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See No Stranger

Bloomsbury Research in Illustration Series

"A dynamic group of art historians explores intricacies of the most democratic form of visual imagery in the U.S., illustrated sheet music, owned by millions of Americans who were wooed by compelling lithographic covers, displayed the material culture in their parlors, and performed compositions on home pianos"--

Illustrated sheet music was one of the most democratic forms of visual imagery in the U.S., owned by millions of Americans wooed by compelling lithographic covers, who displayed and performed compositions on home pianos. Advancements in printing technologies in the 19th century, together with an emergent commercial system that facilitated the publication and broad distribution of popular music, led to a surge of elaborately illustrated sheet music. This book features essays by cutting-edge scholars who analyze the remarkable images that persuaded U.S. citizens to purchase mass-produced compositions for both personal and social pleasure. With some songs selling millions of copies as printed musical scores, music publishers commissioned artists to draw every conceivable subject as promotional illustrations, including genre scenes, portraits, political and historical events, sentimental allegories, flowers, landscapes, commercial buildings, and maritime views. As ubiquitous and democratic material culture, this imagery affected ordinary people in far greater ways than unique objects, like paintings and sculpture, possibly could. The pictures, many in saturated color with bold graphics, still intrigue, amaze, and amuse viewers today with their originality, skill, and content. Rooted in visual analysis, topics in this collection include perennially significant themes: race, ethnicity, gender, sexuality, class, politics, war, patriotism, propaganda, religion, transportation, regional centers of production, technology, Reconstruction, romance, and comedy, as well as bodies of work by specific illustrators and lithographic firms. In recognizing the role that individuals have played in preserving these remarkable objects, it also features interviews with enthusiasts who own two of the largest private collections of sheet music in the U.S.

Illustrated Sheet Music in the U.S., 1830-1930

Voice Junction

The Seasons of my Heart

Alleluia! A new work is come on hand

Viola Time

for viola duet Viola Time Duets is an exciting and attractive collection for violists of all ages by the award-winning educational composers Kathy and David Blackwell. The duets progress from pieces suitable for established beginners through to repertoire ideal for students at approximately Grade 4 and beyond.

30 progressive duets for viola

Viola Time Duets

Topics in Musical Theatre

Musical Dramaturgy in Musical Theatre discusses the form from the perspective of its most common element: the song. Using a historical approach it surveys how the role of music within a musical theatre structure changed over time, which in turn pushed the function of the score to new dramaturgical levels. 

After introducing the central idea of musical dramaturgy as one which has a pivotal effect on how musicals are constructed, it considers the principles of musical comedy throughout history and the interplay between the score and libretto. Using early European musicals as a case study it moves on to look at the integrated shows of Rogers and Hammerstein and other Golden Age composers who reframe the dramaturgical structures through the book. It continues to trace the history of the form through a chapter on Rock and concept musicals before finally considering how the Jukebox musical introduced the concept of non-narrative dramaturgy thanks to popular songs. 
 
The volume critically reflects on the debates on integration and narration in musical theatre and explores new ways of understanding how musical numbers contribute to the impact and appeal of the stage show. Published in the Topics in Musical Theatre series, it unpacks musical theories in an accessible style that doesn't rely on specialised musicological knowledge, making it perfect for students, scholars, musical fans, and musical creatives.

Musical Dramaturgy in Musical Theatre

In the deep

The Lake Isle of Innisfree

A lively cultural history of the Broadway Musical that for the first time explores and reveals how this uniquely American art form was created almost exclusively by people who were marginalized from almost all other aspects of mainstream society - especially Immigrant, Jewish, Queer, African American, and female artists.

A lively cultural history of the Broadway Musical that for the first time explores and reveals how this uniquely American art form was created almost exclusively by people who were marginalized from almost all other aspects of mainstream society — especially Immigrant, Jewish, Queer, African American, and female artists.

How Immigrant, Jewish, Queer, and Black Artists invented the Broadway Musical

Broadway Nation

Repertoire for mixed voices to encourage connection and growth

Accessible and Beautiful

One Hundred Lyrics and a Poem

Christian Gerhaher, one of the most import contemporary singers, writes vividly of his performing life and the experiences that he has had in over thirty years with the great works of the history of the Lied, from Beethoven's 'An die ferne Geliebte' via Schubert's great cycles, Schumann's varied Lieder, and art songs from Gustav Mahler to Othmar Schoeck and Wolfgang Rihm. He reflects on what these Lieder mean, what makes each of them unique and how they should be performed. An essential addition to the canon of writing on singing.

Lieder from Franz Schubert to Wolfgang Rihm

Lyrical Diary

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

NHB Modern Plays

Stephen Sondheim's 'cool, and impossibly chic' (New York Times Critic's Pick) final work, written with Tony Award-nominee David Ives. UK premiere at the National Theatre, London, in 2025.

Here We Are

See No Stranger

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