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A human history told through clay, from the critically acclaimed author of The Foghorn's Lament

A human history told through clay, from the critically acclaimed author of The Foghorn's Lament

Allan J: Clay / B

Clay

A Human History

In the 1940s, it was believed that homosexuality had been becoming more widespread in the aftermath of war. A moral panic ensued, centred around London as the place to which gay men gravitated. Peter Parker's fascinating new compendium explores what it was actually like for queer men in London in this period, whether they were well-known figures such as Francis Bacon, Joe Orton and Kenneth Williams, or living lives of quiet - or occasionally rowdy - anonymity in pubs, clubs, more public places of assignation, or at home. It is rich with letters, diaries, psychological textbooks, novels, films, plays and police records, covering a wide range of viewpoints, from those who deplored homosexuality to those who campaigned for its decriminalisation. This second volume, from 1960 to 1967, shows how key elements in British society gradually changed their views on homosexuality, resulting in the landmark 1967 act by which it was no longer considered a crime if it took place between adults in private. This did not end violence, discrimination and prejudice, but it at least curbed official persecution. Some Men in London is a testament to queer life and its thriving, joyous subculture - a subculture without which the 1960s would have been immeasurably impoverished.

Some Men In London: Queer Life, 1960-1967

The Hidden History of the Weight Loss and Wellness Industries--And the Lies They Sold Us

Maintenance Phase

The Company of Owls

Dr. Martin Luther King Jr. on Chaos or Community

Artists and Lovers, Freedom and War

A Vast Horizon

A History of the UK in Data

Sum of Us

'"I liked the Jewish jokes," she says. "Oh, it's OK", I say. "I'm allowed to make them."Her eyes light up. And so it all begins.'When Max meets Eliana, a dazzling modern Orthodox Jewish girl, in a bar in Edinburgh one night, he never expected it kickstart an agonising identity crisis. While their connection is instant and deep, Max discovers a devastating truth: that to millions around the world, including the girl he's fallen for, he was deemed non-Jewish. Determined to build a future with her, comedian, writer (and uncircumcised liberal Jew) Max Olesker embarks on the world's most demanding religious conversion process. He navigates the complexities of Jewish laws and history, the challenges of maintaining a relationship without physical contact, and coming to terms with undergoing circumcision. From living with an Orthodox family in Hendon for eight months to enduring gruelling interrogations by a high court of Rabbis, Max's journey is a rollercoaster of heartbreak, humour and self-discovery. A hilarious and moving account of one man's quest to marry the love of his life, Making the Cut will make you laugh, cry, and believe in the transformative power of love.

Making the Cut

Corruption, sleaze and violence were woven into the fabric of 20th-century Sicilian life, as the Mafia rose to dominance; this is the story of the one man who stood in opposition. In 1986, the largest Mafia trial in Italy's history took place in Sicily. The maxi-processo saw 462 men and 4 women take the stand, accused of kidnapping, extortion, drug trafficking and thousands upon thousands of murders. Sitting in the galley was Leonardo Sciascia, then aged 65. One of the greatest European writers of the 20th century, he had published the only fictional account of the Mafia, The Day of the Owl, in 1961, and was widely seen by Italians as the one true moral figure in a county where corruption had seeped into every corner of public and private life. Sciascia was born in 1921 and came of age alongside the then-adolescent Mafia. Following the First World War, Sicily faced extreme poverty and hardship, and many Sicilians did not recognise Rome's leadership, leaving a void local gangsters would soon fill. Witnessing the spread of corruption and violence in his own hometown, Sciascia predicted it would soon spread north, and he was right: by the 1980s, the Mafia had infiltrated every level of Italian politics and grown into an international, highly successful business. In A Sicilian Man, prize-winning historian and biographer Caroline Moorehead charts Sciascia's life against the rise of the Mafia, and lays out the thrilling and devastating struggle that ensued for Italy's soul.

Leonardo Sciascia, the Rise of the Mafia and the Struggle for Italy’s Soul

A Sicilian Man

The Helsinki Trilogy

Backlight

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

Clay

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