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Offers a rounded contemporary appraisal of Central Europe's most distinctive Modernist.

The Cambridge Companion to Kafka

Acknowledgments; Abbreviations; Chronology; Notes on Contributors; Introduction: Kafka's Europe Julian Preece; 1. Kafka's writing and our reading David Constantine; 2. A psychoanalytic reading of The Man Who Disappeared Anne Fuchs; 3. The exploration of the modern city in The Trial Rolf J. Goebel; 4. The Castle Elizabeth Boa; 5. Kafka's short fiction Ruth V. Gross; 6. Kafka's later stories and aphorisms Stanley Corngold; 7. The letters and diaries Julian Preece; 8. The case for a political reading Bill Dodd; 9. Kafka and Jewish folklore Iris Bruce; 10. Kafka and gender Dagmar C. G. Lorenz; 11. Myths and realities in Kafka biography Anthony Northey; 12. Editions, translations, adaptations Osman Durrani; 13. Kafka adapted to film Helen Hughes and Martin Brady; 14. Kafka and popular culture Iris Bruce; Index.

Independently published

THE STORIES THAT STAY: On Writing, Memory, and the Art That Keeps Us AliveWhat happens when a writer finally listens back across everything he has made?For more than two decades, Tim Bryant has been writing novels - mysteries, Southern stories, books about music and grief and faith and small towns where guilt has somewhere to live. He thought he was moving on. The books, it turns out, were not.The Stories That Stay is the third book in Bryant's acclaimed writing series - following Why Write and What To Write - and it may be the most personal. Where the earlier books asked writers to examine their reasons and their craft, this one asks something harder: what has the work been doing to you all along?Tracing the hidden conversation running through more than twenty novels and manuscripts - from the PJ McBride mysteries set on a Southern university campus to a ninety-year-old woman who understands joy better than anyone around her, from a sacred relic emerging from the earth to a drummer driving home to bury his father - Bryant listens for what has been trying to survive there. What he finds is not a theory of fiction but something more intimate and more useful: an honest account of how stories make us, expose us, and carry us forward even when we are not brave enough to carry ourselves.Each chapter opens with a question the work kept asking: Why does the mystery need the town? Why does grief need the chair? Why does the wound need the body? The answers take Bryant through the architecture of character and place, through the theology of ordinary objects, through the stubbornness of the dead, and finally to the table where all human storytelling begins - and where it always, eventually, returns.This is a book for writers who are ready to be honest about what they are really doing. It is also a book for readers who have ever felt that a story, a song, or a sentence arrived in their life at exactly the necessary moment and stayed long after the reading was done.The table is still set. The stories are still being exchanged. And neither, Bryant insists, is over yet.

On Writing, Memory, and the Art That Keeps Us Alive

The Stories That Stay

"Die geheime Reise" ist die Geschichte einer verbotenen Liebe, die zu unbestimmter Zeit an einem unbekannten Ort zu spielen scheint. Aber der poetische Roman von Marcel Jouhandeau ist auch eine Kriminalerzählung. Denn er enthält versteckte Indizien, die den Erzähler verraten und den historischen Zusammenhang sichtbar machen: Im Herbst 1941 nimmt ein französischer Schriftsteller an einer Rundreise durch Nazi-Deutschland teil, die propagandistischen Zwecken dient und zu einer Veranstaltung mit Joseph Goebbels in Weimar führt. Er verliebt sich in den deutschen Offizier, der sie organisiert. Und er scheint zu ahnen, dass er sich mit den Falschen eingelassen hat. Marcel Jouhandeau (1888-1979) hat seine Kollaboration zugleich kunstvoll verschlüsselt und subtil angedeutet. "Die geheime Reise" handelt von der Verführungskraft des Faschismus und von der Schwierigkeit, sich ihrer bewusst zu werden.

"Die geheime Reise" von Marcel Jouhandeau erschien erst nach dem Zweiten Weltkrieg im französischen Original. Im Verlag Das vergessene Buch wird sie nun zum ersten Mal in deutscher Übersetzung wiederentdeckt, herausgegeben und mit einem Nachwort versehen von Oliver Lubrich.

