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Giannisi Phoebe: Goatsong

Goatsong

Melissa Jørgenrud Helton's debut collection, A Middle-Aged Woman Rages, captures a life on the brink of fifty. These poems confront parenting grown children, divorce, and a country sliding toward authoritarianism, all while navigating perimenopause and fighting to sustain creativity and healing. Searing and unapologetic, Helton refuses silence. Her poems name what women are taught to swallow and model truth-telling as survival - inviting and emboldening women to speak with power and without permission.

A Middle-Aged Woman Rages

From the author of Bad Girls of Ancient Greece comes a new collection, covering tales of lore from bad boys and more...Myths and legends would be nothing without their shining star of a hero at the forefront, right? But what about those sidekicks and minor characters so often scrubbed out of the story?From honoured heroes such as Heracles, to savage scoundrels like Tityus, or even the unexpected underdogs Iphicles and Philoctetes, Lizzy Tiffin tells the stories of the dashingly handsome and oh-so-brave men of antiquity with her signature wit and humour.Uncovering the unsung heroes and side guys, Lizzy has us ask, what is it to be a 'hero'? And should the so-called 'zeroes' be the real stars of the show? So, dive in and prepare to decide who deserves their place in history.

Myths and Legends from the Bad Boys of Ancient Greece

Heroes or Zeroes?

"For a hundred years, the argument that this novel is has been identified, reidentified, examined, waged and advanced. What it cannot be is dismissed. It is classic literature, which is to say it heaves, manifests and lasts." - Toni MorrisonIn celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. One of the foundational texts in the canon of American literature, Mark Twain's quintessential masterpiece is known for its unflinching exploration of the dangers of prejudice, the struggle to locate-and follow-one's inner moral compass when at odds with society's pressures, and the true meaning of freedom."Persons attempting to find a motive in this narrative will be prosecuted," Twain wrote to preface his novel, The Adventures of Huckleberry Finn. "Persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot."Originally published in 1884, Mark Twain's The Adventures of Huckleberry Finn was met with mixed critical reception and even denounced for "offending propriety." After more than a century of weathering literary, historical, and scholarly rebuke, this novel from America's greatest humorist holds a prominent place in the canon of American literature; Hemingway once wrote that Huckleberry Finn is the novel from which "all modern American literature comes. . . . There has been nothing as good since."Set in antebellum Missouri and traversing the whole Mississippi River region, Twain's sequel to his picaresque novel The Adventures of Tom Sawyer follows Huck as he stages his own death to escape his alcoholic father and sets off on an odyssey marked by comedy, danger, and adventure. He soon encounters Jim, the enslaved man working for Huck's erstwhile guardians, the Widow Douglas and her sister Miss Watson. Jim had run away after overhearing the ladies discuss selling him, and Huck and Jim set sail on a raft down the Mississippi, headed for the Free State of Illinois.Twain's piquant humor finds full expression in this nineteenth-century literary classic, and Huck's frank, boyish narration, told in the vernacular of his time, offers true merriment. But despite Twain's disavowal, the story's moral center becomes inarguably apparent when Jim is caught and Huck-after one of the most infamous struggles of conscience in American literature-vows to help his friend escape. In Huck Finn, Twain wrote, "a sound heart and a deformed conscience come into collision and conscience suffers a defeat." Huck's journey through nature and "sivilization," and what he learns about human nature is as poignant today as in Twain's own time.Central to the American experience, a staple of classrooms, and a cultural touchstone, The Adventures of Huckleberry Finn offers timeless insights into the transition from childhood to adulthood, cruelty and prejudice, and the human condition itself.<ul><li>A BEAUTIFUL PACKAGE WITH FLAPS: Featuring French flaps and a unique vivid cover design, each book in the collection is published as a deluxe trade paperback that is a part of a stunning series look.</li> <li>HARPER COLLINS AMERICAN CLASSICS: This series includes timeless novels, poetry, children's books, and groundbreaking nonfiction that has shaped American thought, literature, and identity across generations.</li> <li>AMERICA'S PUBLISHER: Since its founding in 1817, no American publisher has been so entwined in the history of American letters. Our books enrich, challenge, and defined the American spirit.</li> <li>AMERICA 250: The HarperCollins American Classics arrive in time for America's 250th anniversary celebrations. </li></ul>

