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Produkt vom BFSG ausgenommen: Hersteller ist Kleinstunternehmen

Martín Patricio Melgar

Emilio Diego Velazco

Cosa de locos

Por qué Argentina no encuentra un camino de desarrollo estable

Argentine Freedom
 provides the first account of the most disruptive figure in Argentine history since the nation’s return to democracy. In just a few years, Javier Milei rose from television economist and social media provocateur to president of a country long defined by crisis, state intervention, and political polarization. His ascent has sparked fierce debate at home and abroad: is Milei a threat to democracy, a neo-conservative, or the herald of a much larger liberal revival?
 
 The book provides a balanced examination of Milei’s rise to power. Rather than judging his policies, economic historian Sebastián Álvarez and political philosopher Ezequiel Spector ask a deeper set of questions: Where do Milei’s ideas come from? How do they relate to Argentina’s liberal tradition and its history of populism, socialism, and authoritarianism? And what does his presidency reveal about the tensions between liberty, equality, and democracy in the twenty first century?&nbsp;
 
 Blending economic history, political philosophy, and contemporary analysis,&nbsp;
 Argentine Freedom
 traces Argentina’s long ideological arc from the liberal foundations of the 1853 Constitution, through Peronism, military rule, neoliberal reform, and the interventionist turn after the 2001 collapse, to the two liberal “waves” that culminated in Milei’s election. Along the way, it unpacks the meanings of liberalism and libertarianism, contrasts them with their main rivals, and situates Milei within both national history and a broader global surge of anti establishment leaders.
 
 The resulting book offers a framework for understanding Javier Milei as a political actor—and Argentina as a country once again at a crossroads.
 Sebastián Álvarez
 is Professor at Universidad Adolfo Ibáñez in Chile and Associate Researcher at the Graduate Institute in Geneva, Switzerland. His work explores the history of finance and banking in Latin America, with particular attention to how capital markets shape economic policy and international relations. He is the author of 
 Mexican Banks and Foreign Finance
 (Palgrave Macmillan, 2019).
 Ezequiel Spector
 is Research Professor and Director of the Master of Arts program in Philosophy, Politics, and Economics at Adolfo Ibáñez University in Chile. He is the author of 
 Freedom as Social Cooperation&nbsp;
 (Palgrave Macmillan, 2026).

Argentine Freedom
 provides the first account of the most disruptive figure in Argentine history since the nation’s return to democracy. In just a few years, Javier Milei rose from television economist and social media provocateur to president of a country long defined by crisis, state intervention, and political polarization. His ascent has sparked fierce debate at home and abroad: is Milei a threat to democracy, a neo-conservative, or the herald of a much larger liberal revival?
 
 The book provides a balanced examination of Milei’s rise to power. Rather than judging his policies, economic historian Sebastián Álvarez and political philosopher Ezequiel Spector ask a deeper set of questions: Where do Milei’s ideas come from? How do they relate to Argentina’s liberal tradition and its history of populism, socialism, and authoritarianism? And what does his presidency reveal about the tensions between liberty, equality, and democracy in the twenty first century?&nbsp;
 
 Blending economic history, political philosophy, and contemporary analysis,&nbsp;
 Argentine Freedom
 traces Argentina’s long ideological arc from the liberal foundations of the 1853 Constitution, through Peronism, military rule, neoliberal reform, and the interventionist turn after the 2001 collapse, to the two liberal “waves” that culminated in Milei’s election. Along the way, it unpacks the meanings of liberalism and libertarianism, contrasts them with their main rivals, and situates Milei within both national history and a broader global surge of anti establishment leaders.
 
 The resulting book offers a framework for understanding Javier Milei as a political actor—and Argentina as a country once again at a crossroads.

