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Refocus: The Films of Antoinetta
Angelidi

Refocus: The Films of Antoinetta Angelidi

Musik-Konzepte

Die Filme der HFF München

Das Buchpaket Filme der HFF enthält:

Band 1: Bilder wilder Jahre; Band 2: Bilder aus der Zeit dazwischen; Band 3: Bilder vom Jahrtausendende; Band 4: Bilder aus der Zeit des Wandels

Band 1-4

Die Filme der HFF: Buchpaket

'I came to realise my mother was a lioness. She was soft and strong at the same time and had the gentlest of hearts.' - Sean Hepburn FerrerThe deeply personal, official biography of Audrey Hepburn, full of untold stories exclusive photos and cherish memories from her son Sean Hepburn Ferrer, one of the people who knew her best.Audrey Hepburn was many things. She was a child survivor of the Second World War. She was a symbol of timeless style. She played a runaway princess, an eccentric socialite and a nun struggling with her faith. But perhaps her greatest contribution to the world was as a selfless humanitarian in the final years of her life.For Sean Hepburn Ferrer, Audrey was also his mother. In INTIMATE AUDREY, he candidly recounts how the shy 'girl from across the landing' became the star we remember and love today. Featuring never-before-seen photographs and excerpts from her personal letters, this book is an intimate portrait of Audrey: as an icon, as a mother and as an altruist who drew on her own experience of hunger and suffering to advocate fiercely for children in war-torn countries.Audrey shines in this moving portrait of a mother by her son; a visionary woman who continues to defy all expectations decades after her death.

The Authorised Biography

Intimate Audrey

Stefanie Weberhofers Super 8-Filmreihe »In Bewegung« setzt sich auf vielfältige Weise mit den Fragen des menschengemachten Klimawandels auseinander. Von 2022 bis 2024 war die Filmemacherin mit ihrer handlichen Super 8-Kamera unterwegs um Orte, Motive und Begegnungen in der Region rund um den Dachstein filmisch festzuhalten.Die Super 8-Kamera dient dabei nicht nur als Aufnahmegerät, sondern bestimmt auch den formalen Rahmen der Arbeiten: Für jedes Thema steht eine Kassette mit etwa 3 Minuten Laufzeit zur Verfügung, der Schnitt erfolgt direkt in der Kamera, ohne Möglichkeit einer nachträglichen Bearbeitung - lediglich Titel und Abspann wurden später hinzugefügt.Bei der vorliegenden Publikation handelt es sich um mehr als eine Begleitung des Filmprogramms; sie bündelt Weberhofers jahrelange Auseinandersetzung und Erkenntnisse zu den vielen Facetten der Super 8-Filmkunst. Das Buch soll einen nachhaltigen Mehrwert schaffen - länger bestehen als das flüchtige Kinobild - und als Wissensquelle wie auch Inspiration dienen.
 
 »In Bewegung« erscheint in einer limitierten Auflage von 300 signierten Exemplaren.

eine Super8-Filmreihe von Stefanie Weberhofer

In Bewegung

'A brilliant, strange and tender exploration of what it is to fail, keep failing, and fail better' Sarah Bernstein, author of Study for Obedience Two men meet in a flat in London. They are total strangers and yet they look remarkably alike. Lewis is grieving his dead wife; Korine is hiding from his very-much-alive one. Lewis never had children; Korine is an ambivalent parent at best. Lewis is an erstwhile actor, too depressed to attend the big audition that has just fallen into his lap. Korine has tried a dozen dead-end jobs but never pursued his acting dreams. Two men living mirror image lives. Each seeking a second chance to get things right. Each wanting what the other has. As If is an existential farce about the road not taken. Surreal and slyly poignant, suffused with ironic melancholia, it is a parable for the twenty-first century everyman: a character trapped in reality's hall of mirrors, endlessly searching for something to live for.

