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Lowe C: Stack, Build, Write

Stack, Build, Write

A Guide to Crafting Modular and Non-Linear Fiction

What is the sound of story?Voice in writing can seem elusive and hard to define. It’s more than just style it’s rhythm, energy, attitude, and the unique fingerprint of a narrator or character. Voice is shaped by culture and history as much as the mechanics of language.&nbsp;In The Sound of Story, author and writing teacher Jordan Rosenfeld demystifies voice and its close companion, tone, offering writers the tools to develop and refine their own. Through contemporary examples, this book explores how syntax, point of view, emotion and more shape voice on the page.Whether you’re crafting fiction or nonfiction, this book will help you shape and refine voice to create compelling, authentic narratives. The Sound of Story empowers writers to wield voice and tone with purpose, increasing their chances of publication, and delivering a compelling story that leaps off every page.Sibylline Press is proud to announce its new imprint, Sibyl Writing Craft, dedicated to providing definitive titles on writing craft and the book business for writers.

Developing Voice and Tone in Writing

The Sound of Story

The celebrated novelist Andrea Barrett has for decades reached backward to find inspiration from the past, and written acclaimed and prize-winning works of historical fiction. In Dust and Light, her first non-fiction work, Barrett draws from that deep well of experience to explore the mysteries, methods and delights of the form. She reveals how she created some of her own beloved works, taking readers on a fascinating journey into some of the largest questions in the genre.Building on pieces originally published in leading literary magazines, Dust and Light is an elegant exploration of the hazy borderlands of fiction sewn from the materials of history. Filled with profound insights, it will be a delight for any devoted fiction readers, and of great use to aspiring writers too.

On the Art of Fact in Fiction

Dust and Light

With rejection and intense commitment such integral parts of the writing life, many struggle to stay with the creative process. Combining explorations of perseverance, intention, riding through failure, and meaning-making with bringing oneself fully into one's art, Stay With It offers writers practices to sustain their writing and their creative life. Through a hybrid of craft, pedagogy, memoir and personal essay that call upon reflective exercises and prompts, Cindy Shearer helps writers understand themselves as artists as well as the nature of writing as an artistic process and practice. Drawing on knowledge from art forms beyond writing, from dancing to visual art, this book shows writers how to: - Develop their own tools for sustaining their practice that are adaptable and unique to them - See rules as opportunities and that there is no right or required process - Recognize failure as a way to probe what they really want as writers - Ask questions to understand their markets and create sustainable processes based on external drivers - Discern their true goals focused around what they truly want to create. Moving, illuminating and inspiring, Stay With It will help writers discover and claim a process they can rely on for support again and again.

Practices for Sustaining the Writer's Work and Life

Stay With Writing

Verbs are the underrated stars of the English language. They hold it all together. A complete sentence cannot exist without one, yet a single verb can create complete meaning. (See?) In this glittering exploration of language, grammar, and style, Sarah L. Kaufman illuminates how all of us, professional writers and enthusiasts alike, can master the art of the verb. When she was the dance critic at The Washington Post, Kaufman was challenged to translate the dynamic language of movement into words. Verbs showed her the way. Good verbs power great storytelling; they leap off the page, fire our senses, and transform our perceptions. Verb Your Enthusiasm is a clarion call for all of us to get back to basics: to mean what we say and say what we mean. Kaufman proves how strong verbs can make your own writing ­- be it an email, a text, a report, or an ad - more efficient and effective, and she investigates theories of language that will change how you read and write. But this isn't a grammar guide, and it surely isn't a set of rules. Great writing comes from a mix of inspiration, passion, and intelligence-from your unique discernment and imagination. You'll refine your voice in the company of literary greats, including F. Scott Fitzgerald, Virginia Woolf and George Orwell. In the end, your quest for the right verb might even reveal something true about yourself. All that in a word. So go. Write. Breathe life into your world.

