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Produkt vom BFSG ausgenommen: Hersteller ist Kleinstunternehmen

Carlos Augusto Jiménez

Redvolución

Los cambios sociopolíticos a través de las redes sociales

edition suhrkamp

Fluchtlinie des Digitalen

Faschisierung

The Shattering of Elon Musk

Hubris Maximus

The surprising story of how corporate scandals - from Enron to the Facebook privacy scandal - change the way the world works for the better. Pepper Culpepper and Taeku Lee draw on a decade of research on policymaking and public opinion to show us how scandals can ignite a public with few political outlets for their discontent. Scandals don't simply dominate news cycles: they can provoke us to demand better policy, spurring governments to adopt rules that protect us from massive corporations run amok. Today it is giant companies, not governments, who run the world. They launch rockets into space, control satellite communication and develop era-defining AI technologies. But around the globe, these corporate titans are facing increasing public hostility. Tech giants are seen as promoting misinformation, undermining democracy and violating our privacy. Big banks, reeling since the financial crisis of 2008, continue to be racked with major scandals. Drawing on real-life examples such as the powdered milk scandal that rocked France, the VW scandal in Germany, the Goldman Sachs scandal in the United States, Cambridge Analytica in Britain and Samsung in South Korea - the authors show that these scandals are not just symptoms of a careless corporate elite, they are opportunities for real political change. Pepper Culpepper and Taeku Lee reveal how the shared anger of citizens can be channelled into a backlash that has the potential to reinvigorate our failing democracies. One corporate scandal at a time.

The Age of Corporate Scandal and How it Could Save Democracy

Billionaire Backlash

THE INSTANT SUNDAY TIMES BESTSELLER For the past decade, Lemn Sissay has composed a short poem as dawn breaks each morning. Life-affirming, witty and full of wonder, these poems chronicle his own battle with the dark and are fuelled by resilience and defiant joy. Let the Light Pour In is a collection of the best of these poems, and a book celebrating this morning practice. 'How do you do it?' said night 'How do you wake up and shine?' 'I keep it simple,' said light 'One day at a time'

Let the Light Pour In

Bloomsbury Studies in Digital Cultures

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of 'drama' online for internet fame/infamy and financial gain. On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la 'aspirational' role-modelling is fast becoming stale to audiences in this very saturated space. Enter the use of 'online drama' to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media. Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the 'influencer apology', 'call out culture', 'cancel culture', and 'meme factories' to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

How Attention Economies are Changing

Provoking Online Drama

The rise, fall, and revival of the Caesar of Silicon Valley. Elon Musk famously leads his companies from a bully pulpit, cutting through red tape whenever possible with little regard for the fallout.

'An excellent look at what Palantir does, as well as a fascinating insight into the mind of its eccentric chief executive' TelegraphPalantir Technologies is the most interesting company in the world -&nbsp;and the most controversial.&nbsp;Palantir builds data integration software: its technology ingests vast quantities of information and quickly identifies patterns, trends and connections that might elude the human eye. Founded in 2003 to help the U.S. government in the war on terrorism - an early investor was the CIA - Palantir is now a $400 billion global colossus whose software is used by major intelligence services (including the Mossad), the U.S. military, the National Health Service in England, and corporate giants like Airbus and BP. From AI to counterterrorism to climate change to immigration to financial fraud to healthcare to the future of warfare, the company is at the nexus of the most critical issues of the twenty-first century.&nbsp;Its billionaire CEO, Alex Karp, is a distinctive figure on the global business scene. A biracial Jew who is also severely dyslexic, Karp has built Palantir into a tech giant despite having no background in either business or computer science. Instead, he's a trained philosopher who has become known for his strongly held views on a range of issues and for his willingness to grapple with the moral and ethical implications of Palantir's work. Those questions have taken on added urgency during the Trump era, which has also brought attention to the political activism of Karp's close friend and Palantir co-founder Peter Thiel.&nbsp;In The Philosopher in the Valley, journalist Michael Steinberger is the first to tell the story of Alex Karp and Palantir from the beginning. Steinberger offers new biographical details and a rich psychological portrait of the man leading one of the world's most secretive companies. Full of revelations, this is an urgent and insightful book about technological power, the surveillance state and the future we all face.

Alex Karp, Palantir and the Rise of the Surveillance State

The Philosopher in the Valley

Laura Jiménez Gutiérrez

Marca, identidad corporativa, reputación, marketing, ventas, SEO, objetivos SMART, SEM, e-commerce, briefing, branding, community manager, players, target group, storytelling, engagement, influencers digitales

PROMOCIÓN Y NEGOCIO A TRÁVES DE LAS REDES SOCIALES

'A mental macchiato on every page. Stimulating, challenging, disarming, original, pithy, gritty and witty - a must read. Administer immediately' KATHY LETTE Why have divisive conversations become so flammable? Is there any value in cancelling historical figures? How has the so-called 'transgender debate' become so toxic and what can we do to genuinely help? Why are the most progressive people calling for censorship in comedy? Is cancel culture real and, if so, can shaming and shunning really work? How do we achieve progress in today's, y'know, screaming hellscape? We are understandably scared to have some of these conversations. But Deborah Frances-White is even more scared of not having them. Having grown up in a cult, she knows the value of freedom of speech, critical thinking and the ability to disagree while really fighting for change. In her new book, she encourages us to ask difficult questions, really listen and know when to negotiate and when to resist. Most importantly, she explores how to change minds, including our own. And she argues that we don't need to agree on everything in order to find a way out and a way forward on some of the biggest issues in today's world. Are you ready to talk?