The Adventures of Huckleberry Finn [American Classics Edition]

Stop running toward someone else’s definition of success, and start intentionally shaping your own. This prequel to Aesop’s famous tortoise and hare fable shows exhausted professionals how to shift from chasing external validation to creating internal meaning and alignment. Stop chasing visibility. Start creating meaning. In today’s high-pressure workplace, professionals are depleted from constantly proving themselves to others—yet struggling to find genuine satisfaction in their work. What if the breakthrough isn’t working harder within the system but instead reimagining what success means to you? Stop Chasing, Start Creating reveals the untold story of Tano the tortoise before his famous race with the hare. In this prequel to the beloved Aesop’s fable, we discover that Tano wasn’t always the steady, purposeful creature we know. He once chased visibility, approval, and validation just like the rest of us—until a moment of awakening changed everything. Through Tano’s journey from external pressure to internal clarity, readers discover the crucial difference between chasing meaning and creating it. Grounded in motivation science, this framework shifts professionals from extrinsic motivation (external rewards, recognition, and belonging) to intrinsic motivation (purpose, contribution, and alignment). Perfect for burned-out professionals in healthcare, education, nonprofit management, and other purpose-driven fields, this story-first approach offers the metaphor-rich reflection modern workers crave without feeling like another productivity manual.

A Timeless Fable on Mindset, Resilience, and Meaningful Work

Stop Chasing, Start Creating

'Heartwarming, nostalgic and poignant' Lucy Clarke'Both achingly funny and poignant' Sally Page'Tender and uplifting' Kate StoreyBuy a lottery ticket¿Win your wildest dreams¿Lose everything...?One lucky ticket is about to change everything.Edie and Ron have been together for nearly fifty years, keeping each other afloat by the skin of their teeth. They've always been ordinary - until something very extraordinary happens.Winning the lottery is everything they've ever wanted - well, almost.Because for the last twenty years, Edie and Ron have been running from a secret that tore their family apart. And when you can suddenly buy everything you've ever wanted, you realise that the only thing you really want is the one thing money can't buy.Join Edie as she finally takes control. She's had enough of playing the hand she's been dealt - it's time to risk it all.

How to Lose the Lottery

'There's a taut urgency throughout... joy and humour too... These poems testify to the resilience of the artists, and the role that poetry still has to give voice and bear witness in times of crisis' Rishi Dastidar, GuardianA deeply moving poetry anthology exploring loss and survival by Palestinian writers living in Gaza and the West Bank You Must Live brings together some of the most remarkable poets living and writing in Palestine today, from renowned international prize winners to talented emerging voices. Composed over the past few years and gathered under desperate conditions, these poems, which appear in the original Arabic alongside English translations, are haunted by the long spectre of occupation, transforming laments for lost family, friends and places into a new vision of home. This is a poetry of witness and profound lyric imagination, attuned to the hidden beauty of the natural landscape, the music of sparrows under crowded skies, the electricity of complex desire, daring to conceive a dazzling future beyond dispossession and military siege. You Must Live is the latest entry into the rich tradition of Palestinian poetry, negotiating the interplay between aesthetics and politics, the individual and the collective, to provide a glimpse into the full interiority of Palestinian life. 'A light beam of a collection in our dark hours...This is a landmark work, a center from which myriad new ways of thinking and being will flourish' Ocean Vuong, author of Night Sky With Exit Wounds

New Poetry From Palestine

You Must Live

An urgent rethinking of the Western approach to mental health, which treats the symptoms rather than the exploitative systems causing our distress—by a Rhodes Scholar and Harvard Medical School physician-anthropologist—offering lessons from the rest of the world. What if the mainstay of mental health care involved cancelling onerous debt, giving poor people free housing, and paying reparations to the descendants of slavery and colonialism? In Empire of Madness, Dr. Khameer Kidia re-evaluates the Western approach to mental health, which medicates symptoms instead of changing the structures that harm the human psyche. A physician and researcher whose own family suffers from the psychological effects of colonialism, Kidia highlights the limitations of the Western mental health model by reporting from the front lines of mental health crises at home, in the clinic, and during a decade of fieldwork. Clear-eyed and openhearted, Kidia asks the nuanced questions unaddressed by our current mental health model: How do history, culture, and politics shape mental distress? Are hoarding and burnout medical diagnoses or social problems? Why are schizophrenia outcomes sometimes better in poor countries without antipsychotics? Can a traditional healer treat mental illness better than a Western-trained clinician? For those living in poverty, can cash replace pills? With rigorous research, cutting analysis, and illuminating prose, Kidia invites us to reimagine mental health as a global idea where our wellbeing is mutual and everyone’s voice—patients, caregivers, and healthcare workers alike—matters.

