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Farrell K: Fairy Tale Heroine

Fairy Tale Heroine

Live and Write Her Journey

'I urge you to read every syllable' JO BRAND 'Reads like a thriller' DAILY TELEGRAPH 'Illuminating and frequently chilling' JAMES O'BRIEN 'Urgent' EMMA LOUISE-BOYNTON AI is here, bringing a seismic shift in the way our society operates.With misogyny baked into their design, new AI-driven technologies are putting women and marginalised groups in danger, their rights and safety sacrificed at the altar of profitability and reckless speed. In&nbsp;The New Age of Sexism,&nbsp;Sunday Times&nbsp;bestselling author and campaigner Laura Bates takes us deep into the heart of this rapidly evolving world, where power remains largely in the hands of a few rich, white men. She explores the metaverse, confronts deepfake pornography, travels to cyber brothels, tests chatbots, and hears from schools in the grip of online sexual abuse, showing how our lives - from education to work, sex to entertainment - are being infiltrated by easily accessible technologies that are changing the way we live and love. What she finds is a wild west where existing forms of discrimination, inequality and harassment are being coded into the future. Gripping, courageous and eye-opening,&nbsp;The New Age of Sexism&nbsp;exposes a phenomenon we can't afford to ignore any longer.&nbsp;Our future is on the line. We need to act now, before it is too late.'Laura Bates explains how they built the future - and forgot to put women in it' CAITLIN MORAN'All men must read this book if they have any interest in a truly just, fair and equal society' ROBIN INCE**From the Sunday Times bestselling author of Men Who Hate Women and Fix the System, Not the Women**

How the AI Revolution is Reinventing Misogyny

The New Age of Sexism

How Trauma and Repair Transform Biology, Identity, and Women's Health

Beyond Beauty

Bloomsbury Spectres, Hauntings and Horrors

Exploring current debates in creative writing about the borders between fiction and creative nonfiction, this collection of essays draws on concepts of the uncanny and hauntology to challenge, subvert and transgress the boundary between forms. Hauntology, as originally defined by Derrida, challenges the certainties of ontology, in a similar way to debates about truth in creative nonfiction; by bringing together authors that undermine the fiction/nonfiction binary, Haunted Writing considers the ways in which real events and experiences haunt writers as they craft their work. Offering insight into how the past - both personal and historical - is experienced and understood in the present, this book includes writing from a diverse group of established and emerging authors who situate their work on genre boundaries and discuss their own creative practice to show how their writing 'haunts' real events. With essays covering a range of ideas from subjectivity, intersectionality and challenging dominant versions of history, to braiding personal and researched stories, playfulness, experimentation and creating stories from archival documents, this beautifully written collection intervenes in contemporary discussions in creative writing and culture surrounding ownership, appropriation and ethics. Bringing a fresh voice and new perspectives to ever-present questions within creative writing, Haunted Writing uncovers how the past is a spectre that disrupts contemporary writing.

Storytelling from the Borders of Fiction and Nonfiction

Haunted Writing

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

Burning Snowflake

'An insightful, empathetic and well-researched account of a deeply fascinating and macabre true story' KATE MOORE , New York Times bestselling author of The Radium Girls 'Compelling' TELEGRAPH'Such a compelling account of a small but significant dark corner of history... Profound, angry, and tender all at once' VIRGINIA FEITO, author of MRS MARCH'Fascinating and very compelling' ZOE VENDITOZZI, co-author of HOW TO KILL A WITCH 'A moving story of desperation, violence and survival' HELEN LEWIS, author of DIFFICULT WOMENAbusive husbands. Desperate women. Poisonous solutions. At the turn of the 20th century, the women of Nagyrév, Hungary, were in trouble. Their stories were hauntingly similar: husbands who drank, who beat them, who made their lives unbearable.The village midwife - their confidante - offered an answer: arsenic. Soon, women began slipping poison into their husbands' brandy, porridge, and stews. Over the next twenty years, the quiet village became the epicentre of one of the deadliest series of poisonings in modern history.In The Women Are Not Fine, journalist Hope Reese pieces together archival newspapers, court documents, police records and more to uncover the truth behind this extraordinary case. Her findings serve as a stark warning: when women are pushed to the brink, the consequences can reverberate through history.

The Dark History of a Poisonous Sisterhood

The Women Are Not Fine

A Psychological Exploration of Women and Gender

Women's Lives

<div>Mo Willems, a #1 New York Times bestselling and award-winning author and illustrator, delivers a personal, philosophical, and pragmatic look at the art of writing for children.&nbsp;From the creator of The Pigeon, Elephant &amp; Piggie, Knuffle Bunny, and other beloved children's characters comes a collection of essays chronicling Mo Willems' early life through his award-winning career in children's television, theater, art, and books. Willems delivers an in-depth study of his writing process, explores his philosophy on writing for children, and dissects one of his picture books-cover to cover-to give readers a behind-the-scenes look at his creative process. Essays include art, photos, and memorabilia from Willems' sketchbooks and personal archives.Comprised of over twenty-five essays-some writing about stories, others stories about writing-Willems breaks down approaches to the art of storytelling, offers surprising insights and helpful tactics, and answers his most frequently asked question, "Where do you get your ideas?" From Willems' foundational years working at Sesame Street to his groundbreaking debut picture book Don't Let the Pigeon Drive the Bus! to his expansion into exhibits, comedy shows, musicals, and theater, readers go behind the pages and discover how a persistent sketchbook doodle launched a billion "NOs!"</div>

Writing about Stories, Stories about Writing

Words and Pictures by Mo Willems

“Here is a writer with a rare gift for appreciation and for reminding us of all we have to celebrate in our fractured world.”&nbsp;—Pico Iyer, author of 
The Half Known Life Behind the scenes of a globe-spanning career in freelance journalism Foreword by Tim Cahill A Crooked Line celebrates an age when print journalism changed lives and made the world a better place. That era may be winding down, but this perceptive book makes the case for why incisive writing will always matter. Over the course of his 40-year career, Michael Shapiro has reported from more than 20 countries, writing for National Geographic, The Washington Post, The Los Angeles Times and many other top publications. But the itinerant writer’s life, while rewarding, has never been easy.
 