How to Master the Art of the Verb and Transform Your Writing

Verb Your Enthusiasm

The only guide you'll ever need to making your very own cool comics. Create Your Own Comics is packed with story ideas, drawing tips, creative prompts and loads of fun suggestions to start you off on your way to becoming a comic master. This isn't just page after page of blank comic pages. It's a comprehensive guide to what makes comics work, with templates to help you find your way and hints for getting the best out of your own story ideas. Learn the basics of common comic elements and how to use them, including panels, speech bubbles, splash pages and sound effects. Find out how to create comics in different styles and genres, from funny to scary and superheroes to monsters. Once you feel you're a comic master, practise your new skills by using the story generator tools to get your imagination pumping and come up with unique stories of your very own.

Everything You Need to Know

Create Your Own Comics

Writers' and Artists'

'This is not a book, it is a sky filled with possibility, so let its wisdom lift you and soar!' Joseph Coelho, Children's Laureate Celebrating its 23rd edition, this indispensable Children's Writers' &amp; Artists' Yearbook provides everything you need to know to get your work noticed. With thousands of up-to-date contacts and inspiring articles from dozens of successful writers, illustrators and industry insiders, it is the ultimate resource on writing and publishing for children of all ages. Packed with insights and practical tips, it provides expert advice on: - submitting to agents and publishers - writing non-fiction and fiction across genres and formats - poetry, plays, broadcast media and illustration - self-publishing - copyright, finances and contracts - marketing, prizes and festivals - and much, much more ... Used, recommended, and with articles across its 23 editions by writers such as Julia Donaldson, Jacqueline Wilson, Quentin Blake, Malorie Blackman, Meg Rosoff, Michael Rosen, Anthony Browne, Eoin Colfer and many more. 'Between the covers of this book is everything you need to know to get published.' Julia Donaldson

The best advice on writing and publishing for children

Children's Writers' & Artists' Yearbook 2027

Bloomsbury Writer's Guides and Anthologies

A complete introduction to the art and craft of extremely compressed works of imaginative literature, this book, now in its 2nd edition, introduces both traditional and innovative approaches to the short form and demonstrates how it possesses structure, logic, and coherence while simultaneously resisting expectations. With discussion questions, writing prompts, flash interviews, and illustrated key concepts, the book covers prose poetry, flash fiction, micro memoir, lyric essay, cross-genre/hybrid writing and much more. Two new chapters explore how to spark inspiration and innovation, and how to take the next steps by collaborating with partners and preparing work for publication. In this revised and expanded edition, H. K. Hummel and Stephanie Lenox present the ultimate companion to writing short fiction, featuring microplays, new short-form tactics, and a dozen fresh anthology pieces by Eve L. Ewing, Ross Gay, Jayne Anne Phillips, Gertrude Stein, and Jean Toomer, along with one-sentence student workshops that spotlight small but powerful moves in the short form. The extensive anthology showcases sixty short-form works including microplays and pieces by writers from Argentina, Chile, Guatemala, Canada, France, Greece, Bosnia, and the U.S., offering a vibrant mix of styles, forms, themes, and voices.

A Writer's Guide and Anthology

Short-Form Creative Writing

'Word nerds, assemble! This is the book for us' LUCY MANGAN 'Devilishly funny and clever, this divine comedy of literary errors will remind you why words are such glorious, untameable things' LOUISE WILLDER It's a long journey from a writer's mind to a finished book - and a lot needs to go right along the way. But isn't it more interesting when things go wrong? With an expert Penguin editor as your guide, dive into the dark-side of the book world: a secret history fizzing with scandals, rivalries, cock-ups and con jobs. We'll discover how the tiniest of typos can have oversized consequences, unearth horrifying examples of bad taste and worse style, and peek into tales of forgeries and feuds as dramatic as any thriller. We'll unredact the most egregious cases of censorship, expose hoarders and thieves, and ask: after centuries of man-made mischief, can the humble book survive the new machine age?

