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Gerhaher C: Lyrical Diary

Lyrical Diary

Lieder from Franz Schubert to Wolfgang Rihm

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¿low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ'ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner. The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions, and extends our understanding of nineteenth-century music in general.

Tchaikovsky's Writings about Music

A Life in Music

To Be Or Not To Be

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

Devil in a Coma

Grandma, Me and Our Diaries at 23

Life Is Rosi

A life story

Bless Me Father

An unconventional, brilliant new biography of composer Claudio Monteverdi - from the bestselling biographer and acclaimed conductor John Eliot Gardiner.

Monteverdi and His Constellation

Marking the fortieth anniversary of the duo's first release--"West End Girls"--Pet Shop Boys Volume presents the group's entire visual output to date in a contemporary literary format.

PS Volume

From Arsenio Hall, America's first Black late-night TV host, a star-studded memoir of celebrity, show business, and a version of Hollywood we should take care not to forget.

Untitled NC

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

* INSTANT NEW YORK TIMES BESTSELLER *A sweeping and evocative memoir from the Rock &amp; Roll Hall of Famer, Grammy Award-winning, platinum selling singer-songwriter Michael McDonald, written with his friend, Emmy Award-nominated actor, comedian, and&nbsp;#1 New York Times&nbsp;bestselling author Paul Reiser. Doobie Brothers. Steely Dan. Chart topping soloist. Across a half-century of American music, Michael McDonald's unmistakably smooth baritone voice defined an era of rock and R&amp;B with hit records like "What A Fool Believes," "Takin' It to the Streets," "I Keep Forgettin'," "Peg," "It Keeps You Running," "You Belong to Me," and "Yah Mo B There."In his candid, freewheeling memoir, written with his friend, the Emmy Award-nominated actor and comedian Paul Reiser, Michael tells the story of his life and music. A high school dropout from Ferguson, Missouri, Michael chased his dreams in 1970's California, a heady moment of rock opportunity and excess. As a rising session musician and backing vocalist, a series of encounters would send him on a wild ride around the world and to the heights of rock stardom-from joining Steely Dan and becoming a defining member of The Doobie Brothers to forging a path as a breakout solo R&amp;B artist. Interwoven with the unforgettable tales of the music, Michael tells a deeply affecting story of losing and finding himself as a man. He reckons with the unshakeable insecurities that drove him, the drug and alcohol addictions that plagued him, and the highs and lows of popularity. Along the way he relays the lessons he's learned, and that if he's learned anything at all it's that there's often little correlation between what you get and what you deserve. Filled with unbelievable stories and a matchless cast of music greats including James Taylor, Ray Charles, Carly Simon, and Quincy Jones, What a Fool Believes is a moving and entertaining memoir that is sure to be a classic.&nbsp;

What a Fool Believes

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

The Story of An Unlikely Friendship

We Should Not Be Friends

Lyrical Diary

Informations bibliographiques

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