Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Aboverträge Kündigen

Résiliation d’abonnement

Vertrag widerrufen

Résiliation de contrat 

Datenschutz

Protection des données

Impressum

Mentions légales

Barrierefreiheit

Accessibilité

Zahlung und Lieferung

Paiement et livraison

Libra

Was ist Libra?

C'est quoi Libra ?

Kostenlos testen

Tester gratuitement

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Aktienrecht

Droit des sociétés anonymes

Persönlichkeitsrecht

Droit de la personnalité

Publikationen

Publications

Literatur

Digitales Angebot

Bücher

Livres

Buchreihen

Collections

Onlinemodule LEXIA

Modules en ligne LEXIA

recht.ch

Studienliteratur

Littérature pour les études

Swisslex

Dienstleistungen

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Open Access Policy

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Unser Magazin

Notre magazine

Vision und Mission

Vision et mission

Partner

Partenaires

Unternehmenskultur

Culture d'entreprise

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Sortiment & Suche

Catalogue & Recherche

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

Fachkatalog Recht

Catalogue de droit

Die Zukunft des kulturellen Erbes

Strategien und Konzepte aus Politik und Praxis

This innovative book explores the world of 3D printing from the perspective of intellectual property law, tackling theory and practice. As 3D printing digitises tangibles and equips individual users with access to design and manufacturing tools, it also raises several pressing legal and policy issues. Does the IP framework - largely designed in the analogue age - adequately regulate the operation of the technology? How should the law respond to piracy in a digital environment where copying is the norm, not the exception? What are the community's experiences and views regarding IP? Is the law actually a concern? To fully address these questions, the book begins with a contextual overview of 3D printing's history and broader socio-economic impact. It explains why the 'desktop' side of the technology is likely to be especially problematic when it comes to IP law and highlights key areas of concern. Drawing on its rich empirical data featuring world-leading experts, engineers, lawyers and users, it offers illuminating insights into the experiences and perspectives of stakeholders before finally considering potential regulatory responses. Original and forward-looking, this book is essential reading for academics, practitioners, 3D printing users and any reader interested in the rapidly evolving field of law and technology.

Law and Digital Innovation

Intellectual Property and Desktop 3D Printing

Flannery O'Connor on Writing

Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht

Die Washingtoner Prinzipien von 1998, fordern die Signatarstaaten zu "gerechten und fairen Lösungen" im Umgang mit "NS-Raubkunst" auf. Das Vereinigte Königreich setzte diesen Appell im Jahr 2000 mit Einrichtung des "Spoliation Advisory Panel" (SAP) um, das seither einen Streitbeilegungsmechanismus bietet, um auf die Ansprüche Berechtigter zu reagieren. Dieser Band nimmt die 22 Empfehlungen in den Blick, die das Panel bislang ausgesprochen hat. Die Entscheidungen werden vor dem Hintergrund der englischen Rechtstradition und -praxis sowie der historischen Rolle des Vereinigten Königreichs analysiert, systematisiert und einem abstrakten Regelwerk zugeführt. Die so sichtbar gemachte Entscheidungslinie des SAP kann als Diskussions- und Vergleichsgrundlage für die Restitutionspraxen anderer Staaten herangezogen werden.

Der Umgang mit „Nazi-looted art“ im Vereinigten Königreich

"Fair and just?"

