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See No Stranger

Repertoire for mixed voices to encourage connection and growth

Accessible and Beautiful

Reimagining the American Musical

Opening Doors

Get Set! Piano

A new audio edition of this popular instruction book. Get Set! Piano is an exciting beginner piano course for children that inspires, entertains and builds confidence from the start.This book is supported by a host of downloadable materials, including beautiful audio accompaniments and demo tracks.

Get Set! Piano Tutor Book 2

Topics in Musical Theatre

Orchestration in Musical Theatre offers an analytic and critical overview of the practice, execution, and effects of orchestration in musical theatre since the time that rock music became significant in the genre. Broadly described as the art of arranging a piece of music for a particular musical ensemble, orchestration is a specific skill that few composers or songwriters possess. This volume helps the reader understand and appreciate the art of orchestration and traces how the incorporation of rock and other types of popular music into scores for musical theatre on Broadway and in the West End fundamentally changed the genre's sound. From discussions of specific instrumentation through to a brief history of the art, this book demystifies how different instrumentation contributes to a show's soundscape. Featuring case studies from shows such as Hair, The Phantom of the Opera, The Lion King, Wicked, and Hamilton, this accessible and engaging volume in the Topics in Musical Theatre series gives students the tools to identify and discuss how orchestration contributes to the drama, characterization and dramaturgy of the modern musical.

Orchestration in Musical Theatre

Essential Musicals

What was Broadway's first Jukebox Musical?What does 42nd Street have in common with Moulin Rouge! and Mamma Mia! ?Will Broadway ever fall out of love with the Jukebox Musical form?Essential Musicals: Jukebox Musicals defines what is meant by this much over-used term whilst taking care to draw a distinction between it and a revue. Taking a historical, survey approach it looks at when these shows first appeared on Broadway and how they become a dominant genre, offering a critical approach as to how something that used to be an anomaly is now the norm. Through a chronological look at 10 case studies this book asks questions related to rising production costs through to audience appeal behind bringing well-known catalogs of music to the stage. It ponders the question: is there a shortage of original music being written for the musical genre or is there something else at play? Examining the origins, development and reception for each of these shows it offers an academic discussion of the most divisive sub-genres of the musical form. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway's biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre's unique brand of magic.

Crazy for You to MJ the Musical

Jukebox Musicals

365 Songs Annotated

This Year

Lyrics for Stacey Kent

The Summer We Crossed Europe in the Rain

Revelations on Stage

Bliss and Dance

Elements in Musical Theatre

This Element compares productions of Offenbach's Belle Hélène and Kálmán's Herzogin von Chicago, considering their choices regarding plot, text, performance style, music, and costumes and sets. In every case, there is some reinterpretation involved. Some versions tweak the original while others expand and alter it in a full Regietheater approach.

The Rebirth of Satire in Revivals of European Operettas

Elements in Twenty-First Century Music Practice

This Element explores ELT songs from the authors' insider perspective as songwriters. It describes the relationship between music and lyrics in songs, what this means for using songs in the language classroom, the historical developments through which ELT songs emerged, and the contexts in which they are written, listened to, and made.

Songs for the Language Classroom

More Than Words

Songbird

Beyond the Sea

See No Stranger

Informations bibliographiques

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