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Sammlung wissenschaftlicher Commentare (SWC)

Faszikel 2: 11. Gesang

Homers Ilias

Band XV: 11. Gesang

Keine ausführliche Beschreibung für "Kommentar" verfügbar.

Coray M: Kommentar

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Chaucer's Ethical Philosophy argues that Chaucer's fictions engage with the most urgent questions of modern political and moral philosophy. Close analysis of Troilus and Criseyde, the Canterbury Tales, and the Book of the Duchess reveals the ways in which Chaucer anticipates modern philosophical debates, using his fictions to explore the ethics of subjectivity and recognition, agency and moral responsibility; concerns that Chaucer experimentally formulated and discomposed across his works are amongst those that most animate and trouble contemporary ethical philosophy. This book places Chaucer in close dialogue not only with medieval philosophy and theology, and his great European literary sources (Boccaccio, Dante, Guillaume de Machaut), but with major figures and concepts of modern philosophical thought (Hegel, Levinas, Wittgenstein, Butler; recognition, subjectivity, gender). It illuminates his use of distinctively medieval forms of narrative to explore ideas and develop philosophies that we have been conditioned to think of as exclusively modern. In this he reveals both the essential nature of the questions, and the contingent, socially--and culturally--conditioned nature of our answers; and he shows us that medieval structures of thought remain central to our understandings of the world. In response to the fundamental ethical question-how should I treat another person?--Chaucer's fictional experiments are shown to be as philosophically complex and ethically powerful as anything in current thought.

Chaucer’s Ethical Philosophy

Studien zum Theater in der Römischen Kaiserzeit

Tragedy and comedy were part of diverse discourses in the late Republican and Imperial Roman Empire. They were not only effective on stage, but also in the interplay of various media, from performances and literary texts to images and objects. Interdisciplinary research focuses on topics such as the subject matter and forms of expression of relevant contributions to the discourse, as well as the reception processes involved.

Theater und Schauspiel im Römischen Reich

Jenseits von Unterhaltung

The History of the Book in the East

The History of the Book in South Asia covers not only the various modern states that make up South Asia today but also a multitude of languages and scripts. For centuries it was manuscripts that dominated book production and circulation, and printing technology only began to make an impact in the late eighteenth century. Print flourished in the colonial period and in particular lithographic printing proved particularly popular in South Asia both because it was economical and because it enabled multi-script printing. There are now vibrant publishing cultures in the nation states of South Asia, and the essays in this volume cover the whole range from palm-leaf manuscripts to contemporary print culture.

The History of the Book in South Asia

A magnificent new translation of the Odyssey by best-selling author and classicist Daniel Mendelsohn 'This may be the best translation of The Odyssey yet. Daniel Mendelsohn's rendering of Homer's text is both highly readable and faithful to the original metre. It's impressive, thrilling stuff... a sonorous new translation' - Edith Hall, The Telegraph With his Odyssey, best-selling author and classicist Daniel Mendelsohn has created a momentous new work, hailed by classicists and poets alike - a translation to stand with those of E. V. Rieu and Robert Fagles. Setting aside the streamlining, modernizing approach of many recent translations, Mendelsohn artfully reproduces the epic's formal qualities - meter, enjambment, alliteration, assonance - and in so doing restores to Homer's master work its archaic grandeur. His expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer's verses line for line, without sacrificing the amplitude and shadings of the original. The result is the richest, most precise, and most musical Odyssey in English, one that fully conveys its oral poetics while bringing to vivid life the gripping adventure, profound human insight and powerful themes that make Homer's work resonate some twenty-eight centuries after its composition. Supported by an extensive introduction and the fullest notes and commentary currently available, Mendelsohn's Odyssey is poised to become the authoritative English-language version of this magnificent, endlessly enjoyable masterpiece.

A New Translation by Daniel Mendelsohn

The Odyssey

From a renowned scholar and translator, the definitive translation of Aesop’s Fables Aesop’s fables are among the most familiar and best-loved stories in the world. Tales like “The Tortoise and the Hare,” “The Dog in the Manger,” and “Sour Grapes” have captivated us for generations. The fables delight us and teach timeless truths. Aesop’s tales offer us a world fundamentally simpler to ours—one with clear good and plain evil—but nonetheless one that is marked by political nuance and literary complexity.&nbsp; &nbsp; Newly translated and annotated by renowned scholar Robin Waterfield, this definitive translation shines a new light on four hundred of Aesop’s most enduring fables.&nbsp;

A New Translation

Aesop's Fables

Traditionally attributed to King Solomon and called by Rabbi Aqiva the "Holy of Holies" among sacred Scriptures (Mishnah, Yadayim 3:5), the Song of Songs is one of the most fascinating and controversial biblical books, and played an essential role in the shaping of European spirituality and culture.

