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Lowe C: Stack, Build, Write

Stack, Build, Write

A Guide to Crafting Modular and Non-Linear Fiction

Why do we write poetry? Who should write it? And where do you even start? Well, Brian Bilston, one of the UK's most hilarious and best-loved poets, is here to take us through the hows, whys and whats of reading, writing and enjoying poetry every day. With his characteristic wit and charm, Bilston accompanies us through the jungle of imagination to the source of inspiration, takes us under the bonnet of a sonnet and over the fear of literary devices. He gives us a whirlwind tour through the history of verse, and shows us why human poetry will always triumph over any attempts by AI. Showcasing over a hundred brand-new poems, and including practical critiques of some of his greatest hits, every page is an immensely pleasurable deep-dive into the life-affirming craft of poetry and a passionate argument for why we should all pick up a pen. How to Lay an Egg with a Horse Inside is for anyone who loves words and all the things they can do.

An Alternative Guide to Writing and Enjoying Poetry

How to Lay an Egg with a Horse Inside

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

'Imprinted' is a history of reading and the development of a literary culture in the Caribbean. It explores the places and spaces for reading, especially in Dominica, the author's birthplace. A remarkable investigation full of personal reflection and awareness of the dynamics that shape Caribbean reading experiences.

A Social History of Caribbean Reading

Imprinted

'Daisy Buchanan is the big sister of the writing world ... everything you need to know, from one of the most prolific writers working today' Emma Gannon'Generous and deeply inspiring' Katherine May'This book is like a calm and reassuring friend. A must-have for any writer' Andrea McLean------Experience the therapeutic power of writing with Write Yourself Happy. Join the author of Read Yourself Happy and host of the popular You're Booked podcast Daisy Buchanan as she explores how to use writing as a tool for healing, stress reduction, and emotional well-being.Through journaling, creative expression, and thoughtful reflection, you'll uncover your authentic self, learn how writing can help to process emotions, and cultivate a more positive mindset. You'll learn practical techniques to find a writing practice that works for you, overcome challenges including imposter syndrome, and build a supportive writing community.In a culture that too often threatens the 'humanness' of many stories told, Write Yourself Happy shows you how to use your voice to create positive change in your life and the world around you.

Building a Creative Habit That Will Bring Joy and Boost Your Wellbeing

Write Yourself Happy

Multi-Genre Creative Writing

A Writer's Craft

Offering teachers and students alike a foundational understanding of the versatile medium of comics, this book guides readers through the history and principles of reading and making comics, using the creative writing discipline as its lens. Sitting at the intersection between comics studies and comics creation, Comics and Creativity explores what makes comics work, how they are read and asks readers to reflect on the narratological comparisons between storytelling in comics and storytelling in the mediums such as prose or film. Covering the fundamentals of time, form, character and voice in graphic narratives, as well as approaching the key genres of autobiography, speculative fiction, adaptation and non-fiction, Comics and Creativity uses ideas from both a theoretical/ critical and practical/ creative approaches. With each chapter supported by practical exercises and lesson suggestions, it features step-by-step close readings of a broad range of contemporary works from comics artists including Kym Tabulo, James Kochalka, Tommi Parrish, Chris Ware, Leonie Brialey, Meg O'Shea, Lee Lai, Adrian Tomine and Taiyo Matsumoto, Mandy Ord, Marjane Satrapi, Dominique Goblet, Safdar Ahmed, Sam Wallman and Eleri Harris. Designed to assist with classroom teaching and individual learning, this book demonstrates how comics can unlock and transform approaches to storytelling and creative teaching. Privileging narrative rhythm, timing, page layout and panel design over experience and skill with drawing, Comics and Creativity extends the writer and creative's repertoire of ways to express themselves multi-modally.

Reading and Making Graphic Narratives

Comics and Creativity

Nine Ways: Writing Masterful Fiction and Memoir propels authors into the heart of their creative process.&nbsp;In her Nine Ways approach, Christine provides a Master Class Juggling framework of nine essential story elements. Looking through her shared lens using her illustrated Mindmap, writers are invited to evaluate their work from nine perspectives.: Gatekeepers and Story Seeds, Voice, Style and Point of View; Whole Body Characters; Presence of Place; Tension &amp; Plot; Time &amp; Consciousness; Love &amp; Other Emotions; Image and the Senses, Theme &amp; Gestalt.Craft discussions in each of these nine elements with examples from masterful authors put the writing mind in play. Nine Ways&nbsp;stimulates imaginative thinking and hones masterful skills. Wherever you are in your writing practice, this book will help you fulfill your intentions, transform your stories, and continue to elevate your practice and career.