As If

NOW IN PAPERBACK! As featured in Entertainment Weekly, The New York Times, The Wall Street Journal, Fangoria, and more.Growing up in the 1970s and 1980s, Michael Gingold became obsessed with horror movies, and his love of the genre led him to become a Fangoria writer and editor for over 30 years, as well as a contributor to Rue Morgue and others. But before all that, he took his scissors to local newspapers, collecting countless ads for horror movies, big and small.Ad Nauseam: Newsprint Nightmares from the '70s and '80s is a year-by-year deep dive into the Gingold archive, with more than 700 ads! Within these pages you'll see rare alternate art for film franchises such as Halloween, Friday the 13th, A Nightmare on Elm Street, Child’s Play, Jaws, The Texas Chainsaw Massacre, and The Exorcist. You'll also revel in oddities including Invasion of the Blood Farmers, Psycho from Texas, Dracula Blows His Cool, Zombie Island Massacre, Twitch of the Death Nerve, and many more.Gingold also provides personal recollections and commentary, and unearths vintage reviews to reveal what critics of the time were saying about these films. Steel yourselves, genre junkies: Ad Nauseam is an unmatched journey into the wild world of 1970s and 1980s horror movies!Also available: Ad Nauseam II: Newsprint Nightmares from the 1990s and 2000s and Ad Astra: 20 Years of Newspaper Ads For Sci-Fi &amp; Fantasy Films (the 1980s and 1990s).

Newsprint Nightmares from the '70s and '80s

AD Nauseam

Frauen kommen in der tradierten Fotografiegeschichte selten vor. Ihre Spuren
 verlieren sich in der Rezeptionsgeschichte, sie werden quasi 'ausgeblendet' oder
 bekommen den Status einer Ausnahme zugewiesen. Anhand von Biografien rekonstruiert
 die Autorin die Entwicklung des Berufs der Fotografin. Beleuchtet werden auch die
 sozialen, bildungspolitischen und medientechnischen Bedingungen, die Frauen ab Ende
 des 19. Jahrhunderts vorfanden. Das junge und offene Berufsfeld Fotografie
 ermöglichte solide ausgebildeten Frauen schöpferisches Arbeiten und ökonomische
 Unabhängigkeit. Nathalie Dimic leistet mit der Studie Pionierarbeit, indem sie die
 Sozialfigur der Fotografin erstmals inter- und multidisziplinär konturiert.

Eine Professionsgeschichte der Fotografin 1890-1940

Beruf, Blick und Bild

Richard Dindo (1944-2025) ist ein herausragender Exponent des Schweizer Dokumentarfilms. Mit 'Die Erschiessung des Landesverräters Ernst S.' hat er tief auf das helvetische Selbstverständnis eingewirkt. Öffentlich aufgerüttelt haben auch 'Schweizer im Spanischen Bürgerkrieg' und Untersuchungen zum gewaltsamen Tod von Jugendlichen in den 1980er-Jahren ('Dani, Michi, Renato &amp; Max', 'Verhör und Tod in Winterthur'). Dindos Motivation galt der Erinnerung an Widerständige, an Rebellen und Träumer, oft mit Blick auf deren utopisches Potenzial. Mehr und mehr ist er dabei in autobiografischem Material fündig geworden: bei Max Frisch vorab, bei Jean Genet, Ernesto 'Che' Guevara, Arthur Rimbaud, Max Haufler, Charlotte Salomon, Henri Matisse oder Paul Gauguin. Bislang hat eine eingehende Darstellung von Dindos Methode filmischer Rekonstruktion von Erinnerung gefehlt. Ausgehend von seiner Prämisse, dass Nichterinnerung Selbstzerstörung ist, erhellt dieser Streifzug durch das OEuvre seine Bedeutung und Vielseitigkeit.