Autobiographischer Roman und Reisetagebuch

Die geheime Reise

Arnold, Liebling – In wahnsinniger Eile. Ich sitze jetzt in einem Schlamassel wie eigentlich noch nie. Heute morgen verzweifelte Geschichten mit Mann und so. Später Krach mit Verlag wegen Manuskript. Verlag hätte kein Geld mehr usw. Ich flüchte ins Löwenbräu. Um 6 ruf ich den Verlag an, er soll mir Geld schicken ins Lokal. Viertelstunde später ist Geld da – und eine halbe Stunde später – meine Mutter. – Ich denk, mich trifft der Schlag. 1933 lernen sich Irmgard Keun und der junge jüdische Arzt Arnold Strauss in Berlin kennen. Kurz darauf emigriert er nach Amerika. Sie bleibt zurück, verheiratet mit Johannes Tralow, liiert mit Joseph Roth, doch heimlich immer Strauss versprochen. Eine große Liebesgeschichte in Briefen, aber auch ein Stück Biographie von einer der bedeutendsten Schriftstellerinnen des 20. Jahrhunderts. »Irmgard Keun war die aufregendste und witzigste Autorin der Weimarer Republik.« Zeit online

Briefe an Arnold Strauss 1933–1947

Ich lebe in einem wilden Wirbel

What if the less-than-ideal environment you grew up in was actually the most expensive education money can't buy? Many people from humble beginnings spend their entire lives running from their past. Hiding it. Downplaying it. Feeling like it's a stain they can't wash off. That's completely unnecessary. What if the barefoot walks to school, and the nights with no electricity, were quietly building something inside you that no Ivy League degree, no privileged upbringing, and no corporate training program can replicate? The Author walked that path from barefoot to boardrooms in Nairobi, Johannesburg, Harare, Singapore, London, New Orleans, Cleveland, and Charlotte. He didn't just survive the journey. He thrived in rooms where people like him were never supposed to sit. Your past is not a scar to cover up. It is armor that protects you in battles that others cannot win. Kunda pulls back the curtain on a life lived across continents, cultures, and crises. This is not a polished motivational speech. This is raw, honest, and deeply personal. It is the real story of a man who used every hardship as fuel, every setback as a lesson, and every moment of scarcity as specialized training for life ahead. It will change the way you see your own story forever. Inside you will find. The Scar Mark of Endurance - how the physical and emotional hardships of your childhood quietly built mental calluses that make corporate rejection, workplace politics, and high-stakes pressure feel completely manageable. The Grit Dividend - the hidden competitive edge that only people who grew up with nothing truly possess, and exactly how to deploy it in social and professional settings. The Advanced Loss Aversion Advantage - how the memory of having absolutely nothing transforms into a fierce, laser-focused drive to protect and maximize every single career opportunity that comes your way. How to transform silent family sacrifices and humble parental hopes into an unstoppable internal engine that keeps you moving when everyone else quits. Homegrown innovation that translates directly into problem-solving skills that no MBA program teaches. How growing up around real danger develops a gut-level threat detection system that makes you a fearless, intuitive decision-maker in high-stakes social and business environments. How exposure through travel broadens horizons and builds a rare cultural intelligence that makes people valuable in any multicultural team. The Meritocracy Mindset - How to apply ruthless efficiency, zero tolerance for shortcuts, and discipline to build a personal brand that earns respect in competitive markets. The Art of Leaving Well - the often-ignored leadership skill of knowing when to move on, how to hand over with grace, and why how you leave a role is just as powerful as how you led it. Never burn bridges. Resign with Grace, not friction. The Full Circle Principle - how to stop seeing your starting point as the beginning of a disadvantage and start seeing it as the foundation of a world-class life, proving once and for all that grace always follows grit. This book is not just a memoir. It is a practical, actionable guide written for every person who grew up with less, worked twice as hard, and still wonders whether their background is holding them back. It will walk you through the entire journey, from the bundus to the boardroom, with real stories, hard-won insights, and concrete steps you can apply immediately. It will help you get unstuck from the shame of your past and step fully into the power of your story. Your complicated history is not a liability. It is the most valuable professional armor you will ever own. And this book will show you exactly how to wear it. If you want to turn your humble beginnings into your greatest competitive edge and finally stop feeling like your background is something to hide or overcome. Enjoy the Book.