Reimagining Western Mental Health Care for Everyone

Empire of Madness

mimesis

Die Studie fragt nach der Verflechtungsgeschichte politischer und literarischer Identitätsentwürfe im kolonialen Spannungsverhältnis zwischen Portugal und Mosambik.
Durch die kontrastive Untersuchung politischer Diskurse, gesellschaftlicher Praxis und literarischer Texte wird in einem hermeneutischen Zirkel ein differenziertes Verständnis der jeweiligen Identitätskonstruktionen herausgearbeitet.
Den Kern der Arbeit bildet die Untersuchung portugiesischer und mosambikanischer Lyrikanthologien auf der zuvor erarbeiteten Folie der extraliterarisch konstruierten Identitäten mit dem Ziel herauszuarbeiten, inwiefern die Gedichte diese Identitäts(an)gebote aufgreifen, modellieren oder verwerfen. Die feine Aufschlüsselung der literarischen Selbst- und Fremdbilder ergibt ein komplexes Fresko, in dem zwischen der strukturell angelegten Feindschaft und dem Ausdruck von nationalistischen Gefühlen, auch Solidarität, Mitgefühl, grenzüberschreitende Identifikation, gemeinsame Trauer und Hoffnung auszumachen sind.
Die Studie enthält eine Zusammenführung und Operationalisierung von Identitätstheorien aus dem globalen Norden und dem globalen Süden, vermittelt breite Kenntnis über die Spätphase des portugiesischen Kolonialismus sowie über die Formierung der Befreiungsbewegung in Mosambik und analysiert detailreich ein literarisches Textkorpus, zu dem bisher noch keine Studien vorliegen.

Kolonialismus und Unabhängigkeitskrieg in der portugiesischen und mosambikanischen Lyrik

Rosen sagen mir nichts

Das Abendland. Forschungen zur Geschichte europäischen Geisteslebens

Rudolf Borchardt (1877-1945) war studierter Klassischer Philologe und blieb sein ganzes Leben hindurch der Antike zugewandt. Was ihn aber an die Antike band, war vor allem die Dichtung. Der Ursprung der Dichtung, ihr Sitz im Leben und ihr Sinn bestimmen ihre Form und begründen ihren Charakter, Geschichte zu sein. Die Pointe des Buchs ist also: Die Antike lehrte Borchardt, was Poesie sei, und die Poesie wurde ihm zu Geschichte. Die behandelten Arbeiten reichen von der Übersetzung einer Ode der frühgriechischen Dichterin Sappho durch den Gymnasiasten 1894 bis zu seiner großen Homerabhandlung, deren Abschluss sein Tod am 10. Januar 1945 zuvorkam. Der Verfasser Ernst A. Schmidt, auch seinerseits Altphilologe, widmet sich den Übersetzungen, Erklärungen und Deutungen antiker Werke und auch vier eigenen Dichtungen Borchardts (Bacchische Epiphanie, Der ruhende Herakles, Klage der Daphne, Jamben). Die einführenden Kapitel (zu Dichtungsverständnis und hermeneutischen Prinzipien) und die Untersuchungen zu Vergil und Horaz sowie zur Homerarbeit bilden Schwerpunkte im Buch, dessen Darstellung auch philologische Kritik an Borchardt und Auseinandersetzung mit anderen Forschungsauffassungen enthält.