Ein Streifzug durch seine Filme

Richard Dindo, Erinnerungsarbeiter

Booksmart meets Phantom of the Megaplex in Zakiya N. Jamal's debut enthralling enemies-to-lovers queer romance, set against the backdrop of a historic Black-owned movie theater, the quirky employees who work there, and the suburbs of Long Island. Perfect for fans of Leah Johnson and Today Tonight Tomorrow."A sapphic love story as sweet and funny as it is nostalgic and cinematic." -Leah Johnson, bestselling author of You Should See Me in a CrownLights. Camera. Love?Rochelle "the Shell" Coleman is laser focused on only three things: becoming valedictorian, getting into Wharton, and, of course, taking down her annoyingly charismatic nemesis and only academic competition, Amira Rodriguez. However, despite her stellar grades, Rochelle's college application is missing that extra special something: a job.When Rochelle gets an opportunity to work at Horizon Cinemas, the beloved Black-owned movie theater, she begrudgingly jumps at the chance to boost her chances at getting into her dream school. There's only one problem: Amira works there...and is also her boss.Rochelle feels that working with Amira is its own kind of horror movie, but as the two begin working closely together, Rochelle starts to see Amira in a new light, one that may have her beginning to actually...like her?But Horizon's in trouble, and when mysterious things begin happening that make Horizon's chances of staying open slimmer, it's up to the employees to solve the mystery before it's too late, but will love also find its way into the spotlight?Praise for If We Were a Movie:"Jamal's debut YA novel is a fun summer romance with an engaging mystery to follow."-ALA Booklist"An enemies-to-lovers romance with a cinematic backdrop...that celebrates friendship, forgiveness, and Black cinema." -School Library Journal"Combining all of my favorite aspects of a classic YA novel, an endless summer, friends who feel like family, and a heartstirring romance, this book is sure to make readers swoon." -Kristina Forest , USA Today bestselling author of The Partner Plot"This novel has the nostalgic charm of classic teen flicks with modern wit and stakes. Backdropped by a unique cinematic setting full of lively characters, this rivals-to-lovers romance will have you smiling and cheering long after the credits roll." -Racquel Marie, award-winning author of Ophelia After All"With the cutest enemies-to-lovers romance and a friend group on a mission to save a historic Black-owned cinema, If We Were a Movie gives you characters that are impossible not to root for." -Mae Coyiuto, acclaimed author of Chloe and the Kaishao Boys <ul><li>Rivals to Romance: Rochelle wants to be valedictorian, and the only person standing in her way is the infuriatingly charming Amira. When their rivalry follows them to their summer job, the line between hate and love begins to blur.</li><li>Forced Proximity: To boost her college applications, Rochelle takes a job at the local movie theater, only to discover she’ll be spending all summer long working side-by-side with her number one nemesis.</li><li>Workplace Romance with a Twist: Things get even more complicated when Rochelle learns Amira isn’t just a coworker—she’s the assistant manager. And her boss.</li><li>A Cozy Mystery to Solve: When a series of strange mishaps threaten to close the historic cinema’s doors for good, it’s up to the quirky crew of employees to band together and unmask the saboteur before it’s too late.</li></ul>

If We Were a Movie

In the glow of global screens and quiet behind-the-scenes moments, this book explores the layered journey of a young performer whose life unfolds under constant observation while still trying to remain fully human within it. It is not simply a story of success or recognition, but a deeper reflection on what it means to grow while being seen, to evolve while already being defined by the world before you even fully define yourself.Through a richly reflective narrative style, this work moves beyond surface-level fame and steps into the emotional architecture behind performance, the silent preparation, the internal discipline, the psychological shifts that happen when imagination becomes craft, and when private identity begins to exist alongside a public version that never fully disappears. It captures the unseen tension between authenticity and expectation, where every role carries both emotional immersion and technical precision, and where even stillness becomes a form of skill. As the journey unfolds, the reader is drawn into the invisible spaces between scenes, the moments of silence where emotion settles, where identity recalibrates, and where the mind quietly adjusts between character and self. These are the spaces where true development happens, not in applause or spotlight, but in reflection, repetition, and the subtle learning that shapes long-term artistic depth. It also examines the weight of growing up while being watched, where memory is not only personal but partially shared, and where earlier versions of self continue to exist in public form long after internal change has moved forward. This creates a powerful emotional contrast between who someone was, who they are, and who they are becoming, all existing at once within perception and reality. At its core, the book is about more than performance, it is about identity under visibility, emotional intelligence under pressure, and the quiet strength required to remain grounded while life is continuously interpreted from the outside. It invites readers into a world where calmness is not simplicity, fame is not arrival, and growth is not linear, but instead a continuous unfolding shaped by experience, awareness, and inner balance. Engaging, introspective, and deeply human, this is a story that does not chase spectacle, it reveals what exists beneath it.

