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: Schweizerische Zivilprozessordnung (Art. 1–352 ZPO sowie Art. 400–408 ZPO)</div>

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Gildersleeve B: Latin Grammar

Latin Grammar

Elements in Phonology

This Element suggests that many arguments are misunderstandings of generative phonology claims and that the phenomenon of incomplete neutralisation is consistent with the classic generative phonology view. New experimental data reports that incomplete neutralisation is an outcome of planning using abstract/discrete phonological knowledge.

The Forgotten Foundations of Generative Phonology

Psycholinguistics and Phonology

Prepare to set sail with the captivating, Latinx-inspired pirate romantasy of 2025 from debut author Cassandra James

Set sail with the bestselling pirate romantasy of 2025!

Capitana

Seventeen Plays by Aeschylus, Sophocles, and Euripides

The Greek Tragedies

Mitreißende kubanische Rhythmen treffen auf zeitlose Weihnachtsklassiker 'Cuban Christmas ist ein Fest der Kulturen, des Miteinanders und der Musik, die die Weihnachtszeit so magisch machen', sagt Sarah Willis, Hornistin der Berliner Philharmoniker. Gemeinsam mit ihrem kubanischen Ensemble, der Sarahbanda, lädt sie mit diesem Album zu einem ganz besonderen Weihnachtsfest ein! Die farbenfrohe, mitreißende Energie der kubanischen Musik trifft dabei auf zeitlose Weihnachtsklassiker wie We wish you a Merry Christmas, Feliz Navidad u.a. - einige davon mit Gesang von Carlos Calunga, bekannt durch den legendären Buena Vista Social Club. Zu hören ist ein fröhlicher Mix aus Klassikern wie Jingle Bells und Stille Nacht, alle durchdrungen vom unwiderstehlichen Groove von Salsa, Mambo, Bolero und Son. Auch Tchaikowskys Nussknacker-Suite und Bachs Brandenburgisches Konzert Nr. 3 erklingen voller kubanischem Flair. Ein beschwingtes Weihnachtsfest mit Tanz um den Weihnachtsbaum ist garantiert!

Cuban Christmas

Das Standardwerk "Xiandai Hanyu" (¿¿¿¿, Modernes Chinesisch) der Peking-Universität (1993/2018) gehört zu den prägenden sprachwissenschaftlichen Lehrwerken an Instituten für chinesische Sprache (¿¿¿Zhongwen Xi) in der VR China.Die vorliegende komplette Übersetzung des umfangreichen Kapitels "Grammatik" (¿¿ yufa) ins Deutsche bietet mit ihren transkribierten und interlinear sowie ins Alltagsdeutsch übersetzten Beispielen den auch der chinesischen Sprache nicht mächtigen Interessierten einen Einblick in die Struktur der chinesischen Standardsprache (¿¿¿putonghua) der Volksrepublik China.Darüber hinaus bietet das Werk sowohl in der Auswahl seiner Beispielsätze, seiner in Teilen präskriptiven Darstellung wie auch in seinem Umgang mit der primär auf europäischer Sprachwissenschaft basierenden Terminologie eine Vielzahl von Einblicken in Wissensstrukturen, Vermittlungsansätze und linguistische Herausforderungen in der Sprachwissenschaft des Chinesischen.

Eine Übersetzung des Kapitels „语法 (Yǔfǎ)“ von 陆俭明 Lu Jianming und 马真 Ma Zhen aus dem Lehrwerk „现代汉语 (Xiàndài Hànyǔ)“ der Chinesisch-Fakultät der Peking-Universität

Grammatik des Modernen Chinesisch

Intended for the absolute beginner, Introducing Phonetics and Phonology requires no previous background in linguistics, phonetics or phonology. The essential introduction for any students studying this topic.

Introducing Phonetics and Phonology

From one of today’s most innovative ancient historians, a provocative new vision of why ancient history matters—and why it needs to be told in a radically different, global way It’s easy to think that ancient history is, well, ancient history—obsolete, irrelevant, unjustifiably focused on Greece and Rome, and at risk of extinction. In What Is Ancient History?, Walter Scheidel presents a compelling case for a new kind of ancient history—a global history that captures antiquity’s pivotal role as a decisive phase in human development, one that provided the shared foundation of our world and continues to shape our lives today. For Scheidel, ancient history is when the earliest versions of today’s ways of life were created and spread—from farming, mining, and engineering to housing and transportation, cities and government, writing and belief systems. Transforming the planet, this process unfolded all over the world, in Eurasia, Africa, and the Americas, often at different times, sometimes haltingly but ultimately unstoppably. Yet it’s rarely studied or taught that way. Since the eighteenth century, Western intellectuals have dismembered the ancient world, driven not only by their quest for professional expertise but also by nationalism, colonialism, racism, and the idealization of Greece and Rome. Specialized scholarship has fractured into numerous academic niches, obscuring broader patterns and dynamics and keeping us from understanding just how much humanity has long had in common. The time has come, Scheidel argues, to put the ancient world back together—by moving beyond the limitations of Greco-Roman “classics,” by systematically comparing ancient societies, and by exploring early exchanges and connections between them. The time has come, in other words, for an ancient history for everyone.