How to change minds, including your own - 'The book we need right now' (David Tennant)

Six Conversations We're Scared to Have

An exploration of Cuba's emerging digital culture and Cubans' creation of grassroots networks, digital black markets, and online spaces for public debateUntil just a few years ago, Cuba was one of the least-connected countries in the world. But as digital technology has become increasingly available, Cubans have found inventive ways to work around such remaining barriers as slow speeds, high costs, and inadequate infrastructure. In Island in the Net, Steffen Köhn examines Cuba's nascent digital culture and how it has reconfigured the relationship between the state and its citizens. Köhn shows that through innovations including "sneakernets" (the physical transfer of information by flash drives and other devices), digital black markets, and online spaces for political debates, Cubans have successfully challenged the government's monopoly on media and public discourse. Drawing on multisited ethnographic research, Köhn documents Cuba's digital awakening, from the introduction of accessible Wi-Fi in 2015 to the social media-fueled protests in July 2021. Cubans' community-driven digital innovations, he suggests, could be models for potential alternatives to the current Big Tech-dominated internet. Each chapter in Island in the Net is accompanied by a multimodal anthropology work: a video game, interactive installations, video art, an ethnographic documentary, and an expanded cinema installation. These unique media, created with Cuban artist Nestor Siré and other local collaborators, accessible to readers via a QR code, bring the book's argument vividly to life.

Digital Culture in Post-Castro Cuba

Island in the Net

A revelatory and unexpected examination of the political economy of the past century—and an argument that policymakers in government, not the mythical “free market,” created the most dynamic economy the world has ever known. For many decades, a sacred myth has ruled the minds of policymakers and business leaders: free markets, untouched by the soiled hands of government, bring us pros­perity and stability. Economist and writer Chris Hughes demolishes this fantasy by chronicling the hidden history of American capitalism: a centuries-long tradition of industrial policy where the state’s guiding hand has been essential to prosperity. Markets do not exist in a vacuum but are the product of a deliberate political order, a practice he calls “marketcraft.” This groundbreaking book takes readers through the high-stakes evolution of our most critical industries, from the state-led management of our banking and financial systems to the intentional development of energy, aviation, healthcare, and semiconductor markets. American government has always done far more than just react to “market failures.” Tracing a lineage from Alexander Hamilton to the architects of Trump and Biden industrial policies, Hughes introduces the “marketcrafters”—the technicians and organizers who combined expertise with judgment to cultivate the economy like a garden. By studying their triumphs and failures, we can pursue a smarter industrial policy for the future. As we navigate the transformative potential of artificial intelligence and the urgent demands of the climate crisis, this book serves as an essential road map for harnessing the power of markets to build a stable, inclusive, and abundant future for all Americans.

The 100-Year Struggle to Shape the American Economy

Marketcrafters

Schlaglichter

'[The DSA] will ensure that the online environment remains a safe space.' - So bewirbt die Kommissionspräsidentin Ursula von der Leyen den Digital Services Act (DSA), eine europäische Verordnung, die darauf abzielt, die Marktmacht großer Online-Plattformen wie Facebook, X, TikTok &amp; Co. einzuhegen. Julia Fischer fokussiert in ihrem Buch das Narrativ der Herstellung eines ¿sicheren Online-Umfelds¿ und fragt: Wer oder was soll durch den DSA geschützt werden und welche Bedeutungen von Un/Sicherheiten werden dabei hervorgebracht? In Anschluss an Autor*innen der Gender Studies sowie der politischen Philosophie legt die Arbeit die Mechanismen der Produktion von Un/Sicherheiten sowie entsprechende Prekarisierungseffekte im DSA offen, um so die Untrennbarkeit von Schutz und Gefährdung in den Blick zu nehmen. Dabei wird deutlich, inwiefern die staatlichen Strukturen der EU gemeinsam mit den Unternehmen im DSA als diejenigen diskursiviert werden, die schützen, während eine potenzielle Mitwirkung der Zivilgesellschaft bei der Herstellung von ¿Sicherheit¿ weitestgehend ausgeblendet wird.

Der Digital Services Act zwischen Sicherheitsphantasmen und geteilten Fürsorgepraktiken

Soziale Medien als ¿sicherer¿ Raum?

Redvolución

Autres titres sur ce thème