Antike Dichtung - Klios Kost

Rudolf Borchardt

“Poetry in Korea has been a vaunted form—and traditionally left to men. Kim broke away from the masculine styles that came before her. . . . Kim has pursued a vernacular that’s intensely Korean yet open to the world.” —E. Tammy Kim, New YorkerFrom the legendary avant-garde poet Kim Hyesoon, a landmark collection documenting her first and only work of digital performance art to date.In March 2014, Kim Hyesoon, the grand dame of contemporary Korean poetry, began to post anonymously on the online blog of Munhakdongne, a major South Korean publisher. Rather than use her own name, Kim Hyesoon’s chosen persona for these blog posts was Lady No. Fittingly, Lady No’s writings are dissenting, combative, subversive, and ontologically feminine; formally, they defy any attempt at easy categorization. They are neither poems, nor are they prose, but a radical innovation Kim calls shisanmun—an ungovernable style that heralds her internationally acclaimed works Autobiography of Death and Phantom Pain Wings.The entries in this seminal collection, arranged chronologically and in their entirety here for the first time, are an eclectic hybrid of opinion editorials, aphorisms, recipes, daydreams, travelogues, art criticism, as well as treatises on the metaphysics of poetry and the current state of international literature. They take place in and around the world but most often they return to a country called Aerok, a frightening yet familiar mirror of contemporary Korea. First unwittingly, and then with concentrated grief, they chart the course of one of the most politically significant years in recent South Korean history: the sinking of the MV Sewol on the morning of April 16th that killed 304 people, including 250 high school students, and the reverberations of this national tragedy that culminated in the impeachment and ouster of the country’s then-sitting president. Taken together, these writings bear witness to the people’s shame, mourning, and perseverance under a corrupt administration—a painful public reckoning not dissimilar from our own.Surreal but visceral, and inflected with both humor and rage, Lady No contains perhaps the most accessible of Kim Hyesoon’s writing to date and documents her first and only work of digital performance art. Totaling 179 individual entries and featuring 34 drawings by the artist Fi Jae Li, Lady No explores the inner and outer lives of contemporary Korean women and embodies the inextricable link between social justice and literary citizenship.

Lady No

Quellen und Forschungen zur Literatur- und Kulturgeschichte

Um 1800 wird die deutschsprachige Tragödie nicht nur literarisch wieder interessant, sondern auch als Medium der Philosophie: Der Idealismus beschreibt die Gattung mit innovatorischer Kraft als Symbol für das menschliche Selbstbewusstsein. Diese Umkodierung der Tragödie, die sie aus den regelpoetischen Kontexten des 18. Jahrhunderts geradezu herauskatapultiert, ist der Gegenstand dieser Studie. Sie beschreibt die Entwicklung der Gattungstheorie von ca. 1795 bis 1825 als literarische Evolution im Sinne Juri Tynjanows und untersucht die damit einhergehenden Prozesse sowohl an kanonischen Poetiken von Schiller, Schelling und den Brüdern Schlegel als auch an nichtkanonischen Dramen von Friedrich Schlegel, Friedrich Ast, Wilhelm von Schütz und anderen. Auf diesem Weg zeichnet die Studie den Aufstieg eines philosophisch-literarischen Paradigmas nach und erschließt dabei zugleich ein Feld von Bezügen, das für das Verständnis von Philosophie und Literatur der Epoche grundlegend sein kann. Nicht zuletzt liefert sie auf diesem Weg ein Argument dafür, die Trennung von ,Klassik' und ,Romantik' zu überwinden, um die komplexen Gemeinsamkeiten der scheinbar widersprüchlichen poetischen Ansätze der Zeit in Zukunft zuverlässiger erfassen zu können.

Zur Evolution der Gattung um 1800

Die Erfindung der Tragödie

Signature Editions

Helen Guerber's classic translations of Greek and Roman mythology, now freshly repackaged for the Union Square &amp; Co. Signature Editions line.&nbsp; &nbsp; H. A. Guerber’s lively retellings of Greek mythology have become legends unto themselves, long prized for their simple, graphic, accurate interpretations of the principal myths of Ancient Greece and Rome.&nbsp;&nbsp; &nbsp; From the legendary gods and goddesses residing on Mount Olympus—Jupiter, Juno, Minerva, Apollo, Diana, Venus, Mercury, Mars, and others—to the adventures of Ulysses and Aeneas, this rich assembly offers hours of compelling reading and abundant insight into one of the influential mythologies of Western culture.&nbsp; &nbsp; &nbsp;

Greek Mythology

Goatsong

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