Mischief and Misadventures in the World of Books

Rogues, Widows and Orphans

Global Challenges in the Environmental Humanities

Adopting a multidisciplinary approach to climate adjudication, this book addresses how adjudicators decide cases by considering the influence of psychology, philosophy, legal education, film, literature, political economy, political ecology, judicial appointments, history, and climate science on their decision-making and ultimately on the (inconsistent) outcomes in climate cases. Drawing upon the humanities, science of climate change and/or social sciences to identify extra-legal factors that may drive the decision-making processes and outcomes of climate cases, this book uses case studies from different jurisdictions across the globe, addressing climate cases decided or pending in Africa, Asia, Europe, Latin and North America, and Oceania. In all, the volume will: - Engage with extra-legal influence to how show judges and arbitrators make their decisions in climate cases, shedding light on the inconsistent responses that climate cases have generated so far - Challenge assumptions of legal universalism, by recognising differences in how the law works in various - Inform actors involved in climate litigation (lawyers, judges, arbitrators, disputants), policymakers, and the public about how cases are decided

Multidisciplinary Perspectives

Adjudicating Climate Change

Sentences are alive. Done well, they can help us see the world anew.To create such sentences you need fresh, varied rhythms and imagery. In this creative writing journal, Nina Schuyler, award-winning author of the bestseller How to Write Stunning Sentences, presents 80 new prompts that show the breathtaking stretch of language. With stunning sentences from beloved writers like Toni Morrison, Lauren Groff, Virginia Woolf, and Jesmyn Ward, coupled with Nina’s precise analysis, you will be propelled to create your own striking sentences. This journal will renew your writing skills and allow you to see through any sentence to the bones of style.Sibylline Press is proud to announce its new imprint, Sibyl Writing Craft, dedicated to providing definitive titles on writing craft and the book business for writers.

A Creative Writing Journal with 80 Prompts from Beloved Authors to Improve Your Style

Stunning Sentences

Oxford World's Classics

Mary Wollstonecraft Shelley began writing her 'Journal of Sorrow' (c.1822-6)three months after the devastating loss of her husband the poet Percy Bysshe Shelley to drowning. In the privacy of the diary's pages, she grapples with her overwhelming grief over the tragic losses of her young husband, three of their children, and their friend the poet Lord Byron. Shelley ultimately resisted a suicidal depression by throwing herself intowriting the allegorical plague novel and roman-à-clef, The Last Man(1826). Rooted in her own experiences of plagues both real and metaphorical, Shelley set The Last Man in the aftermath of a pestilential, centuries-longwar between Greece and Turkey in the late twenty-first century. The novelis an existential and political thought experiment which provokes themortal reader to contemplate the meaning of life and death in the face of the human-made disasters of war, epidemic, and species extinction. Through the ever-hopeful voice of the narrator Lionel Verney, the eponymous last man, Shelley leads readers to consider: what should be done after a massive global disaster? This edition presents these two masterpieces together, with a new editorial introduction and notes for both texts, giving readers profound insight into Shelley's enduring relevance for existential philosophy, life writing, post-apocalyptic literature, and political thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Last Man and The Journal of Sorrow

In Shakespeare, memory, and modern Irish literature, Nicholas Taylor-Collins charts the ways that the modern Irish nation is underwritten by Irish writers whose own cultural agency is improved by their engagement with William Shakespeare. Through a wide-ranging theoretical approach, Taylor-Collins privileges forms of intertextual memory that avoid the obvious quotation or explicit reference: this innovating proposal for a 'dismemorial' intertextuality allows readers to read both Shakespeare and the Irish writers with renewed understanding of their craft. In the Introduction, Taylor-Collins establishes the grounds for comparison: both early modern England and modern/contemporary Ireland deploy a commemorative practice reliant on the theatre as a locus. Thereafter Taylor-Collins proceeds to examine the Shakespeare-Ireland connection through ghosts, bodies, and the land. In the first section, an exploration of Hamlet's hauntology enhances readings of J. M. Synge's Playboy of the Western World, James Joyce's Ulysses, and John Banville's Ghosts. The second section explores first how antitheatrical corporal economies in Coriolanus and Ben Jonson's satires re-emerge in Beckett's Three Novels, before moving on to Caithleen in Edna O'Brien's The Country Girls Trilogy as she borrows from 'hysterical' forebears in Othello, The Taming of the Shrew, and The Winter's Tale. The final section explores W. B. Yeats's infatuation with the surface of the land via King Lear and As You Like It, before finishing with Seamus Heaney's rootedness in the land via Hamlet's jumping into Ophelia's grave. For scholars and students of Shakespeare and modern/contemporary Irish literature alike, this book will also appeal to continental theorists.

Shakespeare, Memory, and Modern Irish Literature

Stack, Build, Write

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