A Memoir Of Unbreakable Resilience & Tenacity

Grace Follows Grit

Among the most popular novels in the early decades of the twentieth century were those published by Alice Muriel Williamson, whose novels were frequently attributed on their title pages to "C. N. and A. M. Williamson." Although it is now known that "A. M." never wrote any fiction by "C. N." - her husband, Charles Norris Williamson, - the view erroneously persists that the married couple were joint authors. Preceding her fame as a novelist, Alice wrote a series of sensational stories that appeared serially in journals in the 1890s. So fertile was her imagination that she was able to supply her publisher, Alfred Harmsworth, with weekly installments for as many as seven serials concurrently (one for each day of the week), a feat probably unmatched in the history of fiction. As a novelist, the creative fervor of her stories ensured a popularity as great as or greater than that enjoyed by any of her contemporaries. Although particularly renowned for her travel romances, she was a literary polymath adept in a wide variety of genres, often published anonymously or pseudonymously, such as her sensational exposé of German war plans on the eve of World War I, What I Found Out in the House of a German Prince (1915). Purporting to be "by an American-English Governess," it was so realistic that it was accepted as a true account and published serially in the Fortnightly Review. The missing chapters of her tumultuous life in America, revealed for the first time in Richard Rex's riveting study, unveil the history of her multivalent careers as actress, journalist, traveler, and author of fiction. Readers revisiting her stories-many ideated from her own adventurous and romantic life-will find them remarkably relevant and offering an intense human interest dimension no less intriguing today than when they were first published.

The Literary Career of Alice Muriel Williamson

Imagination on Fire

Writing as Lemony Snicket, Daniel Handler has led several generations of young readers into that special and curious space of being hopelessly lost, and joyfully finding yourself, in the essential strangeness of literature. The wondrous and perilous journey of the Baudelaire orphans sprung from the author's own path, from his childhood discovery of Baudelaire's poetry through the countless peculiarities of his pursuit of a literary life-abject failure and startling success, breakthrough and breakdown, concordance and controversy-lit along the way by the books and culture he loved best. 
 
At once a personal memoir and a literary exploration, a how-to book and a critical inquiry, a sequence of stories and a series of events, And Then? And Then? What Else? is a book not just for anyone curious about the creator of Lemony Snicket, but for anyone who loved books when they were a child, and still loves them now.

And Then? and Then? What Else?

WINNER OF THE NBCC JOHN LEONARD PRIZE WINNER OF THE PEN/ JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY A TIME TOP 10 BOOK OF 2025 AN ATLANTIC TOP 10 BOOK OF 2025 A NEW YORK TIMES NOTABLE BOOK OF 2025 AN INSTANT NEW YORK TIMES BESTSELLER AN AMAZON BEST BOOK OF THE YEAR Drawing on new archival material, original research, and interviews, this spellbinding book is the first major biography of James Baldwin in three decades, revealing how profoundly his personal relationships shaped his life and work. Baldwin: A Love Story, the first major biography of James Baldwin in three decades, reveals how profoundly the writer's personal relationships shaped his life and work. Drawing on newly uncovered archival material and original research and interviews, this spellbinding book tells the overlapping stories of Baldwin's most sustaining intimate and artistic relationships: with his mentor, the Black American painter Beauford Delaney; with his lover and muse, the Swiss painter Lucien Happersberger; and with his collaborators, the famed Turkish actor Engin Cezzar and the iconoclastic French artist Yoran Cazac, whose long-overlooked significance as Baldwin's last great love is explored in these pages for the first time. Nicholas Boggs shows how Baldwin drew on all the complex forces within these relationships-geographical, cultural, political, artistic, and erotic-and alchemized them into novels, essays, and plays that speak truth to power and had an indelible impact on the civil rights movement and on Black and queer literary history. Richly immersive, Baldwin: A Love Story follows the writer's creative journey between Harlem, Paris, Switzerland, the southern United States, Istanbul, Africa, the South of France, and beyond. In so doing, it magnifies our understanding of the public and private lives of one of the major literary figures of the twentieth century, whose contributions only continue to grow in influence.

