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Ankunft (Arrival)

Drei Weihnachtslieder (Three Christmas Carols)

Essential Musicals

What was Broadway's first Jukebox Musical?What does 42nd Street have in common with Moulin Rouge! and Mamma Mia! ?Will Broadway ever fall out of love with the Jukebox Musical form?Essential Musicals: Jukebox Musicals defines what is meant by this much over-used term whilst taking care to draw a distinction between it and a revue. Taking a historical, survey approach it looks at when these shows first appeared on Broadway and how they become a dominant genre, offering a critical approach as to how something that used to be an anomaly is now the norm. Through a chronological look at 10 case studies this book asks questions related to rising production costs through to audience appeal behind bringing well-known catalogs of music to the stage. It ponders the question: is there a shortage of original music being written for the musical genre or is there something else at play? Examining the origins, development and reception for each of these shows it offers an academic discussion of the most divisive sub-genres of the musical form. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway's biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre's unique brand of magic.

Crazy for You to MJ the Musical

Jukebox Musicals

Voice Junction

The Pasture

Fingernail Moon

I'll make me a world

365 Songs Annotated

This Year

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

What links the shows La Cage aux Folles, Kinky Boots and BARE?When was the first Queer musical produced on Broadway?How has queerness evolved in the context of mainstream Broadway musicals? Queer Musicals: Boy Meets Boy to Kinky Boots takes a chronological look at queer musicals that have developed on Broadway throughout the second half of the twentieth century the the early twenty first century. Looking at the inception and development of each show, this accessible study unpacks the creation, production and reception of each musical in order to draw parallels within the wider American dramatic canon. Pulling from multiple primary resources, each chapter traces the show from its inception to its opening night. It introduces the reader to each musical's key creators and company members and places them in the larger context of Broadway history. After examining the contemporary reception of each show and its cultural impact - both when it opened and now - it answers the question as to how why queerness has evolved from being an anomaly to common in musical theater storytelling. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway's biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre's unique brand of magic.

Boy Meets Boy to Jagged Little Pill

Queer Musicals

Sieben Weihnachtslieder für Sopran- und Altstimmen in deutscher Übersetzung (Seven carols for upper voices in German translation)

Weihnachtslieder von John Rutter (John Rutter Carols)

Topics in Musical Theatre

How does a feminist spectator navigate misogynist representations of women?

Musicals have always appealed to women as audience members and fans, even as most artists and producers were (and are) men. 

Feminist Approaches to Musical Theatre untangles these contradictions that are woven into the very fabric of this beloved, unapologetically commercial art form. This book offers a concise history of feminism's encounter with musicals and outlines methods through which to interpret musicals from a feminist perspective. Through case studies of shows such as Guys and Dolls, Evita, A Strange Loop and Ragtime, Feminist Approaches outlines five techniques for analyzing musical theatre from a feminist perspective, modeling these methods.

Published as part of the Topics in Musical Theatre series, this foundational book provides readers with an understanding of feminist approaches as well as offering a brief overview of how feminist theory informs the study of musicals themselves.

Feminist Approaches in Musical Theatre

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

Ankunft (Arrival)

Informations bibliographiques

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Informations bibliographiques

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