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Midnight Point Press

McNulty B: Story Made Simple

Story Made Simple

A No-Nonsense Guide to the Essential Elements of Storytelling

Tradd Street Press

Short-Story Technique

Offering teachers and students alike a foundational understanding of the versatile medium of comics, this book guides readers through the history and principles of reading and making comics, using the creative writing discipline as its lens. Sitting at the intersection between comics studies and comics creation, Comics and Creativity explores what makes comics work, how they are read and asks readers to reflect on the narratological comparisons between storytelling in comics and storytelling in the mediums such as prose or film. Covering the fundamentals of time, form, character and voice in graphic narratives, as well as approaching the key genres of autobiography, speculative fiction, adaptation and non-fiction, Comics and Creativity uses ideas from both a theoretical/ critical and practical/ creative approaches. With each chapter supported by practical exercises and lesson suggestions, it features step-by-step close readings of a broad range of contemporary works from comics artists including Kym Tabulo, James Kochalka, Tommi Parrish, Chris Ware, Leonie Brialey, Meg O'Shea, Lee Lai, Adrian Tomine and Taiyo Matsumoto, Mandy Ord, Marjane Satrapi, Dominique Goblet, Safdar Ahmed, Sam Wallman and Eleri Harris. Designed to assist with classroom teaching and individual learning, this book demonstrates how comics can unlock and transform approaches to storytelling and creative teaching. Privileging narrative rhythm, timing, page layout and panel design over experience and skill with drawing, Comics and Creativity extends the writer and creative's repertoire of ways to express themselves multi-modally.

Reading and Making Graphic Narratives

Comics and Creativity

Questo è il manuale che avrei voluto leggere quando ho iniziato a scrivere. Qui dentro trovi tutto quello che so sulla scrittura di romance: dal concept alla revisione, dai personaggi alla tensione, dal worldbuilding alle scene di sesso, passando per i trope, la struttura, il linguaggio e il lieto fine. Con template pratici, esempi concreti, errori da evitare e la brutale onestà di chi ha sbagliato abbastanza volte da sapere cosa funziona e cosa no. Questa guida è per chi scrive già e vuole migliorare. Per chi non ha ancora iniziato e ha paura della pagina bianca. Per chi ama (o non ama) i trope e vuole capire come usarli. Per chi scrive romance MF, MM, FF, queer, poly, fantascienza, omegaverse, dark, fantasy, contemporaneo, storico o qualsiasi cosa il cuore gli detti. Il tuo romanzo romance ti aspetta. Qui trovi gli strumenti per scriverlo.

Dalla scintilla al lieto fine: come costruire storie d'amore che funzionano davvero

Magica guida allo scrivere romance

In this unique collection of essays, published writers offer an intimate view of how their work has been informed, shaped and transformed by their literary, political, philosophical or personal influences. Providing models of the critical commentaries that all students of creative writing must write, each essay from contemporary authors of fiction, creative non-fiction, poetry, scripts and digital writing demonstrates how what writers write is determined by what they have read, and what they read is then determined by what they are writing. As writers reflect on their process of moving from sources of inspiration to a finished and original piece of writing, they reveal their anxieties, passions, discoveries and motivations, offering fascinating insights into the imagination's journey. Introductory chapters explore why writers reflect on their own work, and place this practice in wider contexts, offering theoretical frameworks for understanding process, influence, and inspiration. As illuminating for aspiring writers as it is for students reflecting on their research and process as part of writing courses, Creative Writing and the Critical Commentary will change the way writers talk about and engage with other texts.

Reflection, Influence, Process

Creative Writing and the Critical Commentary

"Short Story Writing" is a comprehensive guide to the craft of fiction, designed to assist aspiring authors in mastering the intricate art of the short narrative. Written by Mary Burchard Orvis, this work delves into the essential elements that constitute a successful short story, covering fundamental topics such as plot construction, character development, and the importance of achieving a single emotional effect.The book serves as a practical manual for understanding the structure and dynamics of short fiction. It explores the transition from raw ideas to polished prose, providing insights into the technical requirements and aesthetic considerations of the genre. By analyzing the methods used by established writers, Orvis offers a roadmap for creating compelling narratives that resonate with readers. The text emphasizes the necessity of economy, unity, and focus-the hallmarks of the short story form.Ideal for students of literature and practitioners of creative writing, "Short Story Writing" offers a timeless perspective on the literary techniques that define the medium. It remains a valuable resource for anyone seeking to improve their storytelling abilities or gain a deeper appreciation for the mechanics behind classic short fiction.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Short Story Writing

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

The essential guide for authors at all levels of their career, updated with fresh film and literary references. Creative writing is what you used to get that first draft down. Now it's time to become objective about your own words! This guide book will show you how to fix sagging structure and deliver a satisfying story for your readers. This second edition contains all-new sections including Editing with AI, and The Personal Six and The Plot Six.The Ticking Clock device is also fully expanded.Written by an award-winning romance author, this friendly, plain-speaking guide takes the self-editing process and breaks it down into achievable smaller tasks.Authors will learn to embrace formula, while steering clear of the formulaic."The editing advice in section one is brutally kind and just potent enough to help the quailing writer find their own, ruthless inner editor." Sage Wolfsong"Perfect for pantsers (and) people who write organically." Renee Conoulty"Run, do not walk, and buy this book." Elda Minger