Javier Milei and the Libertarian Wave

Argentine Freedom

The Global Bestseller from the International Booker Prize-shortlisted Author of Fever Dream CONFRONT THE DARKNESS 'A fabulous writer. Her stories are subtle, always haunting and deeply human' - Isabel Allende A young mother steps into the water, determined to end her life. What will bring her back? 'You will find yourself in the space on the other side of terror - a space of openness, fragility and strange reassurance' - The Guardian For a single moment, a baby is left unattended in a room of everyday dangers. 'Just stellar - Extreme, uncanny and beautifully controlled' - Anne Enright In a high-rise apartment block, in a city far from home, a ghost appears. 'A master of the uncanny' - The New Yorker When a lonely woman acts on a kind impulse the consequences will be dark, bold and revelatory. 'These stories are perfect for the times we dwell inside' - Colum McCann From the thrice International Booker nominated author of Fever Dream and Little Eyes come six perfect terrors to change your days and haunt your dreams. 'Mesmerizing . . . powerfully evocative and unsettling' - Joyce Carol Oates, The New York Times

Good and Evil and Other Stories

El primer modelo de Meta-Competencias Agile

Liderar las olas del cambio desarrollando talento ágil

La redacción de este libro empezó hace dos años y medio; su contenido está centrado en el análisis del debate proteccionismo versus el libre comercio. Al presentarse la crisis derivada del covid-19 el estudio de sus efectos fue incorporado a la investigación, por lo que el análisis inicial quedó circunscrito en un extenso capítulo (4) y en los demás se analizan las consecuencias de la crisis en la economía nacional y cómo la enfrentó el gobierno federal. Se revisa también la manera en la que la economía estadunidense afrontó la crisis, así como las diferentes posturas a favor y en contra de los paquetes de estímulo fiscal y monetario instrumentados y sus consecuencias para la economía nacional.

Arturo Huerta González

La economía mexicana en la trampa de la continuidad neoliberal. Política económica y sector externo

Renato Cesarini (1906-1969) è passato alla leggenda come talento del calcio, goleador dell'ultimo minuto, ma è stato molto altro. Uno scoppiettante, appassionante romanzo-collage ne ricostruisce la vita tra due continenti, in un incredibile susseguirsi di avventure affrontate con la stessa suadente leggerezza e sfrontata improvvisazione di un tango argentino. Dopo un lungo viaggio in piroscafo, stipato sottocoperta, un bambino ancora in fasce sbarca insieme ai genitori, emigranti italiani, a Buenos Aires. Gli capiterà più volte, in un secolo pieno di strappi e contraddizioni, di attraversare l'Atlantico in entrambe le direzioni. Passa da borsaiolo imberbe ad acrobata circense nella Boca, fino a diventare la stella di ben due nazionali di calcio: Argentina e Italia. Sarà un viveur, gran bevitore di champagne, nottambulo impenitente, proprietario di una tangueria a Torino e sempre circondato da personaggi ambigui, tra cui agenti segreti, campioni di boxe, una celebre amante di Mussolini e un'affezionata scimmia.

Romanzo

Zona Cesarini

machina

Adolfo Bioy Casares sah im Kino eine gewaltige Herausforderung für die Literatur, auf die er mit spezifisch literarischen Strategien reagierte. Bei den Verfilmungen seiner Texte erwiesen sich just diese Techniken als große Hürden: Die Herausforderung durch den Film wandelte sich zu einer Herausforderung an den Film. Matthias Hausmann widmet sich den filmisch geprägten Texten des argentinischen Autors sowie deren Adaptionen für die Leinwand. Damit rückt er einen bislang wenig beachteten Komplex der Film-Literatur-Beziehungen in den Fokus und gewinnt dadurch neue Erkenntnisse über narrative Verfahren, insbesondere die mise en abyme.

Adolfo Bioy Casares sah im Kino eine gewaltige Herausforderung für die Literatur, auf die er mit spezifisch literarischen Strategien reagierte. Bei den Verfilmungen seiner Texte erwiesen sich just diese Techniken als große Hürden: Die Herausforderung durch den Film wandelte sich zu einer Herausforderung an den Film. Matthias Hausmann widmet sich den filmisch geprägten Texten des argentinischen Autors sowie deren Adaptionen für die Leinwand. Damit rückt er einen bislang wenig beachteten Komplex der Film-Literatur-Beziehungen in den Fokus und gewinnt dadurch neue Erkenntnisse über narrative Verfahren, insbesondere die mise en abyme.

