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Garber M: Screen People

Screen People

How We Entertained Ourselves Into a State of Emergency

Defines a unique period in British youth culture and lifestyle publishing, drawing on oral history, editorial analysis and existing fashion and subcultural theory to chart the emergence of the stylist in the 1980s, an ultimately postmodern role that became key to the production of fashion image.

Subculture, Style and the Fashion Image in London 1980–1990

The Rise of the Stylist

New Critical Humanities

Engaging with the concept of contestation, this collection highlights tensions that emerge from various modes of contestation and outlines a negative ideal theory of contestation in relation to politics.

Refusal, Disobedience, Resistance, Decolonization

Philosophizing Contestation

Why Change Is Hard and How We Can Achieve It

New Beginnings

Bloomsbury Studies in Digital Cultures

Metamodernism and the Postdigital in the Contemporary Novel

The Summer of 1976 – Britain at Boiling Point

Heatwave

A Journey Around the World’s Dark Imagination

Monsterland

A World Elsewhere

Digital Humanities and the Cyberspace Decade, 1990-2001

Wind Energy: Societal and Human Impacts

Smart: A History of Intelligence

Working Nature offers a history of the energy economy and its representations over the 19th and 20th century. Russ argues that "Energy" is not a thing nor an ability, but a social relation to nature forged in capitalist industrialisation. The concept of energy mediates the appropriation of diverse natural forces - water, steam, coal, electricity – altering the way these forces would naturally behave to perform work in production. From the valuation of coal and crafting of the current to the formalization of the substitution of energy commodities, it asks how engineers, scientists and economists achieved the production and circulation of nature’s work against social and natural resistance. In so doing, they undermined the very purpose of the energy economy - to emancipate humanity from nature. Can there be a human reconciliation with nature’s resistance for our time?

Steam, Power, and the Failure of the Energy Economy

Working Nature

What goes wrong when emotions get turned into digital data to be measured, monitored and managed. Data from facial emotion recognition, brain-computer interfaces, virtual reality, global emotion surveys and sentiment analysis offer an extraordinary new terrain for scientific exploration. Emotion sensing promises to decode and even to augment and control the very essence of human experience. But what if the science and technology of emotion measurement get emotions wrong? In Governing Global Emotions, Jessica Pykett argues that we must shift our thinking on digital emotional governance and calls for a radical reassessment of the fundamental claims of emotion science. Pykett offers a groundbreaking account of how emotions are defined, used and governed through emerging digital technologies, arguing that emotions, senses and feelings have become a crucial new arena for political, economic and cultural struggles. She describes how technologies create emotional data, how smart cities use sensors to monitor residents’ feelings and how global economies measure happiness. Drawing on twenty years of interdisciplinary social science, Pykett documents how emotion science continues to delve deeper, as researchers look for evolutionary continuity, biological certainty and neuroscientific consensus. What she finds instead is a divided field vulnerable to significant criticism. Pykett concludes that standardised, universal and instrumentalised scientific accounts of emotions are machinic, and when divorced from context, they can never be global.

Screen People

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