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Morrison V: Lit Up Inside / Keep 'Er Lit

Lit Up Inside / Keep 'Er Lit

The Collected Lyrics

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

The Fleury Playbook in Context

Medieval Music-Drama

A Time-Travelling Evangelist’s Guide to Late 20th-Century Underground Music

Volcanic Tongue

Reimagining the American Musical

Opening Doors

Icons of Style

The story of a fashion legend

Icons of Style: Chappell Roan

History and Context

Pasticcio Opera in Britain

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

Three decades of George through the lens

George Michael

30 Years on from the Best Year of Our Lives

1996

The Music, Culture and World De La Soul Made

Living in a D.A.I.S.Y. Age

Zeitgenössische Musikwissenschaft

Der Sammelband zielt auf eine musikwissenschaftliche und -philosophische Neuperspektivierung der Theorie des Musikverstehens. Seine Beiträge plädieren für eine revidierte Hermeneutik. Dabei wird nicht nur angestrebt, die Prämissen und Methoden traditioneller allgemeiner und musikalischer Hermeneutiken kritisch zu hinterfragen, vielmehr sollen die für eine Theorie des Verstehens relevanten Begriffe der Bedeutung, des Sinns und der Interpretation so bestimmt werden, dass sie den Anforderungen an eine umfassende musikalische Hermeneutik gerecht zu werden vermögen.Die HerausgeberJin Hyun Kim ist Musikwissenschaftlerin, deren Schwerpunkt auf musikalischer Grundlagenforschung mit Fokus auf musikalischer Aisthesis, Interaktion, Kognition und Technologie liegt.Matthias Vogel ist Professor für Theoretische Philosophie an der Justus-Liebig-Universität Gießen. Seine Schwerpunkte liegen in der Philosophie des Geistes und Philosophie der Musik.

Zur Neuperspektivierung der musikalischen Hermeneutik

Nichtsprachliches Musikverstehen

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Her Life and Music, Era by Era

Ariana Grande

Lit Up Inside / Keep 'Er Lit

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