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Giannisi Phoebe: Goatsong

Goatsong

Phoenix Poets

"Multilayered lyric poems that resist systems of power and foster intimacy. A previously undocumented child of Syrian and Peruvian parents, an inheritor of lineages marked by colonial and gendered violence, and a survivor of childhood sexual assault, Farid Matuk approaches the musical capacities of verse not as mere excitation or decoration but as forms that reclaim pleasure and presence. Entering the sonic constellations of Moon Mirrored Indivisible, the reader finds relief from nesting layers of containment that systems of power impose on our bodies and imaginations. In this hall of historical mirrors, fictions of identity are refracted, reflected, and multiplied into a vast field of possibilities. Matuk's meditations on place and power offer experiments in self-understanding, moving through expansive conversations between a lyric "I" and others, including poets, the speaker's partner, ancestors, and the reader, creating spaces for strange intimacy. Each of the book's four sections of poems builds on one another to ask how we might form a collective-a people-not founded in orthodoxies of originality but in the mutual work of mirroring one another"--

Moon Mirrored Indivisible

A scintillating debut meditating on love, parental addiction and loss, from a new voice in British poetry.

In But &amp; Though, Jake Hawkey scrutinizes the impact of parental addiction on families, its title a nod to the language of dependency, its circles of prevarication and excuse. Hawkey’s poems chart the loss of a father and the resilient love between siblings, and take an unflinching look at a parent–child relationship sometimes painfully inverted through alcoholism. Hawkey’s fresh perspective and playful style introduces a vital, authentic new voice in British poetry. It will appeal also to those interested in the wider literature of addiction and the complexities of urban working-class life in Britain. Hawkey approaches these subjects from highly original and personal angles, breathing life into his characters and settings. Ultimately, we come to know a young writer attempting to ‘detach with love’ as he strides forward into his own life.

But & Though

Selected Poems

The Meadow Where Time Stands Still

Harvard Library of Ukrainian Literature

Iya Kiva's poetry, collected in English translation in Silence Dressed in Cyrillic Letters, stitches memories of the past into Ukraine's new reality.¿Her lyric poems reflect her Ukrainian, Russian, and Jewish backgrounds and acknowledge the deep trauma of war while radiating love and hope.

Silence Dressed in Cyrillic Letters

Radiant poems from the bestselling author of Memphis

Magic Enuff

"A collection of poems and photographs that take the foothills of Vermont's Green Mountains as a microcosm for considering climate change, borders, and community life. In Dissonance, translator Kristin Dykstra's first book of original poetry, the author leads us to inner worlds shaped partly by the New England countryside, tracking shifts in the region's nature, infrastructure, and people, while sharing observations on borders and climate catastrophe that reverberate globally. Dykstra condenses signs of urban expansion, economic division, and battles over democracy into an innovative meditation. With a dynamic approach to form, musicality, and scope, Dissonance explores ways of experiencing regional landscapes and imagined communities in the twenty-first century. Through her extended sequence of prose poems, photographs, and lyric fragments, Dykstra merges clips from documents and dialogues with observations drawn from two local libraries and her daily walks down a dirt road through Vermont's foothills. As she moves down this public road, which lies within the nation's federally designated hundred-mile border zone, she finds a daily convergence of tensions. Dissonance asks how poetry can unsettle impressions of a place, and how that process, in turn, disturbs impressions of self, of others, and of time itself"--

Dissonance

A history of Black poets in Washington, DC, reveals how they have reflected and transformed American cultural discourseWashington, DC, has long been home to a dynamic and vibrant African American literary community, despite often being overshadowed by the literary worlds of New York and Chicago. In No More Worlds to Conquer, the local poet Brian Gilmore uncovers the buried legacy of Black poets in Washington. He traces the literary life and politics of Black poets in the nation's capital since Paul Lawrence Dunbar, showing how well-known American poets, such as Sterling Brown and Jean Toomer, were mentored in DC by poets like May Miller and Georgia Douglas Johnson and making the case for the city as a center of American literature.Gilmore draws on meticulous research, personal interviews, and his own deep knowledge of the local literary community to connect generations of writers and document a poetic community that transcends Washington. He reveals the intricate intersections, networks, and influences that have shaped the city's poets and how they have influenced American poetry for a century.More than a historical account, No More Worlds to Conquer is a personal exploration that bridges the past and the present. Gilmore, who was born and raised in DC, illuminates this history and reflects on his own place in its literary tradition. This multigenerational account will resonate with poetry enthusiasts, local DC scholars, and anyone interested in the rich traditions of African American literature.

The Black Poet in Washington, DC

No More Worlds to Conquer

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

SHORTLISTED FOR THE PRIZE FOR POETRY, 2024 VICTORIAN PREMIER'S LITERARY AWARDS SHORTLISTED FOR THE UTS GLENDA ADAMS AWARD FOR NEW WRITING, 2024 NSW PREMIER'S LITERARY AWARDS 'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love. A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all. 'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar 'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times 'Powerful' Who Magazine

Goatsong

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