What Is Ancient History?

Sammlung Tusculum

Since 1923 the Sammlung Tusculum has published authoritative editions of Greek and Latin works together with a German translation. The original texts are comprehensively annotated, and feature an introductory chapter. In the new volumes, additional essays delve into specific aspects of the works, illuminating their historical context and reception to the present day. The high academic quality of the new editions together with clearly written essays and annotations make the Sammlung Tusculum essential reading for students who are discovering an ancient author for the first time as well as professional scholars who would like to gain a deeper understanding of specific aspects of a given work. Moreover, the series is ideal for lay readers who would like to engage with antiquity through a reliable German translation. The series contains over 340 titles, available in print and eBook editions, making previously out-of-print titles and rarities available again for the first time. In order to celebrate the 90th anniversary of the series, De Gruyter is proud to present Tusculum Online, an eBook package which contains all titles that appeared between 1923 and 2013 - a fitting tribute to an important part of German publishing history.

Griechisch - deutsch

Bilder der Bildung

Sammlung wissenschaftlicher Commentare (SWC)

Faszikel 2: 11. Gesang

Homers Ilias

Band XV: 11. Gesang

Keine ausführliche Beschreibung für "Kommentar" verfügbar.

Kommentar

Chaucer's Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates, using his fictions to explore the ethics of subjectivity and recognition, agency and moral responsibility; concerns that Chaucer experimentally formulated and discomposed across his works are amongst those that most animate and trouble contemporary ethical philosophy. This book places Chaucer in close dialogue not only with medieval philosophy and theology, and his great European literary sources (Boccaccio, Dante, Guillaume de Machaut), but with major figures and concepts of modern philosophical thought (Hegel, Levinas, Wittgenstein, Butler; recognition, subjectivity, gender). It illuminates his use of distinctively medieval forms of narrative to explore ideas and develop philosophies that we have been conditioned to think of as exclusively modern. In this he reveals both the essential nature of the questions, and the contingent, socially--and culturally--conditioned nature of our answers; and he shows us that medieval structures of thought remain central to our understandings of the world. In response to the fundamental ethical question-how should I treat another person?--Chaucer's fictional experiments are shown to be as philosophically complex and ethically powerful as anything in current thought.

Chaucer’s Ethical Philosophy

Student Editions

A Student Edition of Euripides' play, which accessibly unpacks Greek tragedy in its social context, issues of translation and adaptation, and performance approaches over the centuries. Euripides' play Medea was first produced in 431BC and continues to be produced globally to this day. Its power and timeless appeal for audiences rests in its portrait of a woman driven to murder the new wife of the man who abandoned her and to murder her own children. In more recent times, Medea's actions have been taken as a symbol of female power in an otherwise male-dominated society. Will Shüler's commentary in this Student Edition looks at the violence of the play - both onstage and off; the original performance conditions; staging challenges, both then and now (including Medea's exit on a dragon); the notion of myth and how Greek tragedians were telling old stories to get new meanings; and how the play has evolved through translation. It considers a range of productions up to the present day, including the 2014 National Theatre production directed by Carrie Cracknell and starring Helen McCrory; Sophie Okonedo as Medea at the Soho Theatre, London, in 2023; and the 2000 Australian version, Black Medea, which interpreted Medea as an indigenous woman brought to a city by her ambitious husband.

Medea

"An account of the central role that ethnography played in the Roman empire and its transformation in Late Antiquity. Ethnography, broadly understood, is a key element in the toolkit of every empire, as important as armies, tax-collectors, or ambassadors. It helps rulers articulate cultural differences with outsiders and sometimes bridge them, and it lets the inhabitants of an empire, especially those who guide its course, understand themselves and their place in the midst of the enemies, allies, and friends who surround them. Whenever provinces are drawn, peace treaties and alliances framed, diplomats sent on mission, decisions taken to go to war, or simply life lived in the midst of unfamiliar voices, some kind of ethnographic vision must come into play. This ethnographic infrastructure, as ancient historian Michael Maas calls it, supports the empire's view of itself regarding the nations of the world, and it shapes and reflects actual interactions with them. Ethnography is not simply a reflection of changes. It also enables change by providing terms and concepts that give voice to the articulation of new circumstances. In this book, Maas argues that, to understand how the Roman Empire transformed in the crucial period of Late Antiquity, the empire's ethnographic underpinnings, especially as they were affected by Christianity, must be examined. As Maas demonstrates, Romans knew they lived in a world of great cultural diversity, movement, and instability. They believed that their empire imposed order upon it. Images of barbarians filled public spaces throughout the empire as reminders of Roman control. Writers likewise filled their pages with descriptions of foreigners in a wide variety of genres. These ethnographies, according to Maas, served three general functions. First, they described foreign peoples, placing them in established and accessible systems of knowledge. Second, they judged them on a register of distance from Roman norms, with "most like us" the best possible evaluation. Third, ethnography indicated explicitly or implicitly what the possibilities of participation within the imperial community might be. In other words, the gift of ethnography possessed for the conquerors a mechanism of imperial transformation"--

Roman Ethnography and the End of Antiquity

The Conqueror's Gift

Latin Grammar

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