Rising Beyond the Frame: From early roles to global fame, a story of focus, passion, and evolution

Noah Schnapp

All the Films

Discover the cinematic genius behind every Martin Scorsese film—from gritty urban tales to sweeping epics, this definitive book celebrates every feature film, documentary, and short by one of cinema’s greatest directors. &nbsp; Scorsese is a living legend. Over the last 50 years, he has redefined cinema, crafting stories of crime, faith, obsession, and redemption, becoming one of the most revered directors alive. Scorsese: All the Films is the ultimate deep dive into every one of his films from his early indie days with Who's That Knocking at My Door to his latest epic, Killers of the Flower Moon, plus classics such as Taxi Driver, Raging Bull and Goodfellas that are regularly cited as being among the finest films ever made. &nbsp; Covering each of the director’s 26 feature films, 17 documentary films, 7 short films, and 4 television episodes, the book draws upon years of research to tell the behind-the-scenes stories of how each&nbsp;project&nbsp;was conceived,&nbsp;cast, and produced. It explores the themes, techniques, and cultural impact of each movie, examining how Scorsese’s work evolved alongside his personal obsessions and how he has navigated Hollywood’s changing landscape. Also included are insights into his collaborations with actors Robert De Niro and Leonardo DiCaprio, editor Thelma Schoonmaker, screenwriter Paul Schrader, and many more. With more than 250 behind-the-scenes stills, photographs, posters, and ephemera, this is a definitive celebration of one of cinema’s most enduring talents. &nbsp;

The Story Behind Every Movie, Episode, and Short

Martin Scorsese All the Films

Transcodification: Arts, Languages and Media

The book explores methods, strategies, and platforms for the circulation and dissemination of Opera in contemporary times within an international context through a multidisciplinary approach. The contributions examine genre transformations, adaptations, and remediations of Opera, as well as multimedia tools and strategies aimed at engaging new generations with musical theatre.

Word, Image, Scene, and Digital Transformations

Opera across Borders

Film & Schrift

Hans Schifferle (1957-2021) schrieb sein Leben lang über Filme. Sein Verhältnis zum Kino war von existenzieller Natur. Er wollte Kino erleben und nicht nur Filme schauen.
Hans Schifferle akzeptierte keine Genregrenzen und fand auch in vermeintlich zweit- und drittklassigen Filmen einen Reichtum, den andere nur in anerkannten Klassikern sehen wollten. Dank seines immensen film- und kulturhistorischen Wissens, seines Stilbewusstseins, seiner analytischen Fähigkeiten und nicht zuletzt seiner konzentrierten Hingabe an den jeweiligen Film entstanden unter seiner Autorenschaft Filmkritiken und Essays, die lustvoll zu lesen sind und den cineastischen Horizont erweitern. Prägend für Schifferles Akkulturation war die Münchner Kinoszene der 1980er Jahre, als mit dem Filmmuseum und dem Werkstattkino zwei außergewöhnliche Bildungsstätten auf sich aufmerksam machten, ein "Living Cinema", das darüber hinaus eine neue Generation von Filmkritikern hervorbrachte. Schifferle veröffentlichte reichhaltig und breit gestreut: Er schrieb für die "Süddeutsche Zeitung", den "Kölner Stadt-Anzeiger", für "epd Film", diverse Stadt- und Lifestyle-Magazine, er publizierte in Filmbüchern, Festivalkatalogen, in Publikumszeitschriften und cinephilen Spezialjournalen. Der vorliegende Band enthält zahlreiche Texte von Hans Schifferle, Fotos und Dokumente sowie einen Essay von Ulrich Mannes.

Berufung: Kritiker

Hans Schifferle

Refocus: The Films of Antoinetta Angelidi

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