Cultural Economics & the Creative Economy

This edited volume presents an innovative approach to the relationship between cultural heritage and sustainable development, focusing on geographic factors and spatial economic analysis. Focusing on Italian case studies, the book unpacks various opportunities and challenges and explores how promoting and defending cultural heritage at the regional and national levels can in turn foster sustainable development.Chapters consider both tangible and intangible aspects of the cultural supply, such as museums and festivals, and investigate specific issues relevant to sustainability, from the role of networks on museums’ performance in remote areas to the effects of climate change on heritage sites. The book also pays special attention to the role of tourism, the various factors that impact tourist numbers, as well as how negative impacts can be mitigated. Several chapters focus on social capital and the importance of civic engagement and belonging in encouraging sustainable economic growth. This book will be of interest to scholars and students in a range of fields, including cultural economics, regional economics, economic geography, heritage studies and those working on sustainability more broadly.Silvia Cerisola
 is Associate Professor of Regional and Urban Economics at Politecnico di Milano. Her main research interest is in the impact of cultural heritage and creativity on regional and local economic development. She was awarded the 2018 
 Giorgio Leonardi Best PhD Thesis Award
 by the Italian Regional Science Association (AISRe) and the 2021 
 William Alonso Memorial Prize for Innovative Work in Regional Science
 by the North American Regional Science Council (NARSC).
 Elisa Panzera 
 is Assistant Professor of Regional and Urban Economics at Politecnico di Milano, Italy. Her main research interests are in the field of economics of culture, economics of innovation and regional studies. She currently collaborates in EU funded projects as well as teaching activities for Urban and Regional Economics courses.

The Role of Geographic and Economic Space

Cultural Heritage and Sustainable Development in Italy

Handbuch des Urheberrechts

Harriman House Essentials

The Illusion of Choice

"Ein Bild lebt sein eigenes Leben wie ein lebendiges Geschöpf, da das Bild nur Leben hat durch den Menschen, der es betrachtet." (Pablo Picasso) Die unmittelbare sinnliche Erfahrung ist ein Königsweg zum Verständnis von Kunst. Dieser fundamentalen Auffassung Picassos folgte auch Werner Schmalenbach (1920-2010). Der Kunsthistoriker, Kurator und Museumsleiter, der die bedeutende Kunstsammlung Nordrhein-Westfalen aufbaute, ließ sich durch Kunst berühren, erschüttern und provozieren. An seinen Bildbetrachtungen können wir die zwei Seiten der Kunsterfahrung exemplarisch studieren: Hier die Bewegung der wirkmächtigen Ausdrucksqualitäten im Werk, dort der schöpferische Erkundungsprozess "im Auge" des Betrachters. Dem Ineinandergreifen beider Gestaltbewegungen liegt bei Schmalenbach ein immanentes Gerüst an methodischem Vorgehen und inhaltlicher Analyse zugrunde. Diese Einführung nutzt die ausdrucksstarken und strukturierten Beschreibungen Schmalenbachs, um ihrerseits das gestaltpsychologische Basisinstrumentarium der Kunstbetrachtung anschaulich vorstellen zu können. Dabei wird das "lebendige Geschöpf" der Begegnung zwischen Objekt und Betrachter aus vier Perspektiven beleuchtet: Die Gestaltqualitäten des Bildes und des Erlebens, ihre Zentrierung in spannungsvollen Verhältnissen eines Gegen- und Miteinanders, die Steigerung der Anschauungsdynamik durch "kunstvolle" Werk- wie Seelenkonstruktionen und nicht zuletzt von der Auffassung her, dass Paradoxien den ganzen Prozess zusammenhalten.

Ralf Debus, geboren 1952 in Bardenberg bei Aachen, ist ein Kölner Psychologe, Autor, Therapeut und Wirkungsforscher. Er war Schüler und wissenschaftlicher Mitarbeiter von Wilhelm Salber, dem Begründer der Morphologischen Psychologie an der Universität Köln.
Debus`Wirken steht für eine besondere Verschränkung von tiefenpsychologischer Alltagsanalyse, kunstpsychologischer Forschung, langjähriger klinischer Erfahrung und literarischem Schreiben.
Der Öffentlichkeit ist er bekannt geworden als mehrfacher Gast in dem Podcast Tafel und Therapie von Jens Wenzel. Hier bezieht er Stellung zu Fragen der Psychologie, des Lernens, zu Konflikten in Organisationen, zur Erziehung und Lebensentwicklung überhaupt.
Eine seiner zentralen Leidenschaften gilt der psychologischen Wirkung von Kunstwerken. Hier folgt Debus`dem Credo Goethes: "Am farbigen Abglanz haben wir das Leben." 
Es gibt keine Sache in der Welt, die uns mehr über uns und unser Funktionieren zeigen kann als das Kunstwerk. Die Nacht- wie die Lichtseiten der menschlichen Existenz spiegeln uns die Künste.

