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Berger J: Goya's Last Portrait/A
Question of Geography

Goya's Last Portrait/A Question of Geography

A definitive six-volume catalogue raisonné documenting the entire body of paintings made by Amedeo Modigliani

Catalogue Raisonne of Painting

Amedeo Modigliani

Shakespeare: The Critical Tradition

"This volume offers critical opinions about Twelfth Night across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures such as Thomas De Quincey, Charles Knight, Mary Cowden Clarke, Charles Lamb, George Bernard Shaw and Caroline F. E. Spurgeon. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods"--

This new volume in the Shakespeare: The Critical Tradition increases our knowledge of how Twelfth Night was received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures such as Thomas De Quincey, Charles Knight, Mary Cowden Clarke, Charles Lamb, George Bernard Shaw and Caroline F. E. Spurgeon. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. The volume makes a major contribution to our understanding of the Twelfth Night and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

Twelfth Night

Laura Carpenter was instrumental in bringing contemporary art to Santa Fe in the mid-1990s. She began her career as a gallerist in Dallas, Texas, showing artists such as Jean-Michel Basquiat and Martin Puryear. Upon her arrival in Santa Fe, she held solo shows for the likes of Kiki Smith, Christo and Jeanne-Claude, Juan Muñoz and Susan Rothenberg, transforming the Santa Fe art world. Ellsworth Kelly, John Chamberlain, Ed Ruscha, Joan Mitchell, Louise Bourgeois and Marina Arbamovic all had shows or came to support fellow artists. Carpenter was also a founder of SITE, helping to permanently establish Santa Fe as a premier destination for contemporary art. Through the lens of Carpenter's experience, this book presents a combination of personal anecdotes, interviews and archival material—from Carpenter as well as critics, curators, art dealers, collectors and artists—to create a historical snapshot of this pivotal time in Santa Fe.

Laura Carpenter was instrumental in bringing contemporary art to Santa Fe in the mid-1990s. She began her career as a gallerist in Dallas, Texas, showing artists such as Jean-Michel Basquiat and Martin Puryear. Upon her arrival in Santa Fe, she held solo shows for the likes of Kiki Smith, Christo and Jeanne-Claude, Juan Muñoz and Susan Rothenberg, transforming the Santa Fe art world. Ellsworth Kelly, John Chamberlain, Ed Ruscha, Joan Mitchell, Louise Bourgeois and Marina Arbamovic all had shows or came to support fellow artists. Carpenter was also a founder of SITE, helping to permanently establish Santa Fe as a premier destination for contemporary art. Through the lens of Carpenter's experience, this book presents a combination of personal anecdotes, interviews and archival material—from Carpenter as well as critics, curators, art dealers, collectors and artists—to create a historical snapshot of this pivotal time in Santa Fe.

Laura Carpenter - The Gallery Years 1974-1996

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

The major monograph Howard Smith celebrates the far-reaching practice of the multifaceted African-American artist, designer, and collector who spent most of his creative life in Finland.Working with paper, pigments, wood, clay, textiles, and metal, Smith had both fine art and commercial practices. While he designed for industry—planning interior designs for corporate offices, public buildings and a ferry—he especially enjoyed recycling items like scrap metal, used cardboard, and castoff clothing, which he transformed into&nbsp;offbeat compositions.&nbsp;Howard Smith’s work displays an exuberance and generosity characteristic of the man.&nbsp;Immediately recognizable for bold gestures in line, plane, and mass, his creations embrace rich colors and contrasts in material and form. He referred to many of these forms as ‘glyphs,’ vibrant figures that often suggest the human form in posture of celebration.Exhibition schedule: Palm Springs Art Museum, Palm Springs, California (opening May 2025) National Nordic Museum, Helsinki, Finland (dates TBD)