Film und Literatur als gegenseitige Herausforderung

Adolfo Bioy Casares und das Kino

AN IRISH INDEPENDENT BOOK TO CATCH YOUR IMAGINATION 'A psychedelic fever dream' ESQUIRE MOST ANTICIPATED BOOK 'A wildly original anti-capitalist satire' GUARDIAN 'A rip-roaring satire of late capitalism and humanity's unerring instinct for self-sabotage' IRISH TIMES 'An incandescent imagination' VALERIA LUISELLI The year is 2272. New York and Buenos Aires were submerged years ago and the Patagonian archipelagos are the only habitable lands on Earth. Here, Dengue Boy is a humanoid mosquito whose monstrous appearance repulses everyone, including his own mother. As the world spirals to its end, Dengue Boy searches for the meaning of his life and his true origins. Elsewhere, adults exploit the value of pandemics on the Stock Exchange and waste the last of Earth's resources, while their privileged children plug into virtual realities and stream violent video games. For readers of China Miéville, Samanta Schweblin and Mariana Enríquez, with joyful, savage flair, Dengue Boy blends body horror and cyberpunk to deliver an extraordinary portrait of a demented future. Translated from Spanish by Rahul Bery

Borges meets Isabel Waidner and Mariana Enriquez in this punk dystopia which introduces a bold, brilliant new voice from Argentina

'Smart, funny and brutal' Mariana Enríquez

Dengue Boy

Varios

Juan Manuel Matés-Barco

Retratos de historia de la empresa

Liderazgo e innovación

Set in a stark landscape of cliffs and precipices high above the Argentine pampas, Mariana Travacio's All That Dies in April follows the members of one small family as each makes a solitary journey out of their treacherous mountain home in search of a better life.
"Hypnotic, almost ancestral voices echo through&nbsp;this novel&nbsp;like whispers in the wilderness, like orphan cries and wounds of light accompanying us on a powerful journey from which none of us will emerge unscathed."&nbsp;-Agustina Bazterrica,&nbsp;bestselling author of&nbsp;Tender is the Flesh
Lina has dreamt for years of leaving her tiny village in the drought-stricken region. Her son left long ago to find work and a better fortune. Relicario, her husband, is content to stay put in the land of his ancestors, tending to their graves. Ignoring Relicario’s pleas, a desperate Lina decides to abandon their home in search of her son, work, and water. She starts her journey on foot, and Relicario eventually follows behind, bringing a donkey and a sack with his ancestors’ bones. Both witness unspeakable violence, cruelty, and folly, but the hope of reuniting their family keeps them alive. 
Poetically charged, restrained, and delicately condensed, this is a suspenseful ancestral tale rooted in a long Latin American history of rural displacement and perpetual inequality.

All That Dies in April

Inspired by family lore, a young writer embarks on an epic quest through the Argentine Andes in search of a heritage spanning hemispheres and centuries, from the Jewish Levant to turn-of-the-century trade routes in South America One Thanksgiving afternoon at his grandparents’ house, Jordan Salama discovers a large binder stuffed with yellowing papers and old photographs—a five-hundred-year wandering history of his Arab-Jewish family, from Moorish Spain to Ottoman Syria to Argentina and beyond. One story in particular captures his attention: that of his great-grandfather, a Syrian-born, Arabic-speaking Jewish immigrant to Argentina who in the 1920s worked as a traveling salesman in the Andes—and may have left behind forgotten descendants along the way. Encouraged by his grandfather, Jordan goes in search of these “Lost Salamas,” traveling more than a thousand miles up the spine of South America’s greatest mountain range. Combining travelog, history, memoir, and reportage, Stranger in the Desert transports readers from the lonely plains of Patagonia to the breathtaking altiplano of the high Andes; from the old Jewish quarter of Damascus to today’s vibrant neighborhoods of Buenos Aires. It is also a fervent journey of self-discovery as Salama grapples with his own Jewish, Arab, and Latin American identities, interrogating the stories families tell themselves, and to what end.