Editing Fiction Second Edition

Bloomsbury Writer's Guides and Anthologies

In a time defined by uncertainty, change and inequality, speculative fiction is fast-becoming the genre of the 21st century. Straddling genres such as fantasy, science fiction, dystopia, alternative history, and horror, this book is a comprehensive introduction to the art of writing in this imaginative, fluid, and inclusive mode. An all-in-one textbook combining a craft guide with an extensive, diverse anthology, Speculative Fiction explores the multiplicity of influences that the genre has consumed and incorporated, digs into techniques specific to speculative writing, and gives writers exercises and prompts to begin their own works. In addition, Speculative Fiction features: - Annotated stories to showcase speculative techniques in practice - Interviews with authors about the use of craft in their speculative work - Detailed exploration of techniques from world-building to creating characters to plots and conflict in a specifically speculative mode - Exercises engineered to allow readers to master a broad range of techniques - 'Reader response' sections from speculative writing students with critical feedback - Chapters on finding a speculative writing community and workshopping writing within the genre &gt; Featuring the works of such authors as George Saunders, Joyce Carol Oates, Rebecca Roanhorse, Carmen Maria Machado, Sofia Samatar, and many more, this book gives writers the resources to write boldly, differently, and freely as they embrace stories that defy, undermine, and subvert traditional visions and points of view.

A Writer's Guide and Anthology

Speculative Fiction

Mining Midlife for Powerful Writing

Writing Through the Pause

Multi-Genre Creative Writing

A Writer's Craft

Through a series of discussions with practitioners in fields beyond the Humanities, this book explores how key creative writing techniques inspire and inform other disciplines. In turn, this new multidisciplinary view of the mechanics of storytelling sparks new ways of approaching the writing, reading and teaching of fiction in and beyond the writing workshop. A personal voyage of discovery, the book revolves around conversationswith specialists in archaeology, genetics, architecture, medicine, law and botanical science to consider how specific techniques - narrative time, characterisation, fictionalstructures, plotting, point of view and place - inform their work. Through a series of reflections, short fictions, practical exercises and prompts, these case studies then suggest new insights and methods for investigating key writing techniques, which in turn advocate for closer interactions between STEM, the humanities and arts practice. With creative arts subjects increasingly under pressure to justify their significance in contemporary work and life, Jacqueline Yallop makes a case for the re-evaluation of the importance of narrative writing craft in the world beyond personal practiceand student assignment.

Creative Writing Across Disciplines

Fiction in the Field

Sei uno scrittore fallito e ti spiego perché

Se hai iniziato un romanzo e non l'hai mai finito, questo libro ti riguarda più di quanto sia comodo ammettere. Se aspetti l'ispirazione, se ti offendi davanti alle critiche, se confondi una buona idea con una storia, se pensi che pubblicare significhi essere letto, se ami i tuoi aggettivi come figli fragili e i tuoi personaggi parlano tutti con la tua stessa voce, allora questo non è solo un libro sulla scrittura. È probabilmente una cartella clinica con copertina. Sei uno scrittore fallito e ti spiego perché è un anti-manuale ironico, tagliente e pratico per aspiranti autori, scrittori esordienti, narratori dilettanti, blogger, autopubblicati e per chiunque abbia mai pronunciato la frase sto lavorando a un romanzo con un'espressione più solenne del contenuto del file. Il libro smonta, uno dopo l'altro, gli autoinganni più frequenti di chi vuole scrivere: l'amore per l'immagine dello scrittore più che per la fatica della pagina, il culto dell'ispirazione, i manoscritti eternamente incompiuti, la falsa superiorità di chi pensa che il mondo non lo capisca, il terrore della revisione, la confusione tra talento e mestiere, tra pubblicazione e lettura, tra originalità e pasticcio intenzionale. Non troverai formule magiche, ricette per il bestseller, promesse editoriali o frasi motivazionali da stampare e appendere sopra la scrivania. Quelle servono soprattutto a decorare la stanza in cui continui a non scrivere. Troverai invece diagnosi spietate, esempi riconoscibili, battute scomode, esercizi pratici e una serie di verità che ogni aspirante scrittore dovrebbe ascoltare prima di infliggere al mondo il terzo prologo del suo romanzo ancora non finito. Il tono è sarcastico, ma non gratuito. La parola fallito non è usata come insulto: è una provocazione. Uno scrittore fallito non è necessariamente uno che scrive male. È uno che non finisce, non rilegge, non taglia, non accetta critiche, non studia il mestiere, si innamora della propria voce e spesso preferisce l'idea romantica dell'autore alla realtà poco fotogenica del lavoro. Ogni capitolo prende un errore e lo mette sotto una luce impietosa: personaggi senza voce propria, dialoghi che sembrano interrogatori, inizi meteorologici, spiegazioni inutili, aggettivi ornamentali, finali affrettati, paragoni comodi con i grandi autori, ossessione per le recensioni, vittimismo editoriale e molte altre piccole malattie della pagina. Ma questo libro non si limita a ridere del disastro. Dopo la diagnosi arriva sempre la parte utile: come riconoscere il problema, come correggerlo, come smettere di usare l'ego come editor e come trasformare un testo da alibi personale a oggetto leggibile. Non è un libro contro chi scrive. È un libro contro le bugie che chi scrive si racconta. Non ti farà diventare automaticamente uno scrittore. Però potrebbe impedirti di continuare a fallire sempre nello stesso modo.

Manuale semi-serio per sopravvivere alle illusioni letterarie

Story Made Simple

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