks. Beyond male social and political structures, women defined their identities and relationships through their own institutions. By focusing on women's engagement with other women, rather than their relationships to men, this timely and necessary book reveals the richness and dynamism of women's lives and their remarkable capacity to shape Athenian society and history.

Reclaiming the Women of Classical Athens

Athena's Sisters

A vibrant, compelling social history of death, dying, and how our ends shape our lives and societies

A People's History of Mortality

No Ordinary Deaths

Bloomsbury Studies in Digital Cultures

In 1945, W. Averell Harriman, US Ambassador to the Soviet Union, was presented with a carved wooden plaque of the Great Seal of the United States as a 'gesture of friendship' by a delegation from the Soviet's Young Pioneer Organization.
Unbeknownst to him, one of the first covert listening devices, invented by Leon Theremin was hidden within it and was subsequently used to listen in on the ambassador's conversations for six years before being discovered. This book uses remarkable tales like this to tell the story of how modern audio surveillance developed and its important role in the evolution of today's artificial intelligence.


 Beginning with post-WW2 monitoring devices, Listening In traces an arc through the Cold War era into the present day in which state and commercial spyware can record our calls, copy messages and secretly film us. It subsequently moves into the near future where AI-assisted technologies can listen to things we have not yet said as well as digitally simulate and record our voices after we have died. Exploring how mass audio surveillance is carried out through devices such as smart phones, speakers and baby monitors and used to inform and train AI algorithms, the book provides fresh insights into how we are allowing our personal privacies to be traded for enhanced social connectivity and technological convenience. Ultimately Listening In reveals how the urge to listen and record everything that has ever been uttered is scored deeply into the technological operating systems of cultures from around the world.

Listening In is also available in audiobook format from audiobook retailers.

How Audio Surveillance Became Artificial Intelligence

Listening In

The People's Victory

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