A Family Story

Stranger in the Desert

In a world of lies, proof is power. John Dyer must take on a deadly political conspiracy in order to bring his friend's killer to justice in this gripping thriller by an award-winning writer. 'An addictive page-turner' Charles Beaumont Forty years ago four university friends in Michigan witnessed a terrible crime that went unpunished. John Dyer has done his best to forget that day but when two of the group die in suspicious circumstances his journalistic instincts push him to investigate. Why, after all this time, they are being silenced? Little does Dyer know that he is walking into a dangerous political conspiracy. When you're up against a presidential candidate and his operatives, and you can't trust anything you're told, how will Dyer find the proof he needs? 'Superbly written, with atmosphere, intelligence and tension, it reminds you of the best of Graham Greene. There can be no higher praise' Daily Mail 'A terrific novel' Literary Review

Frame 37

A lively inquiry into a literary genius, the translators who immortalized him, and what it means to cultivate a rich inner life in turbulent times"What happens to a writer's work when it is translated–specifically, what happens if his name is Franz Kafka?"In Kafkaesque, Maïa Hruska traces the strange, shape-shifting legacy of one of literature’s most elusive figures—not through traditional biography but through the lives of his earliest and most influential translators. With rigor and élan, she shows us how our understanding of Kafka is inevitably filtered through these voices, many of whom were, or would become, major writers and thinkers in their own right.Jorge Luis Borges rendered Kafka into Spanish, recognizing in him a fellow architect of the infinite. Primo Levi used the German he acquired in a concentration camp to bring The Trial into Italian despite the “psychoanalytic repulsion” he felt toward Kafka. Bruno Schulz published his Polish edition of the same novel before being shot by a Nazi officer. Vladimir Nabokov annotated The Metamorphosis in exile, having undergone his own transformation–from native to foreigner. Milena Jesenská, Kafka’s great love, translated him into Czech, a language he was both surrounded by and estranged from.What emerges across these essays isn’t just a portrait of a legendary writer and his translators but also a portrait of the twentieth century itself—its fractures and displacements, its aesthetic revolutions, its ethical crises. Part cultural history, part group biography, Kafkaesque is a dazzling meditation on language, identity, and the irreducible strangeness of reading and being read.

A lively inquiry into a literary genius, the translators who immortalized him, and what it means to cultivate a rich inner life in turbulent times "What happens to a writer's work when it is translated–specifically, what happens if his name is Franz Kafka?"In Kafkaesque, Maïa Hruska traces the strange, shape-shifting legacy of one of literature’s most elusive figures—not through traditional biography but through the lives of his earliest and most influential translators. With rigor and élan, she shows us how our understanding of Kafka is inevitably filtered through these voices, many of whom were, or would become, major writers and thinkers in their own right. Jorge Luis Borges rendered Kafka into Spanish, recognizing in him a fellow architect of the infinite. Primo Levi used the German he acquired in a concentration camp to bring The Trial into Italian despite the “psychoanalytic repulsion” he felt toward Kafka. Bruno Schulz published his Polish edition of the same novel before being shot by a Nazi officer. Vladimir Nabokov annotated The Metamorphosis in exile, having undergone his own transformation–from native to foreigner. Milena Jesenská, Kafka’s great love, translated him into Czech, a language he was both surrounded by and estranged from. What emerges across these essays isn’t just a portrait of a legendary writer and his translators but also a portrait of the twentieth century itself—its fractures and displacements, its aesthetic revolutions, its ethical crises. Part cultural history, part group biography, Kafkaesque is a dazzling meditation on language, identity, and the irreducible strangeness of reading and being read.

From Jorge Luis Borges to Primo Levi, Ten Writers Who Translated Kafka and Transformed Twentieth-Century Literature

Kafkaesque

Cosa de locos

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