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Eggers D: Crafting an Intentional Career
for the Musical Theatre Performer

Crafting an Intentional Career for the Musical Theatre Performer

Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public's contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and "radically inclusive" theater for all. One Public presents the broader organization, its creative methodology, and its enormous growth over the past twenty years. Framed by the tenure and leadership of its current artistic director Oskar Eustis, the book tells the contemporary story, recorded over many interviews with iconic practitioners and performers, ranging from Diane Paulus, Tony Kushner, and Lynn Nottage to Kevin Kline, Chelsea Clinton, and Lin-Manuel Miranda. Case study-driven, One Public uses oral history accounts and authorial experience to illuminate The Public Theater, Eustis, and their cultural influence on the city of New York and the greater United States. The story highlights the successes and challenges of an institution at once espousing a mission of inclusive and community-based arts creation, while also developing Broadway hits and international fame.

New York’s Public Theater in the Era of Oskar Eustis

One Public

Imagination, Body, Breath, Voice

The Integrated Actor

Shakespeare in Performance

Boika Sokolova and Kirilka Stavreva's second edition of the stage history of The Merchant of Venice interweaves into the chronology of James Bulman's first edition richly contextualised chapters on Max Reinhardt, Peter Zadek, and the first production of the play in Mandatory Palestine, directed by Leopold Jessner. The main focus of the book is on post-1990s productions across Europe and the USA. The Segue provides a broad survey of the interpretative shifts in performance from the 1930s to the second decade of the twenty-first century. Informative chapters on productions of the play by major contemporary directors present the work of Trevor Nunn, Robert Sturua, Edward Hall, Rupert Goold, Daniel Sullivan and Karin Coonrod's staging in the Venetian Ghetto. An extensive section engages with the cinematic history of the play, from silent-era adaptations, like Peter Paul Felner's Der Kaufmann von Venedig (The Jew of Mestri), through Pierre Billon's talkie Le Marchand de Venise; it includes a close analysis of Don Selwyn's Te Tangata Whai Rawa or Weniti (The Maori Merchant of Venice) and Michael Radford's William Shakespeare's The Merchant of Venice. This broad picture of key theatrical and film transformations of The Merchant of Venice will prove essential to students of the history of performance, scholars interested in the general trends and local specificities of the play's staging and reception, as well as to theatre practitioners and all those who are prepared to look into the dark history of anti-Semitism and oppression, reflected in the stage fortunes of Shakespeare's play.

The Merchant of Venice

Modern Musicology and the College Classroom

A Teacher's Guide

Teaching Canonic Opera and Musical Theater with Intention

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Producing on Broadway: A Practical Guide to Modern Commercial Theater is the first ever in-depth guide to becoming a successful theatrical producer. This book provides a thorough and detailed examination of the various skillsets that must be developed in order to be competitive in the business, and explains how those skills are applied in real life situations. Grounded soundly in the theory, history, realities, and aesthetics of the business, two-time Tony Award winning author John Pinckard explains each aspect of making a Broadway show happen, coloring the text with personal anecdotes and case studies of successful producers.

Producing on Broadway: A Practical Guide to Modern Commercial Theater is the first ever in‐depth guide to becoming a successful theatrical producer. This book provides a thorough and detailed examination of the various skillsets that must be developed in order to be competitive in the business, and explains how those skills are applied in real life situations. Grounded soundly in the theory, history, realities, and aesthetics of the business, two-time Tony Award winning author John Pinckard explains each aspect of making a Broadway show happen, coloring the text with personal anecdotes and case studies of successful producers.

A Practical Guide to Commercial Theater

Producing on Broadway

The Politics of Form in Contemporary British Performance

Proper Theatre

Have you ever sat in a darkened theatre and not been able to take your eyes off one radiant performer as they drew you into their real yet imaginary world? If so, you were experiencing synergy, also known as the 'It' factor; that magical, ephemeral energy that has defied explanation - until now. Find Your 'It' Factor is an informative handbook for anyone seeking to explore their personal light or re-ignite their inner flame, onstage or off. Explored through musical theatre performance, this guide combines original research with practical application which in turn helps you understand the essential elements that make up the 'It' factor, elevating your performance beyond the ordinary. Drawing on years of practical experience within the professional world of musical theatre in the UK and Australia, Jacqui Hall Cuny introduces and unpacks the concept of 'It' in relation to performance. Using theory and primary research, she asks: what does it mean to have 'It'?; can 'It' be learned and commanded at will?; what can advance 'It' and what shuts it down?; and how can we use 'It' in our everyday lives? Featuring a foreword by Philip Quast and interviews from 42 Australian musical theatre actors and creative directors this is a unique and engaging must-have for those entering the industry. Whether you are a professional performer seeking to grow your existing skill base or a student seeking the confidence to express yourself freely, this book unlocks secrets to ensure you succeed. This book is accompanied by a companion website with videos of techniques and exercises used in the book.

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

The fifth edition of Sound and Music for the Theatre traces the process of how to build a sound design to support a theatrical production, from initial concept through implementation in actual performances.The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects to negotiating a contract. It explores how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with 'war stories' describing real-life problems with solutions that readers can apply in their own work, whether they are a sound designer, composer, or sound operator. Also featured are numerous roundtable forums offering insights from theatre luminaries across all aspects of theatrical production. New updates to this edition include:<ul> <li>Insights from Sir Patrick Stewart, Alan Cumming, and Lillias White, among others</li> <li>Inspiring content in the roundtable discussion "A Sense of Sound: An Actors' and Educators' Forum"</li> <li>Updates to paperwork and checklists to reflect modern equipment</li> <li>Revised thoroughly for advancements in technology and procedures</li> </ul>Sound and Music for the Theatre has been the definitive text for sound designers for over three decades, whether they are professionals, students, or enthusiasts. It is essential reading for sound designers and others in the theatre who want a deeper understanding of the craft.

The Art & Technique of Design

Sound and Music for the Theatre

Shakespeare and Adaptation

Jean-François Ducis and the First European Adaptations

Classicizing Shakespeare

The Essential John Berger

Goya's Last Portrait and The Question of Geography are the result of collaboration between John Berger and the actress and writer Nella Bielski. Here, collated for the first time as part of the Essential John Berger Series. Goya's Last Portrait, is a study of the artist looking back on his work and drawing the outline of the relationship between art and life. Having painted the darkest images of the soul, the horrors of war, as well as the vibrant colours of aristocratic life, Goya's questions whether he has reflected life or changed it. The Question of Geography, premiered at the Royal Shakespeare Company, i s set in Magadan, a town in the Soviet Far East where former political prisoners, known as "Zeks," are forced to live after serving their sentences. The play delves into themes of exile, displacement, the lasting effects of political repression, and the struggle to rebuild lives after imprisonment.

Goya's Last Portrait/A Question of Geography

Crafting an Intentional Career for the Musical Theatre Performer

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