Baldwin: A Love Story

'Lea streisand erweist sich als fabelhafte Archäologin der Zeitgeschichte.' 
Jakob Hein 
Franzi, Annabel und Rico sind unzertrennlich. Sie spielen, streiten, gucken Westfernsehen. Und sie machen sich ihren eigenen Reim auf die Welt, die ihnen niemand erklären will. So wissen sie sicher, dass Amerika an der Ostsee liegt und die Mangelwirtschaft von Gefängnisinsassen erledigt wird. Doch dann fällt die Mauer, und alle Gewissheiten stürzen wie Kartenhäuser zusammen. 
Lebendig und mit zärtlichem Blick erzählt Lea Streisand von einer kleinen Welt, in die plötzlich die große Geschichte einbricht.

Roman

Hufeland, Ecke Bötzow

Argues Shakespeare was a dark-skinned Jewish woman, Emilia Bassano, challenging the traditional authorship and gender perceptions. Was Shakespeare a white man from Stratford? Debate still rages over the identity of the most beloved poet of all time and 'father' of the English-speaking world. Generations of researchers have tried to dismantle the myth of the Stratford man. Now, in this intriguing and well-documented book, Irene Coslet conclusively demonstrates that Shakespeare was a not a man, but a woman: a dark-skinned lady, of Jewish origin, born into a family of Court musicians from Venice, and the mother of the English-speaking world. Her name was Emilia Bassano. Based on a re-examination of often-overlooked historical documents, shrewd, chilling, and profound, this volume offers extensive evidence that Emilia was the author of the canon. This is not just a book about the authorship debate: it is about the condition of women at the time Shakespeare was writing. It explains that feminism already existed in Elizabethan and Jacobean England. It reveals not only that Shakespeare was a woman, but also that she defended women. It reintegrates Emilia in the context of the time, for example, by exploring the relationship between Emilia and Queen Elizabeth I. The reader will leave this book with a sense of wonder, transformation, and will experience a paradigm shift. Be prepared to meet the next feminist icon.

Emilia Bassano Willoughby

The Real Shakespeare

St. Martins Press-3PL

This is the story of an author and his apprentice. It is the story of literary influence and tragedy. It is also the story of incarceration in America. Norman Mailer was writing The Executioner's Song, his novel about condemned killer Gary Gilmore, when he struck up a correspondence with Jack Henry Abbott, Federal Prisoner 87098-132. Over time, Abbott convinced the famous author that he was a talented writer who deserved another chance at freedom. With letters of support from Mailer and other literary elites of the day, Abbott was released on parole in 1981. With Mailer's help, Abbott quickly became the literary "it boy" of New York City. But in a shocking turn of events, the day before a rave review of Abbott's book, In the Belly of the Beast, appeared in The New York Times, Abbott murdered a New York City waiter and fled to Mexico. Eerily, like Gary Gilmore in Mailer's true-life novel, Abbott killed within six weeks of his release from prison. Now Jerome Loving explores the history of two of the most infamous books of the past 50 years, a fascinating story that has never before been told.

Jack and Norman

Wer an Ingeborg Bachmann denkt, denkt an Klagenfurt, Wien, Rom, Neapel, Paris oder Zürich. Dass auch München ein zentraler Ort in Bachmanns Leben war, wird häufig übersehen. Eben das will diese Biografie ändern: Sie beleuchtet den Einfluss der bayerischen Landeshauptstadt auf das Leben der Ingeborg Bachmann in allen Aspekten - von ihrer Arbeit mit dem Piper Verlag über die Zeit beim Bayerischen Rundfunk bis hin zu den diversen Bekanntschaften und Freundschaften mit heute oft vergessenen Weggefährten.

Eine Chronik zum 100. Geburtstag

Ingeborg Bachmanns München

'Eine Meisterleistung der literarischen Vergegenwärtigung, das Buch verbindet sachliche Präzision mit persönlicher Leidenschaft, Witz mit Sarkasmus.' Ulrich Greiner, Die Zeit '... ein großer, ein überwältigender Deutschlandroman.' Volker Weidermann, Der Spiegel Selten sind persönliches Schicksal und deutsche Geschichte so eng verwoben wie bei Wolf Biermann. Ein Leben zwischen West und Ost, ein Widerspruchsgeist zwischen allen Fronten. Seine eindringlich erzählte, bewegende Autobiographie ist ein Zeitzeugnis ersten Ranges.

Die Autobiographie

Warte nicht auf bessre Zeiten!

The Cambridge Companion to Kafka

Autres titres sur ce thème