Eine Einführung anhand der Werkbeschreibung von Werner Schmalenbach

Gestaltpsychologie der Kunstbetrachtung

PULS, an initiative of Bukarest's National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC's most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country's dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.

PULS 22 - New Entries in the MNAC Collection

The Art Law Library

This open access book offers a unique perspective on the return of cultural objects by considering the aftermath of the handover processes. While calls for the repatriation of heritage have been made since the start of the decolonisation process, it is only in recent years that the debate on returning cultural objects has gained widespread prominence. This has been followed by ongoing efforts from several countries to change the legislation, adopt principles, and invest in provenance research to turn repatriation into a more proactive mechanism. The book tells the story of cultural objects that were housed in European institutions and returned to countries in Africa, Asia, and the Americas. In addition to in-depth analysis of relevant laws and policies, each of the case studies integrates interviews with those who were directly involved in those return processes, as well as those who were impacted by them, including museum staff, government representatives and community members. The book presents previously unheard insights into past return processes, the manifold modalities that such processes have followed, and, at times, unexpected outcomes. By doing so, it offers possible lessons to be learnt for future returns. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Leverhulme Trust.

Exploring the Stories of Cultural Objects After their Return

Beyond Restitution

Beacon Classics

And Other Essays

The Straight Mind

A Sunday Times must-read book of 2026Starred review, BooklistElectric Lit's summer reads list Philosophical, tender, and hilariously observed, Nice Places subverts the “go find yourself” travel story, unpacking our shared desire for meaning, connection, and a true place in the worldWhen Georgie quits his job at Oats Technologies to travel the world for one year, he hopes to escape the daily existential discomfort of corporate life. But after a meditation guru robs him on his way to the airport, he awakens in a guest house in the rundown yet vibrant Panhandle neighborhood of his own city.Alone with his phone and a desperate urge to assure his friends and family all is well, Georgie shares a photo of “authentic” boat noodles. To his surprise, everyone loves the post and believes he is overseas. Ant, a mixed media artist from Berlin, proposes a collaboration. With her vision and the help of a charming cast of guests and locals, Georgie’s unlikely adventures unravel in ways he never imagined.

Nice Places

Sonderschriften des Deutschen Archäologischen Instituts Rom

Among the handicraft products of Selinunte, pottery played a central role, both in terms of the development of the city and in relation to its contacts with the motherland Megara Iblaea, the other Sicilian colonies and the indigenous centres of western Sicily. Linda Adorno focuses on the locally produced pottery discovered in the insula on the eastern edge of the agora, which can be dated to the period between the last quarter of the 7th and the end of the 6th century BC. The vessels were categorised according to type and function. For this purpose, a selection of more than 1,200 vases was made from stratigraphies with reliable chronologies. This provides an overview that has never before been available in this form. Although these are simple everyday objects, the study of vase production has provided essential data that contribute to a better understanding of the social, economic and cultural structure of the Selinuntean community.
A significant part of the research was dedicated to the early phases of colonial settlement in order to outline the temporal development of the ceramics produced by the city's workshops based on their models. In analyzing the evolution of these productions, imitation phenomena closely linked to models from the Corinthian and Ionian traditions transmitted by Megara Iblea were also taken into account. Finally, the conclusions propose a reconstructive synthesis of the systems, technological structures and work organisation that characterized the "model" of the Selinunte craft industry.
The book is written in Italian.

Nascita ed evoluzione

Selinus VII. La ceramica di produzione locale di Selinunte

Die Zukunft des kulturellen Erbes

Autres titres sur ce thème