Shapiro worked as an investigative reporter and staff writer for San Francisco Bay Area newspapers before letting go of a regular paycheck and setting out to share stories of people and places worldwide. The exhilarations of the open road, “afoot and light-hearted” as Whitman wrote, were tempered by the challenges of freelancing, from making a living to working with heavy-handed editors.
 
His stories put people first: For a feature about Puerto Rico’s recovery after Hurricane Maria, he visited farmers who spoke of shifting from exporting produce to growing food for local people. His profile of a Yosemite photographer, who climbed Half Dome after being diagnosed with cancer, brought the man’s big-hearted humanity to the fore.
 
Shapiro is known as a travel writer, but his work goes far beyond global dispatches. In this book he shares stories of: <ul><li>saving Sunset magazine’s priceless archive of Western life (including photos made by Ansel Adams) after Time Inc. told staffers to toss everything into a dumpster</li><li>an investigation into the U.S. government’s attempt to conceal the circumstances of pro football star and soldier Pat Tillman’s death during the war in Afghanistan</li><li>writing a tribute about environmental hero Jane Goodall just hours after she died</li><li>how the Grateful Dead’s ecstatic songs celebrate the wonders of nature.</li></ul>Renowned for his books of conversations with writers and artists, A Sense of Place and The Creative Spark, Shapiro has interviewed David Sedaris, Amy Tan, Smokey Robinson, Joan Rivers, Frances Mayes and Peter Matthiessen. In this volume, he tells the story of how he convinced a reluctant Paul Theroux to agree to an interview and shares an in-depth dialogue with poet and philosopher David Whyte. A Crooked Line highlights Shapiro’s best journalism and includes behind-the-scenes anecdotes about how he pitched stories and got assignments worldwide. Postscripts detail what happened afterward; some include letters from people he wrote about, sharing what his coverage meant to them. Due to the dramatic changes in the journalistic landscape, a career like Shapiro’s couldn’t begin today. Yet the skills he honed as a journalist—empathetic listening, concise and evocative writing, and a keen sense of what matters—remain as relevant as ever. The tales and insights in A Crooked Line provide a timely affirmation of journalism’s enduring power to illuminate the human experience. This penetrating book reminds us that whatever life path we choose, it’s vital to make it our own.

The Perils and Rewards of a Life in Freelance Journalism

A Crooked Line

Teaching Black: The Craft of Teaching on Black Life and Literature presents the experiences and voices of Black creative writers who are also teachers. The authors in this collection engage poetry, fiction, experimental literature, playwriting, and literary criticism. They provide historical and theoretical interventions and practical advice for teachers and students of literature and craft. Contributors work in high schools, colleges, and community settings and draw from these rich contexts in their essays. This book is an invaluable tool for teachers, practitioners, change agents, and presses. Teaching Black is for any and all who are interested in incorporating Black literature and conversations on Black literary craft into their own work.

The Craft of Teaching on Black Life and Literature

Teaching Black

'Fun, rooted in science... May this book give all women strength for the times we now live in.' Cat Bohannon A myth-busting vindication of women's physical strengths For decades, Starre Vartan - like most women - was told that having a woman's body meant being weaker than men. Like many women, she mostly believed it. Not anymore. Following a half decade of research into the newest science, Vartan shows in The Stronger Sex that women's bodies are incredibly powerful, flexible, and resilient in ways men's bodies aren't. Tossing aside the narrow notion of the tall, muscular man as the measure of strength, Vartan reveals the ways that women surpass men in endurance, flexibility, immunity, pain tolerance, and the ultimate test of any human body: longevity. In interviews with dozens of researchers from biology, anthropology, physiology, and sports science, plus in-depth conversations with runners, swimmers, wrestlers, woodchoppers, thru-hikers, firefighters, and more, The Stronger Sex squashes outdated ideas about women's bodies. It's a celebration of female strength that doesn't argue "down with men" but "up with us all."

The Power of the Female Body

The Stronger Sex

It's time to shed the beauty myth and find a new freedom.In this powerful and precise book, Saskia Alais examines how we originated harmful beauty ideals and the many ways in which we continue to perpetuate them. Unpicking decades of harmful expectation, confused politics and false empowerment, BOMBSHELL throws a long overdue challenge at the media and beauty industry, exposing the sinister facts that see Western beauty standards affect every aspect of women's lives - from employment and class relations to dating and sexual violence.Featuring the voices of women from all corners of society and interviews with high-profile cultural figures, BOMBSHELL dissects popular contemporary conversation around women and their bodies, ultimately showing how we can detonate the system that does us damage.

Bombshell

Fairy Tale Heroine

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