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Uglow Jenny: A Year with Gilbert White

A Year with Gilbert White

The Story of a Nature Writer

A Forest History of Russia and its Empires

The Oak and The Larch

Isms

The description for this book, Ono-isms, will be forthcoming.

Ono-isms

The Collected Prose

Songs Among the Ruins

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"This book uncovers the changing artistic landscape of Poland between the 1920s and 1950s, through the work of Jewish-Polish painter and Holocaust survivor, Henryk Streng (Marek Wlodarski) (1903-1960). Extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism, Streng's work disrupted the established notions of 20th-century Polish art, while making the case for an internationalized history of European Modernism - as demonstrated by this book for the first time"--

The Art of Henryk Streng, 1924-1960

Polish Modernism and Jewish Identity

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

Image Word Action / Bild Wort Aktion / Imago Sermo Actio

Der Ursprung des Bildakts bindet die in den letzten drei Jahrzehnten erzielten Forschungsergebnisse der Vor- und Frühgeschichte kunsthistorisch ein und ist als anthropologische Grundlegung einer Wirkmacht der Form konzipiert. Fossilien-Inklusionen in Faustkeilen erlauben eine materiale und philosophische Bestimmung der «ikonischen Differenz» (Boehm), die für das Verständnis des Bildakts fundamental ist.

Ursprung des Bildakts

An intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigourous interrogation and beautiful style.

The World According to Joan Didion

Laura Carpenter was instrumental in bringing contemporary art to Santa Fe in the mid-1990s. She began her career as a gallerist in Dallas, Texas, showing artists such as Jean-Michel Basquiat and Martin Puryear. Upon her arrival in Santa Fe, she held solo shows for the likes of Kiki Smith, Christo and Jeanne-Claude, Juan Muñoz and Susan Rothenberg, transforming the Santa Fe art world. Ellsworth Kelly, John Chamberlain, Ed Ruscha, Joan Mitchell, Louise Bourgeois and Marina Arbamovic all had shows or came to support fellow artists. Carpenter was also a founder of SITE, helping to permanently establish Santa Fe as a premier destination for contemporary art. Through the lens of Carpenter's experience, this book presents a combination of personal anecdotes, interviews and archival material—from Carpenter as well as critics, curators, art dealers, collectors and artists—to create a historical snapshot of this pivotal time in Santa Fe.

Laura Carpenter - The Gallery Years 1974-1996

America

Roc Nation exec and lifelong fan and curator of hip-hop culture "Lenny S." Santiago presents dynamic photos of today's most popular celebrities and influencers, set on the iconic gold couch in his office, offering a fresh lens on what excellence—the gold standard—means in today's pop culture landscape. Lenny S. has helped shape modern hip-hop culture as we know it. A veteran music biz executive as well-known for his love of photography—nicknamed "Kodak Lens"—as for his ability to craft successful marketing campaigns for stars like Jay-Z, DJ Khaled, and the brightest names in music, sports, fashion, film, and television. With friends like the Carters, LeBron James, and A$AP Rocky, he has been inspired to captured key moments in their glamorous lives with his camera. And when his illustrious guests stop by his Roc Nation office, Lenny picks up his camera and asks them to strike a pose on the gold leather sofa where he holds court. &nbsp; &nbsp;In THE GOLD STANDARD, Lenny S. presents these rare pics of today's brightest stars—inspired, playful, standing on business, and elevating the game. In this stunning four-color hardcover, readers can explore and celebrate what excellence looks like in today’s world of glamour and glitz.

The Gold Standard

A Year with Gilbert White

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