Writing Masterful Fiction and Memoir

Nine Ways

Bloomsbury Spectres, Hauntings and Horrors

Exploring current debates in creative writing about the borders between fiction and creative nonfiction, this collection of essays draws on concepts of the uncanny and hauntology to challenge, subvert and transgress the boundary between forms. Hauntology, as originally defined by Derrida, challenges the certainties of ontology, in a similar way to debates about truth in creative nonfiction; by bringing together authors that undermine the fiction/nonfiction binary, Haunted Writing considers the ways in which real events and experiences haunt writers as they craft their work. Offering insight into how the past - both personal and historical - is experienced and understood in the present, this book includes writing from a diverse group of established and emerging authors who situate their work on genre boundaries and discuss their own creative practice to show how their writing 'haunts' real events. With essays covering a range of ideas from subjectivity, intersectionality and challenging dominant versions of history, to braiding personal and researched stories, playfulness, experimentation and creating stories from archival documents, this beautifully written collection intervenes in contemporary discussions in creative writing and culture surrounding ownership, appropriation and ethics. Bringing a fresh voice and new perspectives to ever-present questions within creative writing, Haunted Writing uncovers how the past is a spectre that disrupts contemporary writing.

Storytelling from the Borders of Fiction and Nonfiction

Haunted Writing

A rulebook for tackling phone overuse and reclaiming our lives Phones are bad for us. They are making us nearsighted, causing painful back and neck problems, and robbing us of the sleep and physical activity necessary for robust physical and mental health. Worse still, they are driving a widespread rise in depression, self-harm and suicide, especially among young people. Yet, even if we know that there's an urgent collective need to get off our phones, we are stymied by the scale of the problem and by the many highly addictive ways in which our phones distract us, delight us and pull us back in. Phone Rules is part of the movement to disrupt phone overuse, showing us how we can wean ourselves off our devices. Investigative journalist Luc Rinaldi gives us a playbook of five insightful rules to resist our phones, along with helpful strategies to put them into action. He is not merely an outside observer trying to understand 'kids these days', but a tech-savvy, video game-playing, millennial member of the generation for whom the Phone Rules most urgently apply. This is our invitation to join the resistance. Together we can discover new mental space and productivity, deepen our engagement with the people and things that matter most and reclaim our lives.

Five simple steps to save yourself, your family and the planet

Phone Rules

Skills for Scholars

A playful and irreverent argument for—and practical guide to—writing in a rich and extraordinary style When it comes to literary style, the commonplace wisdom of composition classrooms, newsrooms, and editorial offices has long been that less is more. Students are taught that the best prose is that which eschews ornamentation and rhetorical flourish. But what if sometimes more is more? In Praise of Purple Prose playfully and cheekily contests a century worth of convention that rejects the baroque and byzantine as “purple prose,” making the case that fun and joy in language can be as important as concision and comprehension. Part style guide and part manifesto, the book rewrites the rules on writing. Ed Simon encourages writers to embrace the extraordinary, to call upon the classical rhetorical devices, and to relish in the richness of description and the erudition of allusion. He demonstrates that serpentine syntax, eccentric diction, and idiosyncratic punctuation, when used judiciously, can express the complexity of experience, bring out the pleasures of language, and help readers develop a unique voice in a world where AI threatens to make everyone sound alike. To illustrate its arguments, the book features examples of extraordinary prose from dozens of writers, including John Donne, Virginia Woolf, Joan Didion, Salman Rushdie, Marilynne Robison, and Zadie Smith. Playful and provocative, In Praise of Purple Prose will leave readers with a new appreciation for fancy prose and inspire writers to draw on all of the liveliest and most powerful resources of English in their work.

A Guide to Writing with Elegance, Opulence, and Indulgence

In Praise of Purple Prose

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

Stack, Build, Write

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