The major monograph Howard Smith celebrates the far-reaching practice of the multifaceted African-American artist, designer, and collector who spent most of his creative life in Finland.Working with paper, pigments, wood, clay, textiles, and metal, Smith had both fine art and commercial practices. While he designed for industry—planning interior designs for corporate offices, public buildings and a ferry—he especially enjoyed recycling items like scrap metal, used cardboard, and castoff clothing, which he transformed into&nbsp;offbeat compositions.&nbsp;Howard Smith’s work displays an exuberance and generosity characteristic of the man.&nbsp;Immediately recognizable for bold gestures in line, plane, and mass, his creations embrace rich colors and contrasts in material and form. He referred to many of these forms as ‘glyphs,’ vibrant figures that often suggest the human form in posture of celebration.Exhibition schedule: Palm Springs Art Museum, Palm Springs, California (opening May 2025) National Nordic Museum, Helsinki, Finland (dates TBD)

Howard Smith

Penguin Design

with Hans Ulrich Obrist

Ai Weiwei Speaks

The first monograph on Venezuelan multimedia artist Arturo Herrera in nearly twenty years, this comprehensive book takes a deep look at his diverse body of work.
This new publication highlights the breadth of Herrera’s practice from the start of his career to the present, showcasing painting, mixed media works on paper, photography, collage, glass, felt sculpture, and architectural interventions.&nbsp;
For nearly thirty years, Herrera has investigated and contaminated the complex histories of abstraction. His approach to material—as both subject and object—simultaneously reveals and conceals fragments of pop culture and found images within layers of shape, color, and line. The resulting compositions conjure multiple associations, creating an open-ended, charged exchange between artist, artwork, and viewer.
In addition to the rich plate section, this monograph includes a comprehensive exhibition history, essays by Valerie Smith and Scott Roben, and a conversation between Herrera and his good friend and fellow artist Josiah McElheny.

The first monograph on Venezuelan multimedia artist Arturo Herrera in nearly twenty years, this comprehensive book takes a deep look at his diverse body of work.Most known for collage, felt sculpture, and wall painting, Herrera references the complex legacy of&nbsp;abstraction using modernist visual languages.&nbsp;Often employing found material and sourced elements, Herrera’s work incorporates&nbsp;discrete iconography and familiar imagery to provoke a multiplicity of references and readings. As his practice has evolved, the artist has become renowned for his colorful abstract mixed-media pieces that adapt and renew techniques of fragmentation and layering found in his earlier collage-based work.

Arturo Herrera: Works 1992-2024

No other female portrait artist had the notoriety or esteemed clientèle that Amalia Kussner did. One of the most sought-after miniaturists of the Gilded Age, Amalia painted Gilded Age elites (including Astors and Vanderbilts) and European royals alike. She led a life both fascinating and mysterious that included not only fame and fortune, but also a few lawsuits, scandals, and lies.

Amalia Kussner’s Gilded Age Pursuit of Fame and Fortune

The Miniature Painter Revealed

Harvard Library of Ukrainian Literature

The Forest Song, a play in three acts, unfolds in spirited dialogues between Ukrainian mythological characters and people of the land. It meditates on humanity and nature and recreates local Volhynian folklore. This crowning achievement by Lesia Ukrainka is a testament to the power of love to overcome differences and even bring back the dead.

The Forest Song, a play in three acts, unfolds in spirited dialogues between Ukrainian mythological characters and people of the land. It meditates on humanity and nature and recreates local Volhynian folklore. This crowning achievement by Lesia Ukrainka is a testament to the power of love to overcome differences and even bring back the dead.

A Fairy Play

The Forest Song

Using timeless imagery of powerful women, sprawling country and scenes of magical surrealism that evoke not-so-distant times and places, Andrea Kowch has risen to be one of the leading figurative realists working today. The Michigan artist is a powerhouse of a painter who is comfortable working large and with complex compositions, and yet her work is also delicate, sensitive and willing to carefully embrace her audience with empathy and compassion. Here in these pages, viewers can step into Kowch's world to meet her strong-willed subjects, live in her gorgeous settings and explore her powerful themes of love, womanhood, strength and independence.

The Art of Andrea Kowch

Across a Rural Skyline

Yale Drama Series

The seventeenth winner of the Yale Drama Prize, a deeply personal celebration of trans identity and the magic it takes to define yourself in our world &nbsp; After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. &nbsp; Of this year’s prizewinning play, Yale Drama Prize judge and award-winning playwright Jeremy O. Harris says, “In this time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”

this dry spell

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Goya's Last Portrait/A Question of Geography

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