The Song of Songs and Its Tradition in Renaissance Love Lyric

Ancient Lives

A biography of Horace, one of the most popular poets from antiquity, revealing the little-known man behind his famous lines"Peter Stothard is a master of modern writing about ancient Rome, of vividly bringing to life its poetry and its poets."-Mary BeardA New Statesman Book of the Year 2025Quintus Horatius Flaccus (65-8 BCE) wrote some of ancient Rome's greatest poetry, melding languages and cultures with youthful ideals and a realist's recognition of the dictatorial world around him. Horace is famed for his fine phrases, lyric sex, and guidance on how to live, but he was a poet maddened by war, and many of his most self-revealing poems have rarely been read. He could be sublime and obscene, amusing and abusive, a model of moderation and anything but.In this book, the first modern retelling of Horace's life, Peter Stothard follows the poet from his birth as the son of a formerly enslaved father through his rise to the highest circles of Roman society. He shines a light on how shattering experiences in the war to save Rome's republic shaped the loyal servant and revolutionary artist he became. With astute scholarship and sympathy, Stothard follows Horace's rise from humble beginnings to the social and political heights of the autocracy he had fought to prevent.

Poet on a Volcano

Horace

Trends in Classics - Supplementary Volumes

Greek literature of the Roman Empire has long ago ceased to be treated as the fruit of pure imitation and unimaginative reproduction of literary models from the Classical age. Drawing from the conceptual and methodological agendas of modern fields such as narratology, cognitive studies, and linguistics, classicists have approached the authors of the Second Sophistic with a fresh eye and treat them as anything but lacking originality in the ways they chose themes and developed their compositional styles. Nevertheless, a great amount of the Imperial literature still remains significantly unexplored in terms of the ways literary genres evolved at those times and interacted with each other. Although rhetoric has left its mark on the literary production of this era, on the other hand, an abundance of other genres call for further comparative research. In this line of thought, the papers of this volume focus on how the literary goal-settings of Imperial Greek authors shaped the generic trends and physiognomy of current literary production, and penetrate more into the various co-existing and, very frequently, interactive modes of writing, in order to shed new light on the generic fusions operated in the Imperial Era on a literary level.

Generic Interplays in Imperial Greek Literature

A New Translation of the Complete Works

Sappho

A biography of Vergil, Rome’s greatest poet, by the acclaimed translator of the Aeneid &nbsp; “Ms. Ruden has converted the writer of the Aeneid from a noble and stodgy ‘ancient’ into our contemporary . . . persuasively re-imagined [as] a sympathetic, three-dimensional figure. . . . The existence of the Aeneid is cause for gratitude. So is Ms. Ruden’s sensitive, celebratory portrait of its maker.”—Willard Spiegelman, Wall Street Journal &nbsp; The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became the world’s first media celebrity, a living legend. &nbsp; But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed. &nbsp; Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings to make careful deductions to reconstruct his life. Through her intimate knowledge of Vergil’s work, she brings to life a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

The Poet's Life

Vergil

Student Editions

A Student Edition of Euripides' play, which accessibly unpacks Greek tragedy in its social context, issues of translation and adaptation, and performance approaches over the centuries. Euripides' play Medea was first produced in 431BC and continues to be produced globally to this day. Its power and timeless appeal for audiences rests in its portrait of a woman driven to murder the new wife of the man who abandoned her and to murder her own children. In more recent times, Medea's actions have been taken as a symbol of female power in an otherwise male-dominated society. Will Shüler's commentary in this Student Edition looks at the violence of the play - both onstage and off; the original performance conditions; staging challenges, both then and now (including Medea's exit on a dragon); the notion of myth and how Greek tragedians were telling old stories to get new meanings; and how the play has evolved through translation. It considers a range of productions up to the present day, including the 2014 National Theatre production directed by Carrie Cracknell and starring Helen McCrory; Sophie Okonedo as Medea at the Soho Theatre, London, in 2023; and the 2000 Australian version, Black Medea, which interpreted Medea as an indigenous woman brought to a city by her ambitious husband.

Medea

Translations from the Asian Classics

This companion volume to The Book of Swindles: Selections from a Late Ming Collection presents sensational stories of scams that range from the ingenious to the absurd to the lurid, many featuring sorcery, sex, and extreme violence.

Sex, Scams, and Sorcery

More Swindles from the Late Ming

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